Theory II Midterm Review

When part-writing with a repeated root, the ______ is usually doubled. (four-part textures)

• Root

• 3rd

• 5th

• Leading Tone

When part-writing with a repeated root, the ______ is almost never doubled. (four-part textures)

• Root

• 3rd

• 5th

• Leading Tone

When part-writing with a repeated root, the ______ is usually doubled. (three-part textures)

• Root

• 3rd

• 5th

• Leading Tone

When part-writing with a repeated root, the ______ is often omitted. (three-part textures)

• Root

• 3rd

• 5th

• Leading Tone

When part writing roots a 4th or 5th apart, our first guideline is a ______ and ______.

• Leap

• Common Tone

• Opposite Motion

• Stepwise

When part writing roots a 4th or 5th apart, our second guideline is ______ by 2nds and 3rds.

• Leap

• Deceptive Motion

• Similar Motion

• Modified

When part writing roots a 4th or 5th apart, our third rule is a _______, ________, and _______.

• Tertian Leap

• 3rds

• Common Tone

• Stepwise

When part writing roots a 3rd or 6th apart, we have two_______ and stepwise in ________.

• Leaps

• Common Tones

• Deceptive Motion

• Opposite Motion

When part writing roots a 3rd or 6th apart and the base is ascending, you should not omit the _______ of the second chord.

• Root

• 3rd

• 5th

• Leading Tone

When part writing roots a 2nd or 7th apart, there are no ____________.

• Leading Tones

• Common Tones

• Sequences

• Modified Notes