The destruction of religious images and statues during the Reformation for fear that the people would mistakenly worship the image or statue as if it were God.

The use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an ethereal [look it up] quality to a space.

An axis through the doors of a series of spaces, such as those in Versailles

A directional device, such as an avenue or boulevard that connects two points. The view from St. Peter’s down Via della Conciliazione 4

Define the Dematerialization of Space

The use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an ethereal quality to a space.

The destruction of religious images and statues during the Reformation for fear that the people would mistakenly worship the image or statue as if it were God. Depicted here is the destruction of images and statues in Zurich in 1524

An axis through the doors of a series of spaces, such as those in Versailles

A directional device, such as an avenue or boulevard that connects two points. The view from St. Peter’s down Via della Conciliazione 4

An axis through the doors of a series of spaces, such as Versailles

The destruction of religious images and statues during the Reformation for fear that the people would mistakenly worship the image or statue as if it were God. Depicted here is the destruction of images and statues in Zurich in 1524

The use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an ethereal quality to a space.

A directional device, such as an avenue or boulevard that connects two points. The view from St. Peter’s down Via della Conciliazione 4

A directional device, such as an avenue or boulevard that connects two points.

The destruction of religious images and statues during the Reformation for fear that the people would mistakenly worship the image or statue as if it were God. Depicted here is the destruction of images and statues in Zurich in 1524

The use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an ethereal quality to a space.

An axis through the doors of a series of spaces, such as those in Versailles

Define Cross Axis Versailles

An axis that intersects another axis at right angles, such as an avenue or boulevard, or in this case two canals.

The use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an ethereal quality to a space.

An axis through the doors of a series of spaces, such as those in Versailles

A directional device, such as an avenue or boulevard that connects two points. The view from St. Peter’s down Via della Conciliazione 4

Developing uniformly from a central axis, such as the avenues on the Piazza del Popolo

The use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an ethereal quality to a space.

An axis through the doors of a series of spaces, such as those in Versailles

A directional device, such as an avenue or boulevard that connects two points. The view from St. Peter’s down Via della Conciliazione 4

A focal point, such as an obelisk that terminates an axis

Developing uniformly from a central axis, such as the avenues converging on the Piazza del Popolo

An axis through the doors of a series of spaces, such as those in Versailles

A directional device, such as an avenue or boulevard that connects two points. The view from St. Peter’s down Via della Conciliazione 4

Define OVAL and Example given -

An oval, a long axis thar intersects with a short cross axis, giving sense of a secondary direction. In thiscase St. Carlo alle Quatro Fontane the long axis connects the entrance of the church and the altar, and the short connects two side altars

Developing uniformly from a central axis, such as the avenues converging on the Piazza del Popolo

A focal point, such as an obelisk that terminates an axis Example: Obelisk at the Piazza del Popolo is the terminus for 3 axes

A directional device, such as an avenue or boulevard that connects two points. The view from St. Peter’s down Via della Conciliazione 4

In garden design, an ornamental, geometrical arrangement of flat, planted beds

Developing uniformly from a central axis, such as the avenues converging on the Piazza del Popolo

A focal point, such as an obelisk that terminates an axis Example: Obelisk at the Piazza del Popolo is the terminus for 3 axes

oval, a long axis is intersected by a short cross axis, indicating a secondary direction. and the example is f St. Carlo alle Quatro Fontane the long axis connects the entrance of the church to the altar, and the short axis connects two side altars

List The 4 Characteristics of the Baroque

1. Concantenation: building up of parts to center 2. Sense of movement, energy, tension. 3. Chiaroscuro: strong contrasts of light and shadow, without regard to color. 4. Dematerializatioin of Space: the use of devices such as light, painting, ornament to obscure the structure of an interior to give an ethereal quality to a space

Developing uniformly from a central axis, such as the avenues converging on the Piazza del Popolo

A focal point, such as an obelisk that terminates an axis Example: Obelisk at the Piazza del Popolo is the terminus for 3 axes

oval, a long axis is intersected by a short cross axis, indicating a secondary direction. and the example is f St. Carlo alle Quatro Fontane the long axis connects the entrance of the church to the altar, and the short axis connects two side altars

Know the Beginning Date of the Protestant Reformation and what caused it:

It began in 1517, the year that Martin Luther nailed his 95 Theses of the Church on Wretenburg Cathedral. It was the debate over Transubstantiation and Consubstantiation. This split the Western Church into Protestant and Catholic.

Developing uniformly from a central axis, such as the avenues converging on the Piazza del Popolo

oval, a long axis is intersected by a short cross axis, indicating a secondary direction. and the example is f St. Carlo alle Quatro Fontane the long axis connects the entrance of the church to the altar, and the short axis connects two side altars

1. Concantenation: the building up of parts to the center 2. Sense of movement, energy, tension. 3. Chiaroscuro : strong contrasts of light and shadow, without regard to color. 4. Dematerializatioin of Space: the use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an etherealquality to a space

Know the Beginning Date of the Counter Reformation and how it caused the Baroque style of art and architecture:

The Counter Reformation was begun by the Catholic Church in 1545, when the Pope called the first meeting of the Council of Trent. The purpose of the meeting was to determine ways that the Church could convince the people not to join the Protestants. At the Council a special committee on art and architecture was formed whose purpose was to promote the arts as a way of inspiring people toward Catholicism. This is how the Baroque began.

The Protestant Reformation began in 1517, the year that Martin Luther nailed to the doors of Wertenburg Cathedral his 95 Theses of the Church. Central to his criticism was the debate over Transubstantiation and Consubstantiation. This split the Western Church into Protestant and Catholic.

oval, a long axis is intersected by a short cross axis, indicating a secondary direction. and the example is f St. Carlo alle Quatro Fontane the long axis connects the entrance of the church to the altar, and the short axis connects two side altars

1. Concantenation: the building up of parts to the center 2. Sense of movement, energy, tension. 3. Chiaroscuro : strong contrasts of light and shadow, without regard to color. 4. Dematerializatioin of Space: the use of devices such as light, painting, ornament to obscure the structure of an interior in order to give an etherealquality to a space

Analyze the Facade of San Carlo alle Quatro Fontane

The facade has 3 bay and two giant composite orders stacked on each other to define the bays. The bay alternated concave convex to create the sense of movement. Each bay has two levels and deeply cuts of niche and panel to enhance chiaroscuro. THe oval cartouche hints at the shape of plan.

The oblong plan deviates from classical geometry. THe geometries are intersected and overlapping creating new enriched shapes that have many elements. It has two circles overlapping with their intersections forming one side of two equilateral triangles and circles within. Ovals develop out of overlapping geometries.

A baldicino is a ceremonial canopy of stone,metal or fabric over an alter or throne. HIs marks the site of St. Peter's burial. THey mark a place of honor and status. He made it out of bronze which is gilded. THe bronze was said to come for the pantheons porch ceiling.

The Ideal city and citizen used the ideal of order and symmetry. The city expressed centralized authority of the church and of princely rules. It also represented the idea of a well ordered, virtuous society. THe city was symmetrical and centered on a piazza. THe symbolism and geometries was a new way of seing the world as a system focused on humanity and a collective civilization.

Explain Borromini’s Innovative Geometries

The oblong plan deviates from classical geometry. The geometries are intersected and overlapping creating new enriched shapes that have many elements. It has two circles overlapping with their intersections forming one side of two equilateral triangles and circles within. Ovals develop from overlapping geometries.

The facade has 3 bay and two giant composite orders stacked on each other to define the bays. The bay alternated concave convex to create the sense of movement. Each bay has two levels and deeply cuts of niche and panel to enhance chiaroscuro. THe oval cartouche hints at the shape of plan.

A baldicino is a ceremonial canopy of stone,metal or fabric over an alter or throne. HIs marks the site of St. Peter's burial. THey mark a place of honor and status. He made it out of bronze which is gilded. THe bronze was said to come for the pantheons porch ceiling.

The Ideal city and citizen used the ideal of order and symmetry. The city expressed centralized authority of the church and of princely rules. It also represented the idea of a well ordered, virtuous society. THe city was symmetrical and centered on a piazza. THe symbolism and geometries was a new way of seing the world as a system focused on humanity and a collective civilization.

Explain Bernini’s Baldacchino

A baldicino is a ceremonial canopy of stone,metal or fabric over an alter or throne. HIs marks the site of St. Peter's burial. THey mark a place of honor and status. He made it out of bronze which is gilded. THe bronze was said to come for the pantheons porch ceiling.

The facade has 3 bay and two giant composite orders stacked on each other to define the bays. The bay alternated concave convex to create the sense of movement. Each bay has two levels and deeply cuts of niche and panel to enhance chiaroscuro. THe oval cartouche hints at the shape of plan.

The oblong plan deviates from classical geometry. THe geometries are intersected and overlapping creating new enriched shapes that have many elements. It has two circles overlapping with their intersections forming one side of two equilateral triangles and circles within. Ovals develop out of overlapping geometries.

The Ideal city and citizen used the ideal of order and symmetry. The city expressed centralized authority of the church and of princely rules. It also represented the idea of a well ordered, virtuous society. THe city was symmetrical and centered on a piazza. THe symbolism and geometries was a new way of seing the world as a system focused on humanity and a collective civilization.

Explain the Ideal City and the Ideal Citizen

The Ideal city and citizen used the ideal of order and symmetry. The city expressed centralized authority of the church and of princely rules. It also represented the idea of a well ordered, virtuous society. THe city was symmetrical and centered on a piazza. THe symbolism and geometries was a new way of seing the world as a system focused on humanity and a collective civilization.

The facade has 3 bay and two giant composite orders stacked on each other to define the bays. The bay alternated concave convex to create the sense of movement. Each bay has two levels and deeply cuts of niche and panel to enhance chiaroscuro. THe oval cartouche hints at the shape of plan.

The oblong plan deviates from classical geometry. THe geometries are intersected and overlapping creating new enriched shapes that have many elements. It has two circles overlapping with their intersections forming one side of two equilateral triangles and circles within. Ovals develop out of overlapping geometries.

A baldicino is a ceremonial canopy of stone,metal or fabric over an alter or throne. HIs marks the site of St. Peter's burial. THey mark a place of honor and status. He made it out of bronze which is gilded. THe bronze was said to come for the pantheons porch ceiling.

Explain Pope Sixtus V’s plan for Rome

He sought to make Rome the most popular pilgrimage destination. He made straight avenues to make it easier to visit important sites such as obelisk or baroque churches. It would give it grudeur and status benefitting of its title as the city of Christendon and St Peter. His plan was part of counter reformation.

The facade has 3 bay and two giant composite orders stacked on each other to define the bays. The bay alternated concave convex to create the sense of movement. Each bay has two levels and deeply cuts of niche and panel to enhance chiaroscuro. THe oval cartouche hints at the shape of plan.

The oblong plan deviates from classical geometry. THe geometries are intersected and overlapping creating new enriched shapes that have many elements. It has two circles overlapping with their intersections forming one side of two equilateral triangles and circles within. Ovals develop out of overlapping geometries.

A baldicino is a ceremonial canopy of stone,metal or fabric over an alter or throne. HIs marks the site of St. Peter's burial. THey mark a place of honor and status. He made it out of bronze which is gilded. THe bronze was said to come for the pantheons porch ceiling.

ARCH 2315 Exam 2 Review

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MULTIPLE CHOICE QUESTION

30 sec • 1 pt

St. Peter’s Basilica From the Nolli Map of Rome

1748

Giambattista Nolli

St. Peter’s Basilica, Rome

Centralized plan by Michelangelo

1546

St. Peter’s Basilica, Rome

Nave and facade by Carlo Maderno

1606

St. Peter’s Basilica, Rome

A. Piazza Obliqua

B. Piazza Retta

Bernini, 1657

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

St. Peter’s Basilica From the Nolli Map of Rome

1748

Giambattista Nolli

St. Peter’s Basilica, Rome

Centralized plan by Michelangelo

1546

St. Peter’s Basilica, Rome

Nave and facade by Carlo Maderno

1606

St. Peter’s Basilica, Rome

A. Piazza Obliqua

B. Piazza Retta

Bernini, 1657

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

St. Peter’s Basilica From the Nolli Map of Rome

1748

Giambattista Nolli

St. Peter’s Basilica, Rome

Centralized plan by Michelangelo

1546

St. Peter’s Basilica, Rome

Nave and facade by Carlo Maderno

1606

St. Peter’s Basilica, Rome

A. Piazza Obliqua

B. Piazza Retta

Bernini, 1657

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

St. Peter’s Basilica From the Nolli Map of Rome

1748

Giambattista Nolli

St. Peter’s Basilica, Rome

Centralized plan by Michelangelo

1546

St. Peter’s Basilica, Rome

Nave and facade by Carlo Maderno

1606

St. Peter’s Basilica, Rome

A. Piazza Obliqua

B. Piazza Retta

Bernini, 1657

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Scala Regia at St. Peter’s

Rome

1663

Bernini

Vierzehnheiligen Bamberg, Germany 1744

Balthasar Neumann

St. Paul’s Cathedral, West Front

London

1675

Sir Christopher Wren

S. Carlo alle Quattro Fontane

Rome

1634

Francesco Borromini

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Scala Regia at St. Peter’s

Rome

1663

Bernini

Vierzehnheiligen Bamberg, Germany 1744

Balthasar Neumann

St. Paul’s Cathedral, West Front

London

1675

Sir Christopher Wren

S. Carlo alle Quattro Fontane

Rome

1634

Francesco Borromini

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Scala Regia at St. Peter’s

Rome

1663

Bernini

Vierzehnheiligen Bamberg, Germany 1744

Balthasar Neumann

St. Paul’s Cathedral, West Front

London

1675

Sir Christopher Wren

S. Carlo alle Quattro Fontane

Rome

1634

Francesco Borromini

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