Baroque Attribution Practice

The work here titled "Flowers in a Glass Vase with a Tulip" can be attributed to

• Caravaggio

• Rembrandt

• Reubens

• Raphael

• Ruysch

This Artwork titled "Conversion on the Way to Damascus" can be attributed to:

• Reubens

• Caravaggio

• Titian

• Ruysch

• Vermeer

This artwork titled "Woman with a Water Jug"can be attributed to

• Rachel Ruysch

• Peter Paul Reubens

• Caravaggio

• Johannes

  Vermeer

• Gian Lorenzo Bernini

This artwork titled "Supper at Emmaus" can be attributed to

• Velasquez

• Reubens

• Vermeer

• Carvaggio

This artwork titled "Self-Portrait Leaning on a Stone Sill" created in 1639, can be attributed to

• Vermeer

• Rembrandt

• Caravaggio

• Velasquez

• Dürer

This artwork, titled "The Taking of Christ" can be attributed to

• Raphael

• Reubens

• Titian

• Caravaggio

• Velasquez

This artwork, titled "The Music Lesson", created in 1665, can be attributed to

• Da Vinci

• Vermeer

• Caravaggio

• Ruysch

• Borromini

The work here titled "Still-Life with Flowers" can be attributed to

• Ruysch

• Rembrandt

• Reubens

• Raphael

The work here titled "David" can be attributed to

• Borromini

• Caravaggio

• Bernini

• Michaelangelo

• Donatello

The work here titled "Palazzo di Propaganda Fide" can be attributed to __________ because of the undulating (concave, convex) movement of the façade which is similar to a mini chapel designed by the same architect(s).

• Francesco Borromini

• Leon Battista Albert

• Gian Lorenzo Bernini

• Filippo Brunelleschi

• Louis Le Vau and Jules Hardouin-Mansart