WR121

Characterization

• A characters sudden realization of a personal or universal truth

• The process by which an author builds characters; can be accomplished directly or indirectly

• Turning an animated character into a real life human

• A character who noticeably changes within the scope of narration.

Dialogue

• A communication between two or more people (in the form of testing, email, social media post, body language, etc.)

• A character who noticeably changes within the scope of narration.

• Invalid input.
• A minimally detailed character.

Flat Character

• An animated character that doesn't appear to be 3D.

• Communication between to or more characters.

• A character's sudden realization of a personal or universal truth.

• A character who is minimally detailed, only briefly sketched or named.

Epiphany

• A characters sudden realization of a personal or universal truth.

• A minimally detailed character.

• The process an author uses to build a character.

• Communication between two or more characters.

Dynamic Character

• A character who is minimally named.

• A character that noticeably changes within the scope of a narrative, typically as a result of the plot events and/or other characters.

• The tallest character that the author details.

• A character that does not change during the story.

Description

• A rhetorical mode that emphasizes eye-catching, specific, and vivid portrayal of a subject.

• The construction and relation of stories.

• The circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose.

• A rhetorical question followed by another.

Rhetorical Situation

• The circumstances in which rhetoric is produced, understood using the constituent elements of subject, occasion, audience, and purpose.

• A rhetorical question by which an author looks back through the diegetic gap, to demonstrate knowledge or understanding gained from the subject in which they are reflecting.

• A rhetorical mode involving the construction and relation of stories.

• Typically integrates description as a technique.

Reflection

• A rhetorical mode involving the construction and relation of stories.

• A rhetorical gesture by which an author looks back through the diegetic gap, to demonstrate knowledge or understanding gained from the subject in which they are reflecting.

• Emphasizing eye-catching, specific, vivid displays of a subject.