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Lecture on Noguchi's Art

Authored by wang zhen

Other

9th - 12th Grade

Used 2+ times

Lecture on Noguchi's Art
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6 questions

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1.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What is the main purpose of the lecture?

To discuss a controversy involving materials used in sculpture

To explain the place of furniture design in fine art

To introduce an artist and his philosophy

To examine the inspiration behind a well-known piece of public art

2.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What does the professor imply about Noguchi's extensive travel?

It allowed Noguchi to benefit from a variety of perspectives.

It led Noguchi to reject the use of many common sculptural materials.

It introduced Noguchi's commercial products to a broad audience.

It explains why many people find Noguchi's work controversial.

3.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What point does the professor make when he discusses Noguchi's aluminum sculptures?

These sculptures were the most accessible of Noguchi's work.

Noguchi was innovative in his choice of materials.

Noguchi tried to blur the line between functionality and visual appeal.

Galleries sold many of Noguchi's mass-produced aluminum sculptures.

4.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What does the professor suggest about Noguchi's paper lanterns?

The public found them to be too functional to be considered art.

They were more successful than Noguchi's other commercial products.

They deserve to be considered a legitimate form of sculpture.

They were effective in lighting large public spaces.

5.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

Why does the woman mention a fountain in Detroit?

To demonstrate the fact that Noguchi's artwork could vary greatly in size

To question whether the fountain can be classified as art

To point out a similarity between the plaza and the Noguchi Museum

To check her understanding of a point the professor made

6.

MULTIPLE CHOICE QUESTION

30 sec • 1 pt

What point does the professor make when he discusses stage sets?

Noguchi’s traditional stage sets contrasted with Martha Graham's modern choreography.

Noguchi was less innovative when limited sculptural materials were available.

Noguchi preferred designing sets that limited outdoor spaces.

Noguchi liked having space constraints imposed on his work

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