Fine Art: Week 3B Intro

Fine Art: Week 3B Intro

9th - 12th Grade

5 Qs

quiz-placeholder

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Fine Art: Week 3B Intro

Fine Art: Week 3B Intro

Assessment

Quiz

Arts

9th - 12th Grade

Practice Problem

Medium

Created by

Benjamin Henderson

Used 1+ times

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5 questions

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1.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

Media Image

Which of the following conventions of Fauvism did Henri Matisse use in Madame Matisse "The Green Line"?

a traditional portrait pose

simplified shapes filled with bold, expressive color

outlines around the figure to make it more important than the background

details that place the subject in its historical context

2.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

Media Image

Which of the following is a characteristic of Expressionist Wassily Kandinsky's Improvisation 31?

It uses distortion and exaggeration for emotional impact.

  • The absence of pure black makes the colors stand out.

The geometric composition provides order and structure.

It uses a neutral color palette and subtle contrasts in value.

3.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

Media Image

What characteristic of Paul Cézanne's paintings did Cubist artists such as Pablo Picasso incorporate into their work?

isolating each shape in the composition

depicting many details to add interest

reducing objects to their simplest forms

using subjective color to convey emotion

4.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

Media Image

How did Georges Braque incorporate a characteristic of Synthetic Cubism into Still Life – Le Jour?

Braque depicted objects from a single vantage point.

Braque used nonrepresentational color for each of the painting's objects.

Braque used traditional perspective techniques to create a sense of depth in the painting.

Braque painted some objects with flattened shapes and some with a sense of form.

5.

MULTIPLE CHOICE QUESTION

20 sec • 1 pt

Media Image

How did Surrealist artist Joan Miró depict objects in Dutch Interior I?

Miró used perspective and shading to create a sense of depth and form.

Miró used images from his dreams without reference to the real world.

Miró used abstract shapes, curving lines, and amoeba-like forms

Miró used cut and glued papers in vibrant colors.