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Crash Course Theater #50 Broadway Musical

Authored by Tara Ferguson

Performing Arts

8th - 12th Grade

Used 10+ times

Crash Course Theater #50 Broadway Musical
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11 questions

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1.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

What was "The Black Crook?"

A book that was turned into a play

What some consider the first American musical

A intense drama about a wrongly convicted man

One of the first trilogy films.

2.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

The producers of "The Black Crook" paired dances from a stranded French dance troupe with a incomprehensible play about black magic and fairies. They tricked out it out with what two things?

Scenery & Songs

Costumes & Dances

Scenery & Costumes

Costumes & Lighting

3.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Who is Jerome Kern?

Ziegfeld's accountant who kept track of the money the Follies made

The greatest actor in the early 1900s.

A journalist who did the first theater reviews of Broadway musicals.

A man considered the father of the book musical.

4.

MULTIPLE SELECT QUESTION

1 min • 1 pt

Which of the following were NOT reasons that book musicals considered revolutionary at the time? Select all that apply

Characters were recognizable

Situations were contemporary

They incorporated special effects

The plot, lyrics and style of songs went together

They used famous actors and actresses

5.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Probably the first thoroughly modern musical was ...

White Christmas

Ziegfeld Follies

Show Boat

White Christmas

6.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

What musical was based on the play "Green Grow the Lilacs?"

Oklahoma!

Wicked

Oh What a Beautiful Morning

Sweet Charity

7.

MULTIPLE SELECT QUESTION

1 min • 1 pt

Identify the two reason the songs in the musical Oklahoma!

The songs help to tell the story

The songs are universal and could be song by any of the character in the production.

The most of songs are written to express a character view point.

They are a welcome distraction from the story for the audience

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