Dramatic Text

According to Roman Ingarden, what are the two components of dramatic text?

• a) Main text and secondary text

• b) Prologue and epilogue

• c) Introduction and conclusion

• d) Exposition and climax

What is the dual nature of dramatic text?

• a) Written text and text to be performed

• b) Fictional and non-fictional

• c) Poetic and prosaic

• d) Comedy and tragedy

According to Steen Jansen, what are the forms of organization of the dramatic text?

• d) Persuasive form and informative form

• c) Expository form and argumentative form

• b) Narrative form and descriptive form

• a) Theoretical form of the dramatic text and theoretical form of the dramatic work

What are the two levels on which the dramatic text can be viewed?

• b) Physical level and emotional level

• d) Social level and cultural level

• c) Intellectual level and spiritual level

• a) Textual level and stage level

What is the minimal unit of the dramatic work providing coherence to the textual elements?

• b) Act

• d) Dialogue

• c) Situation

• a) Scene

What are the two levels on which a description of the situations can occur?

• c) Objective level and subjective level

• b) Literal level and figurative level

• d) Concrete level and abstract level

• a) Paradigmatic level and syntagmatic level

What are the two distinct types of dramatic form based on the mode of relating?

• a) Structuration with scenes and structuration with acts

• b) Structuration with characters and structuration with settings

• c) Structuration with plot and structuration with theme

• d) Structuration with climax and structuration with resolution

According to Anne Ubersfeld, what gives the dramatic text its duality?

• a) The presence of characters

• b) The presence of stage directions

• c) The presence of holes or insufficiency

• d) The presence of dialogue

What does the performance text add to the dramatic text?

• a) Ambiguity

• b) Virtuality

• d) Indetermination

• c) Coherence

What is the substance of expression of a given text?

• a) Concrete performances

• b) Various interpretations

• c) Language

• d) Story