Sculpture Theory - Lesson Challenge

Sculpture transformation is all about changing the shape, surface texture and:

• color

• detail

• structure

• form

At the basic level of observation, a hair sculpture can be identified by observing the outer boundary or silhouette known as the:

• detail

• texture

• structure

• form line

The surface appearance of hair is referred to as:

• density

• elasticity

• condition

• sculpted texture

When the hair is viewed abstractly as if it were projected at a 90° angle from the various curves of the head, it is referred to as:

• structure

• natural fall

• surface texture

• normal projection

The solid form is also known as a one-length cut, bob, Dutch boy, blunt cut or a:

• 90° angle haircut

• 45° angle haircut

• 0° angle haircut

• 60° angle haircut

In a graduated form, the line that divides the activated and unactivated textures is known as the:

• form line

• ridgeline

• weight line

• perimeter line

The basic form that consists of shorter interior lengths that progress toward longer exterior lengths, is known as:

• solid

• graduated

• increase-layered

• uniformly layered

All of the following descriptions are true about the uniformly layered form EXCEPT:

• oval shape

• rounded shape

• activated texture

• same length throughout

The proportional relationship of each form within a combination produces the shape, texture and position of:

• color

• weight

• the interior

• the exterior

A change in hair sculpture can transform a client’s look in any of the following ways EXCEPT:

• becoming more fit

• becoming more sporty

• becoming more professional

• becoming more sophisticated