The hair design principle of emphasis is defined as __________.

the focus that first draws the eye

a recurrent pattern of movement in a design

establishing appropriate proportion in a design

Which of the following statements is true about proportion in hair design?

The classic guide for proportion is that hair should not be wider than the center of the shoulders.

Styles cropped to above the shoulders with gentle wave patterns usually flatter taller, larger frames.

Medium or longer styles with softer curves flatter shorter, smaller proportions.

The proportions of the entire body have commonly been determined by the measurement of the head from ear to ear.

What negative outcome could result if a cosmetologist fails to consider emphasis when designing a hairstyle?

The style could have too many points of focus, which keeps the hairstyle from having an area of interest.

The style could be too small or large in comparison to the client’s head and body.

The hairstyle may be too different from one part of the head to another.

The hairstyle will have a pattern that is inconsistent.

A client with a petite frame and narrow hips and shoulders is discussing a new hairstyle with a cosmetologist. The client describes a popular, voluminous hairstyle as an option. What should the cosmetologist consider when discussing the desired style with the client?

The cosmetologist should consider whether the hairstyle will be proportional to the client’s body type.

The cosmetologist should consider whether the volume of the hairstyle will achieve harmony by creating symmetry with the client’s body type.

The cosmetologist should consider whether the rhythm of the style will create an interesting focal point.

The cosmetologist should consider whether the hairstyle will adequately emphasize the client’s body type.

Where is the nape on the head?

the back part of the neck below the occipital bone

the area from the apex to the back of the ear

the section that begins at the apex and ends at the front corners

the area between the apex and the back of the parietal ridge

Which description is true of very curly, fine hair?

Very curly, fine hair responds well to a blowdryer and thermal flat iron.

Very curly, fine hair cannot be straightened by blowdrying.

Blowdrying can be effective on very curly, fine hair, but is often easier for the stylist than for the client.

Very curly, fine hair responds well to blowdrying with various brush sizes.

What is a problem when trying to style straight, fine hair?

Straight, fine hair lacks body and has limited elasticity, so there are limited styling options if left in its natural state.

Straight, fine hair can appear dense, making it difficult to design a style that uses long hair.

Straight, fine hair hugs the head shape, which can separate the hair, revealing the scalp if the hair is too long.

Straight, fine hair becomes heavy when wet, so a style must accommodate the way it will hang when wet.

A new client would like to know their hair type on the André Walker Hair Typing System. To determine the client’s hair type in this system, what should the cosmetologist consider during the consultation with the client?

The cosmetologist should determine the hair’s texture and density.

The cosmetologist should determine the form and space of the hair.

The cosmetologist should determine the pattern and placement of the hair’s color.

The cosmetologist should determine the natural parting of the hair.

What styling options will best fulfill a client’s desire to make an oblong face appear shorter and wider?

Choose a chin-length style that is close on the top of the head with more volume on the sides.

Choose a style with height on the top, volume at the temples, and a soft bang.

Choose a style with the hair close to the head, no volume, and a silhouette widest at the jaw and neck.

Most styles will work for this face type, but the cosmetologist should consider other features like head proportions or whether the client wears glasses.

How should a cosmetologist determine whether a client has a square facial type?

Look for facial contours that are wide at the temples, narrow at the middle third of the face, and squared off at the jaw.

Look for facial contours that are narrow at the forehead with a wide jaw and chin line.

Look for facial contours with a narrow forehead, extreme width through the cheekbones, and a narrow chin.

Look for facial contours with a wide forehead and narrow chin line.

A client with a round face type will be best complemented by a hairstyle that _____.

adds volume on the top and is close to the sides of the head

shapes the hair close to the head and adds volume between the temples and jaw

adds volume at the temples and some height at the top

is full across the jaw line and forehead but close at the cheekbone line

What hairstyle best complements a profile that has a receding forehead and chin?

Arrange curls or bangs over the forehead, and create a style that is close to the head at the nape with hair moving forward in the chin area.

Most hairstyles will complement this profile.

Softly style the hair at the nape with an upward movement while deemphasizing the hair on the forehead.

Arrange curls or bangs over the forehead, and softly style the hair at the nape with an upward movement.

The length of sideburns should be______.

adjusted to appear even in length

parallel with the top of the upper lip

aligned with the occipital bone

What colors should a stylist consider using to create the illusion of more hair volume?

Alternating lighter, warmer colors with darker, cooler colors

Haircolor cannot give the illusion of volume

To locate the parietal ridge, a stylist would place a comb ______.

flat against the back of the head and another comb flat against the side of the head

A stylist is preparing to perform a permanent waving chemical service on a client with straight, coarse hair. The last time the stylist performed this service with the client, the results were not satisfactory, as the hair did not curl as much as was intended. Which of the following is a consideration the stylist should take into account before performing this service again?

The client’s hair pattern and texture are moisture resistant, so the chemical service may take longer to process.

The client’s hair pattern and texture are voluminous, so to maintain the curl, some interior weight should be removed with texture shears.

The client’s hair pattern and texture are responsive to blowdrying, so to maintain the curl, blowdrying should be kept to a minimum.

The client’s hair pattern and texture respond well to rollers and thermal styling, so these techniques should be used in place of a chemical service.

Why should a stylist cut curly, coarse hair when it is dry?

Curly, coarse hair shrinks as it dries, so it will appear much shorter if cut wet.

Curly, coarse hair is moisture resistant, so it won’t be fully wet, making cuts uneven if styled wet.

Curly, coarse hair straightens as it dries, so it will appear much longer if cut wet.

Curly, coarse hair gains volume as it dries, so hair will be more voluminous than desired if cut wet.

A stylist is meeting with a client seeking a new hairstyle that will better complement the client’s face type. The client’s face is wide at the cheekbones but narrow at the chin and forehead. What style choices would be beneficial to the client?

Shape the hair close to the head at the cheekbone line with more fullness at the forehead and jaw line.

Choose a chin-length style with volume on the sides and the hair cut close to the top of the head.

Shape the hair close to the head around the temples and jaw while adding width around the ears.

Style the hair close to the head with no volume and long bangs.

Principles of Hair Design 2023

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Principles of Hair Design 2023

50 questions

All of the following are reasons cosmetologists should study and have a thorough understanding of hair design principles EXCEPT __________.

Which of the five planning steps to bringing a design to life involves a stylist learning and growing from past design mistakes?

Which planning step in bringing an artistic design to life is defined as the stylist deciding which tools and techniques are needed to achieve their design?

All of the following are planning steps in bringing a design to life EXCEPT:

Which element of hair design relates to the mass or general outline of a hairstyle?

How is the hair design element space defined?

Which design lines are repeating lines in a hairstyle that can be curved or straight?

Which design element is the directional wave patterns or illusion of motion in the hair?

A stylist is designing a hairstyle with an interesting focal point that the stylist wishes to highlight. Which design element could the stylist consider to draw the eye to the style’s focal point?

Which principle of hair design is defined as the comparative relationship of one thing to another?

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