Interpret Artworks 3 (2022 QCAA Stimulus artists)

Robert Fielding – Graveyards in Between #1, 2017 – C-Type photograph
Interpret at least 3 meanings from this artwork. Justify your answers with evidence from the artwork and by linking to relevant context/s.

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Robert Dickerson, Man swimming, 2007, Acrylic on canvas, 150x120cm.

Interpret at least 3 meanings from this artwork. Justify your answers with evidence from the artwork and by linking to relevant context/s.

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Sebastian Di Mauro, Chat 2002, cast aluminium,

standing: 235 x 150 x 40cm, lying: 225 x 125 x 56cm

Interpret at least 3 meanings from this artwork. Justify your answers with evidence from the artwork and by linking to relevant context/s

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Joan Ross, The claiming of things, 2012, Still from digital video animation, 7:36 minutes

Interpret at least 3 meanings from this artwork. Justify your answers with evidence from the artwork and by linking to relevant context/s

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William Kentridge, Drawing for the film Stereoscope [Felix Crying], 1998-99.

Charcoal, pastel, and colored pencil on paper. 120 x 160 cm.

Interpret at least 3 meanings from this artwork. Justify your answers with evidence from the artwork and by linking to relevant context/s

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Choose 2 of the previous artworks and evaluate their similarities and differences. Consider some or all of the following: context, meaning, materials, techniques, impact on audience, impact on the wider world.

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