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Classical Period Part III

Classical Period Part III

Assessment

Presentation

Arts, Performing Arts

9th - 12th Grade

Practice Problem

Hard

Created by

Nick Pulido

Used 10+ times

FREE Resource

16 Slides • 7 Questions

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Classical Period Part III

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5.4 Theme and Variation

  • Theme and variation is a form in which a basic musical idea (the theme) is repeated over and over and is changed each time in melody, rhythm, harmony, dynamics, or tone color.

  • Widely used in the classical period

  • Used either as an independent piece or as one movement of a larger work

  • Sometimes the main melody is accompanied by a countermelody (a second melodic idea)

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Example:

FRANZ JOSEPH HAYDN,

Symphony No. 94 in G Major

(The Surprise Symphony)

Second Movement: Andante

Theme and variations, duple meter, C Major

2 flutes, 2 oboes, 2 bassoons, 2 French horns, 2 trumpets, timpani, 1st violins, 2nd violins, violas, cellos, double basses

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5.5 Minuet and Trio

  • A minuet and trio is a compositional form--derived from dance--in three parts: minuet (A), trio (B), minuet (A)

  • Often used as the third movement of classical symphonies, string quartets, and other works

  • Triple meter

  • Moderate tempo

  • Meant for listening, not dancing

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Minuet and Trio Structure

Minuet (A)

Broken into three sections -

a (repeated) --> b a' (repeated)


Trio (B)

Broken into three sections -

c (repeated) --> d c' (repeated)


Minuet (A)

Broken into three sections -

a b a' (no repeats)

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Example:

WOLFGANG AMADEUS MOZART, Eine Kleine Nachtmusik (A Little Night Music)

Third Movement: Minuet (Allegretto)

A B A form, triple meter, G major


Chamber ensemble: 1st violins, 2nd violins, violas, cellos, double basses

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5.6 Rondo

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Rondo Form

  • Rondo is a compositional form that features a main theme (A) that returns several times in alternation with other themes

  • A B A C A

  • A B A C A B A

  • This form is often used as the final movement in classical symphonies, string quartets, and sonatas.

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Sonata-Rondo Form

  • The sonata-rondo form combines the repeating theme of rondo form with a development section similar to that in sonata form.

  • A B A --- Development --- ABA

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Example:

LUDWIG VAN BEETHOVEN, Bagatelle No. 25 in A minor (Für Elise)

Poco moto (with a little motion)

Rondo form: A B A C A


Piano

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Example:

LUDWIG VAN BEETHOVEN, String Quartet in C Minor, Op. 18, No. 4

Fourth Movement: Rondo (Allegro)


String quartet: 1st violin, 2nd violin, viola, cello

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