In the very heart of Tokyo sits the imperial palace, site of the former Edo Castle. Inside a colossal moat with ramparts that dwarf anything seen in Europe, vast open spaces enclose the last fragments of one of the world’s most imposing seventeenth-century monuments. Across the globe in France, Louis XIV’s palace and gardens of Versailles form a similar impression of artificial mastery of nature and society. Miles of formal gardens punctuated [decorated] with fountains and statuary surround a palace known for its cold magnificence, with the entire ensemble of town, palace, and park orienting itself around a single, central focal point: the Sun King’s bedroom. Each complex symbolizes a system of power. Edo evokes [brings to mind] the Tokugawa rule by status, which decreed that the daimyo lords, who were themselves forced to spend alternate years in Edo away from their regional domains, lived administratively and spatially segregated from the various other categories of subjects, all ranged in a pattern of residential sectors spiraling around the castle. Versailles, in a similar fashion, bespeaks [indicates] the domestication of the French aristocracy in a “gilded cage,” where they scrambled for favors while the Sun King undermined their authority and deprived them of their independence...
Based on this passage, one way the castle at Edo and the Palace of Versailles are similar is that: