The variety of t’oqapu designs covering the All-T’oqapu tunic indicates to scholars that

• the garment was pieced together from many smaller pieces.

• the garment was a royal tunic that symbolized the power of the Sapa Inka.

• the garment was an offering to Inti, the Inka sun god and chief deity.

• the garment was created during the colonial period and traded to the Spanish.

The specific imagery on Kwakwaka’wakw transformation masks is primarily influenced by

• the materials available to the carver and the animals associated with them

• the animals associated with the season in which a carver creates the mask

• the clan association of the person qualified to dance the mask

• the relationship between the carver and the person who commissions the mask

The work shown can be identified as the

• camelid sacrum in the shape of a canine from central Mexico, created 14,000–7000 B.C.E.

• anthropomorphic stele from the Arabian Peninsula, created in the fourth millennium B.C.E.

• Ambum Stone from Papua New Guinea, created c. 1500 B.C.E.

• Tlatilco female figurine from central Mexico, created 1200–900 B.C.E.

The image shows all of the following characteristics EXCEPT

• a naturalistic approach to figure

• a sense of vitality and movement

• strong outlines

• atmospheric perspective

Which of the following is a feature of the Standard of Ur that provides evidence of a vast trade network with foreign lands?

• Inscriptions written in different languages

• The use of luxury materials acquired from other cultures

• The depiction of foreign dignitaries bringing tribute

• Imagery of a ruler’s travels to exotic lands

In the work shown, features of different animals were combined for the purpose of creating

• a symbolic representation of a kingdom that was made through uniting separate realms

• an imposing mythical creature that was meant to safeguard the entrance to a royal complex

• the personification of a multifaceted deity to be placed inside the shrine of a temple complex

• the symbolic portrait of a king as protector and defender of stability in the realm

The visual organization of the work is meant to suggest a

• solemn procession as part of a civic ceremony

• sequence of successive events in an important narrative

• contrast between orderly control and chaotic drama

• strict hierarchy between the relative importance of the figures

In the geographical region, the evolution in form from earlier tombs to the architectural complex shown most likely resulted from a desire to

• emulate the monumental tombs of foreign rulers

• innovate by using new materials to ease the process of creating such buildings

• provide space for an army to protect the ruler in the afterlife

• heighten the symbolic association with the Sun

The work was originally used as a

• columnar support

• frieze decoration

• grave marker

• jamb figure

The temple was dedicated to

• Artemis

• Portunus

• Athena

• Zeus