APP ScenarioTask Questions

Apply a consistent visual style to all clips in a sequence without applying it individually.

Create a 1920x1080 30fps sequence, place primary clips on V1, and apply the "SL Blue" Creative Look (Lumetri Color Panel) uniformly using the most efficient method.

Which method completes the task accurately?

• Create an adjustment layer, apply SL Blue to each individual clip in the timeline and adjust settings manually to the adjustment layer

• Create an adjustment layer, place it on V1 above the clips, and apply SL Blue to the adjustment layer

• Create an adjustment layer, place it on V2 above the clips, and apply SL Blue to the adjustment layer

• Create an adjustment layer, apply SL Blue directly to the sequence settings through Lumetri presets

Remove a green screen background and refine the key for a clean subject outline. Use the correct effect, select the background with the eyedropper, and adjust edge controls for smoothing. Which workflow provides the cleanest result?

• Apply Ultra Key to the clip, select green with Eyedropper, and refine with Matte Cleanup controls

• Apply Ultra Key, enter RGB values manually, and increase Chroma Tolerance

• Use Color Key, pick background color, and adjust saturation and brightness

• Use Chroma Key, set Hue/Range values, and lower alpha blend mode

You need to create a marker, enter a name, adjust its duration, and change its color using the Marker dialog box. Depending on whether it is a sequence marker or a clip marker, the steps to access the dialog box are different.

Which workflow correctly populates the Marker dialog box for each type?

• • Sequence Marker: Press T in the Timeline, Double-click the clip in the Timeline.

  • Clip Marker: Press M in the Timeline panel.

• • Sequence Marker: Press M in the Timeline, then double-click the marker in the Timeline to open the dialog box.

  • Clip Marker: Double-click the clip to open it in the Source Monitor, add a marker, then double-click the marker to edit it.

• • Sequence Marker: Double-click the clip to open it in the Source Monitor, add a marker, then double-click the marker to edit it.

  • Clip Marker: Press M in the Timeline, then double-click the marker in the Timeline to open the dialog box.

• • Sequence Marker: Right-click the clip and choose Rename Marker.

  • Clip Marker: Drag a sequence marker onto the clip.

Adjusting Duration with Rate Stretch Tool Conform a clip to fit an exact 3-second window without trimming content. Modify the playback speed to match the required duration. Which steps provide the correct result?

• Use Ripple Edit Tool to trim clip to 3 seconds and apply Speed/Duratio

• Right-click clip, choose Speed/Duratio, and adjust duration field to 3 seconds

• Select Rate Stretch Tool, click edge of clip, and stretch or compress to 3 seconds

• Apply Time Remapping and set keyframes at start and end of clip

Sequence Marker vs. Clip Marker:

Add a marker to a frame within a clip that will remain attached regardless of timeline placement. Edit the marker's color and duration.

Which method results in a portable, editable marker?

• Use the Timeline Marker tool without selecting a clip and set a label color

• Press 'M' while no clip is selected and adjust settings from the Marker Panel

• Select the clip, press 'M', open Effect Controls, and modify the clip marker

• Apply marker from the Metadata Panel and assign it to the project-level bin

Blurring a Moving Face with Masking

Apply a blur to a moving subject’s face while leaving the background and other people unaltered. Ensure the blur follows the subject across the frame.

Which method best completes this task?

• Use Gaussian Blur on entire clip and keyframe Opacity over time

• Apply Mosaic to entire clip and mask using Draw Polygon Tool

• Apply Gaussian Blur, add Ellipse Mask over subject’s face, and keyframe Mask Path

• Use Duplicate Layer method with blur on top track and subtractive mask

Organizing Media with Bins Create a system to manage multiple asset types including b-roll, music, and titles. Sort assets logically in the Project Panel. Which strategy provides the cleanest workflow?

• Create folders on the desktop and reimport as needed through the Media Browser

• Use color labels on all assets and sort by label groupings in the Timeline

• Right-click in Project Panel > New Bin > Name bins by asset type > Drag items into correct bins

• Arrange assets by dragging them into separate tracks in the Timeline and labeling the layers

Syncing External Audio with Video

Match external audio with corresponding video, keeping the high-quality audio and removing the in-camera track. Align both using waveform data. Which synchronization method is most effective?

• Merge both files in the Media Browser and replace the in-camera audio manually

• Select both in Project Panel, left-click > Synchronization

• Place both in Timeline, align waveforms visually, and group

• Select both in the Timeline right-click > Synchronize

Track Matte Key for Text Reveal Reveal background footage only through visible shapes of large text. Stack footage and text layers correctly, then apply the appropriate effect. Which layer and effect combination completes the effect?

• Apply Track Matte Key to text layer and select video layer as matte

• Apply Track Matte Key to video layer and choose text layer as matte

• Nest both layers, apply Alpha Matte, and adjust blend mode

• Apply Set Matte effect to video clip and set alpha input to V1

Create a multicam source sequence using two camera angles and an external audio track. Sync all by waveform and designate the external audio as the primary source.

Which procedure sets up the correct workflow?

• Select clips in Project Panel > Right-click > Create Multi-Camera Source Sequence > Sync by Nothing > Enable external audio only

• Select clips in Project Panel > Right-click > Create Multi-Camera Source Sequence > Sync by Audio > Enable external audio only

• Select clips in Project Panel > CMD + Click > Create Multi-Camera Source Sequence > Sync by Audio > Enable external audio only

• Select clips in Project Panel > Left-click > Create Multi-Camera Source Sequence > Sync by Audio > Enable external audio only