Harrison Bergeron - POV and Evidence

Based on explicit details in paragraphs 49 and 52, the reader can infer that George Bergeron is —

• in a television studio trying to calm his son, Harrison.

• at home watching as his son, Harrison, appears on his television.

• at home watching television while an earthquake is shaking his house.

• having a nightmare in which his son, Harrison, appears in a photograph.

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George’s explicit thoughts and reactions in paragraphs 50 and 51 imply that —

• Harrison Bergeron had violent episodes during his childhood.

• Harrison Bergeron inherited his superior intelligence from George.

• the government had erased all memories of Harrison from George’s brain.

• George is afraid of what will happen to his son after this outburst of violence.

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In paragraph 53 the author describes Harrison as holding the knob to the studio door. This detail implies that —

• the studio was built by inept builders.

• Harrison is skilled at picking locks.

• Harrison has broken the door with his great strength.

• Harrison is attempting to fix the door.

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In paragraphs 70–79, what point of view does the narrator use?

• The narrator is omniscient, describing what happened objectively.

• The narrator describes the thoughts and feelings of the Handicapper General in a limited point of view.

• The narrator describes the thoughts and feelings of Hazel in a limited point of view.

• The narrator describes the thoughts and feelings of George in a limited point of view.

What is Diana Moon Clampers’s point of view on individuality?

• She celebrates people’s rights to be different and excel in different ways.

• She eliminates any differences among people to ensure that everyone is equal.

• She removes evidence of individuality, but she is conflicted about the implications.

• She wants people to make their own choices about individuality.

What excerpt from the passage best supports your answer to question number 2?

• They reeled, whirled, swiveled, flounced, capered, gamboled, and spun.

• It was then that Diana Moon Clampers, the Handicapper General, came into the studio.

• They remained suspended in air inches below the ceiling, and they kissed each other for a long, long time.

• She aimed it at the musicians and told them they had ten seconds to get their handicaps back on.