Psycho

Psycho

12th Grade

15 Qs

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Psycho

Psycho

Assessment

Quiz

Arts

12th Grade

Practice Problem

Easy

Created by

RACHEL FERZOLA

Used 2+ times

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15 questions

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1.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Media Image

Conflict: What initial conflict was established in the opening scene of Psycho?

Marion's boyfriend Sam avoided furthering their relationship due to financial troubles?

Marion's boyfriend Sam was sick.

Marion was unemployed.

Sam was unemployed.

2.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

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How much money did Marion take steal from her boss' client?

$100,000

$10,000

$40,000

$5,000

3.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

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Hitchcock's use of which camera shot revealed that Marion was going to take the money and run?

A Point of View shot of Marion seeing her boss crossing the street.

A Close-Up shot of Marion's suitcase.

A High Angle Shot of Mr. Cassidy.

A Full Shot of Marion getting dressed.

4.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

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While Marion is driving, Hitchcock uses non-diegetic sound and allows the audience to hear Marion's internal thoughts. What was she thinking about?

She was thinking about what Sam would say once she arrived.

She was thinking about what her boss, Mr. Lowery, would say about her absence.

She was thinking about what Mr. Cassidy would say about losing his money.

All of the above.

5.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Media Image

Why does Marion decide to stop at the Bates Motel?

She was too tired to drive.

She changed her mind and wanted to head back to Phoenix.

The rain was getting worse which made travel very difficult.

She had heard the motel had a good reputation.

6.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

Media Image

After checking into the motel, Marion meets Norman. How can he be described?

Awkward, shy, and childlike.

Confident and powerful.

Masculine and strong.

Unimpressed and annoyed.

7.

MULTIPLE CHOICE QUESTION

1 min • 1 pt

What is a Point of View shot?

When the audience sees through the eyes of one of the characters.

When the audience can see from a very high angle.

When the audience sees an extremely close shot of an object.

When the camera moves from one side of the setting to the other.

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