

Tom Sawyer's Skate Park - Making Connections in Literary Texts (Grade 6)
Passage
•
English
•
6th Grade
•
Practice Problem
•
Hard
Angela Lock
FREE Resource
8 questions
Show all answers
1.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Why does Amara believe giving Tom Sawyer a skateboard is a good idea for their adaptation?
Because she thinks skateboards are better than fences.
Because she wants to change the story completely.
Because she thinks it will make the story more relatable for modern kids.
Because she doesn't like the original book.
Answer explanation
Amara argues that kids today 'will connect with a skateboard much more than they connect with whitewashing an old wooden fence.' This shows her motivation is to make the story relatable.
2.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
According to Rex, what does the famous fence scene from the original book show about Tom Sawyer?
That he is a good painter
That he is clever
That he has many friends
That he doesn't like doing chores
Answer explanation
Rex says, 'It shows how clever Tom is by tricking his friends into doing his chore.' This is a direct recall of information from the dialogue.
3.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the classic book that Amara and Rex are adapting for their project?
A book about skate parks
A book about drawing graphic novels
The Adventures of Tom Sawyer
A story about cleaning graffiti
Answer explanation
The first paragraph explicitly states, 'Across the library table, Rex was reading a worn copy of The Adventures of Tom Sawyer.'
4.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
The final idea to have Tom clean graffiti at a skate park is a good compromise because it...
gets rid of the idea of tricking friends.
is an easier scene to draw than a fence.
keeps the theme of being clever but updates the setting.
changes Tom's personality from clever to artistic.
Answer explanation
Rex's final dialogue confirms this: 'It keeps the classic part about being clever, but it puts it in a world we understand.' This shows an understanding of why their compromise works.
5.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the main problem that Amara and Rex solve together?
They can't decide which book to choose.
They don't know how to draw a graphic novel.
They disagree on whether to use a skateboard or a fence.
They need to find a way to keep the story's theme while making it modern.
Answer explanation
Their conflict is about balancing the original story's famous 'clever' theme (Rex's concern) with a modern setting (Amara's idea). Their solution about the skate park graffiti solves this specific problem.
6.
CATEGORIZE QUESTION
1 min • 1 pt
Categorize the following items based on their role in the story. Are they part of the original classic, the new adaptation idea, or a theme found in both?
Groups:
(a) Original Story Only
,
(b) New Adaptation Only
,
(c) Theme in Both
Whitewashing a fence
Cleaning a graffiti wall
A skateboard
Tricking friends into doing a chore
A graphic novel format
A classic novel format
Answer explanation
The passage distinguishes between elements of the original book (fence, novel format) and new ideas for the adaptation (skateboard, graffiti, graphic novel). The core theme of tricking friends is what they decide to keep, making it part of both versions.
7.
MATCH QUESTION
1 min • 1 pt
Match the character's dialogue to the main idea it expresses.
Initial doubt about a modern idea
"It connects the old story to our world perfectly."
Approval of the final compromise
"A skateboard feels... wrong. It doesn't seem to connect to the original book at all."
The purpose of making an adaptation
"We are supposed to make it for kids today."
Worry about losing the story's identity
"If we change that key scene too much, is it even Tom Sawyer anymore?"
Answer explanation
Each piece of dialogue directly corresponds to a specific feeling or thought the character has during their conversation. Rex's first line shows doubt. Amara's line explains the goal of adapting. Rex's second line shows his main worry. His final line shows his excitement about their solution.
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