Vocabulary Workshop Level D Unit 5

Which of the following is the opposite of liberty?

• larceny

• servitude

• dissent

• anarchy

Tags

CCSS.L.4.5

CCSS.L.5.5

When you make a process easier, you:

• hamper it

• hinder it

• analyze it

• facilitate it

Tags

CCSS.L.2.4B

CCSS.L.3.2E

Which of the following would you use to describe the water in a clogged pipe?

• flowing

• stagnant

• swirling

Tags

CCSS.L.1.6

CCSS.L.3.6

CCSS.L.4.6

CCSS.RL.1.4

Another word for activist is:

• militant

• prototype

• assistant

• candidate

Tags

CCSS.L.11-12.4A

CCSS.L.7.4A

CCSS.L.7.5B

CCSS.L.8.4A

CCSS.L.9-10.4A

A window shade that is intended for blocking out light needs to be:

• coarse

• textured

• opaque

• decorative

Tags

CCSS.L.1.6

CCSS.L.3.6

CCSS.RL.1.4

A reason that is more important than any other is:

• obvious

• personal

• paramount

• indirect

Tags

CCSS.L.11-12.4C

CCSS.L.6.4C

CCSS.L.7.4C

CCSS.L.8.4C

CCSS.L.9-10.4C

After joining an improvisation group, Jessie quickly learned that this form of theater required a great deal more than making up scenes in a hasty and slapdash manner.

Which of the following words could NOT be used to replace slapdash?

• slipshod

• careless

• thoughtful

Tags

CCSS.L.6.4A

CCSS.L.7.4A

CCSS.L.7.5B

CCSS.L.8.4A

CCSS.L.9-10.4A

First of all, the improvisation group members did not just choose a situation to act out in some random or arbitrary way. Instead they used suggetsions from the audience as catalysts for their actions.

Arbitrary most nearly means:

• rational

• capable

• objectionable

• unpredictable

Tags

CCSS.L.11-12.4A

CCSS.L.7.4A

CCSS.L.7.5B

CCSS.L.8.4A

CCSS.L.9-10.4A

First of all, the improvisation group members did not just choose a situation to act out in some random or arbitrary way. Instead they used suggetsions from the audience as catalysts for their actions.

Catalysts most nearly means:

• excuses

• explanations

• signs

• causes

Tags

CCSS.L.11-12.4A

CCSS.L.7.4A

CCSS.L.7.5B

CCSS.L.8.4A

CCSS.L.9-10.4A

Perhaps most important of all, Jessie realized that an improvisational actor needed to do more than just prattle on endlessly or meaninglessly. To create a scene that worked, he or she needed to become a believable character and also understand who the other characters onstage were in order to find ways to respond to them.

Prattle shows that Jessie originally thought that an improvisational actor:

• could say whatever popped into his head

• recited lines she had memorized

• spoke in ways that were meaningful and believable

• did not need to speak loudly or clearly

Tags

CCSS.L.1.6

CCSS.L.3.6

CCSS.L.4.6

CCSS.RL.1.4