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Assessment

Presentation

Religious Studies

9th - 12th Grade

Practice Problem

Hard

Created by

Amorina Lungu

FREE Resource

275 Slides • 28 Questions

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Open Ended

How do biblical and patristic arguments influence the way icons are created and interpreted in Christian art?

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Multiple Choice

Why is it important to understand the biblical foundation of icons in Christian tradition?

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It helps appreciate religious art

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It provides insight into theological beliefs

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It connects historical and spiritual contexts

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All of the above

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Multiple Choice

What was the primary reason for the prohibition of images representing divinity in the Mosaic Law according to the Old Testament?

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To prevent idolatry among the Israelites

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To encourage artistic expression

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To distinguish Israelites from other Mediterranean cultures

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To promote the use of written language

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Multiple Select

Which of the following are cited as reasons for the prohibition of making images of God in the Old Testament?

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Fear of idolatry

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God's nature cannot be fully represented

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Encouragement of oral tradition

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Promotion of pagan practices

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Open Ended

Discuss how the prohibition of images in the Old Testament influenced the development of religious art and iconography in later periods.

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Fill in the Blank

The Hebrew term ___ is used in the Old Testament to mean 'image' or 'idol'.

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Multiple Choice

According to the text, what is the significance of cherubim imagery in the decoration of the Temple during the Old Testament period?

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It symbolized the divine presence and spiritual realities

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It was merely decorative with no religious meaning

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It represented pagan gods

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It was used to intimidate enemies

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Open Ended

How does the Orthodox Church today use iconography to support both teaching and worship, according to the provided text?

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Open Ended

Explain the significance of the vine symbol in early Christian art and its connection to biblical teachings.

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Multiple Choice

Which symbolic elements are commonly found in early Christian art to convey spiritual meanings?

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The vine, fish, lamb, ship, anchor, balance

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Cross, crown, sword, shield

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Sun, moon, stars, clouds

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Book, scroll, quill, ink

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Fill in the Blank

The formula used by early Christians in persecution, 'Iisous Hristos iou Theou Soter', translates to 'Jesus Christ, ___ of God, Savior.'

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Multiple Select

Which of the following are symbolic representations used in early Christian iconography according to the text?

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Balance

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Sheep

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Anchor

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Fish

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Open Ended

Discuss how the restrictions on religious art in early Christianity influenced the development of Christian iconography.

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Fill in the Blank

According to the text, the Synod of Trulan (692) decided to renounce the use of ___ as a symbol in Christian iconography, replacing it with the revealed reality of Christ.

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Fill in the Blank

The icon, according to the teachings of Saint Theodore the Studite, represents not only the nature, but also the ___ of Christ.

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Open Ended

Explain the dualistic view towards matter and spirit as discussed in the context of the iconoclastic controversy. How did this dualism influence the Church's stance on icons?

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Multiple Choice

What was the main theological issue debated during the iconoclastic crisis of the 8th and 9th centuries in the Church?

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Whether icons could represent faith through material means and truly depict Christ

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Whether icons should be destroyed for being idolatrous

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Whether icons should only depict saints and not Christ

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Whether icons could be used in private worship

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Multiple Choice

What symbolic meaning does the luminous halo (nimbus) around the heads of saints in icons convey?

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It represents their royal status

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It symbolizes divine light and sanctity

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It marks them as historical figures

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It indicates their suffering

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Multiple Select

According to the text, which of the following are arguments used by iconoclasts against the use of icons?

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Icons are made of matter, which is inherently evil

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Icons cannot represent the divine nature of Christ

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Icons are necessary for worship

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Icons promote idolatry

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Open Ended

Discuss how the iconoclastic controversy shaped the theological understanding of the relationship between image and prototype in Byzantine Christianity.

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Multiple Choice

How does the concept of 'economy' (oikonomia) relate to the understanding of the Eucharist and the icon in Byzantine theology?

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It equates the Eucharist and icon as identical symbols.

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It distinguishes the Eucharist as a real presence and the icon as a symbolic representation.

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It denies the sacramental value of both.

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It considers both as purely philosophical constructs.

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Multiple Choice

What is the main theological difference between the icon and the natural image as discussed in the text?

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The icon is a mere artistic representation, while the natural image is divine.

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The icon participates in the divine, while the natural image is only a reflection of nature.

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The icon is forbidden, while the natural image is celebrated.

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The icon is always abstract, while the natural image is always concrete.

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Fill in the Blank

Fill in the blank: According to Damaskin, the icon is not just a copy but participates in the ___ of its prototype.

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Open Ended

Explain how the notion of 'participation' (participarii entative deficiente) is used to differentiate between the icon and its prototype in the context of Byzantine iconology.

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Open Ended

What role did the icon play in the political and spiritual life of Byzantium, especially during the iconoclastic controversies?

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Multiple Select

Which of the following are considered essential aspects of the icon according to Byzantine thought?

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Mimesis

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Participation

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Materiality

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Sacramentality

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Multiple Choice

The Decalogue (re)presented in iconography is discussed in the course. Which of the following best describes its significance in biblical art?

1

It provides moral guidelines depicted visually in icons.

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It is used only for decorative purposes in churches.

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It is rarely referenced in Christian iconography.

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It focuses solely on the New Testament teachings.

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Open Ended

Reflecting on the topics covered in this course, which aspect of biblical foundation in iconography do you find most intriguing or would like to explore further?

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