Cadences and Chord Progressions

We have 5 types of cadences: PAC, IAC, PC, DC and HC

• False

• True

Plagal Cadence consists on a progression that moves from V to I.

• True

• False

In this excerpt, we are in D Major. What cadence do you see here at the very end?

• Imperfect Authentic Cadence

• Perfect Authentic Cadence

• Half Cadence

• Plagal Cadence

In this Excerpt in E b Major, what type of cadence do you see at the very end?

• Plagal Cadence

• Half Cadence

• Perfect Authentic Cadence

• Deceptive Cadence

In this Excerpt in A minor, what type of cadence do you see at the very end?

• Deceptive Cadence

• Plagal Cadence

• Perfect Authentic Cadence

• Imperfect Authentic Cadence

In this Excerpt, what type of cadence do you see at the very end?

• Perfect Authentic Cadence

• Imperfect Authentic Cadence

• Plagal Cadence

• Deceptive Cadence

In the following IV-V-I progression, we do not have parallel 5ths/8ths.

• Yes, we do. Between Bass and Soprano

• Yes, we do. Between Alto and Tenor

• No, we do not.

• Yes, between Bass and Alto

In the following iiº6-V-i progression in G minor, we do not find any mistake.

• False, we have parallel 5ths.

• False, we have parallel 8ths.

• True.

• False, we have the Leading Tone doubled.

Commonly, the deceptive cadence consists of V-vi.

• False.

• True.

In the following ii6-V-I progression (F Major), do we have any mistake?

• Yes, the Leading Tone is doubled

• Yes, we have more than an 8ª between some voices

• Yes, we have parallel 5ths

• No