Stanislavski Key Terms quiz

Stanislavski Key Terms quiz

10th - 12th Grade

13 Qs

quiz-placeholder

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Stanislavski Key Terms quiz

Stanislavski Key Terms quiz

Assessment

Quiz

Performing Arts

10th - 12th Grade

Medium

Created by

Steve Bates

Used 24+ times

FREE Resource

13 questions

Show all answers

1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is the term for: the events leading up to the start of the play, or before each new entrance your character makes?

Super objective

Magic If

Given circumstances

Before Time

2.

FILL IN THE BLANK QUESTION

1 min • 1 pt

What do we mean by a character's 'objective'?

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What do we mean by 'given circumstances'?

what influences our thoughts and actions without our being aware of it.

the situation the character is in within a particular bit of the play.

what we do to achieve what we want

the thoughts going through our character's mind

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

(In Stanislavski's system) what is an 'action'?

a technique to make the actor feel relaxed on stage

the theme of the play; what the play is really about.

what we do to achieve what we want

an acrobatic or dynamic movement on stage

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What do we call something that prevents us getting what we want (and achieving our objective)?

A challenge

An obstacle

An action

A boost

6.

MULTIPLE CHOICE QUESTION

45 sec • 1 pt

What is the Magic If?

the hidden or underlying meaning of something

the desired state for an actor, physically ready and free from tension, which can be used to create and experience a role.

the theme of the play; what the play is really about.

the question the actor asks themselves to trigger the imagination within a given set of circumstances.

7.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

What is 'the circle of attention'?

a ray of energy passed between performers to communicate without words.

a technique to find a real past experience with a similar emotion to that demanded by the role being played, and 'borrow' those feelings to bring the role to life.

a technique to make the actor feel relaxed on stage, to help the actor focus on something on stage and to shift his or her awareness from the audience.

performing in-the-round, with audience on all sides of the stage

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