What is one reason classical music is perceived differently by the younger generation?
Classical music for a modern age: cross-genre influences

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7 questions
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1.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
It is often associated with traditional instruments only.
The term 'classical' is considered outdated.
Younger audiences have fluid listening habits.
Classical music is no longer taught in schools.
2.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Who is Carl Craig and what is unique about his current musical tour?
A pop artist collaborating with a symphony orchestra.
A classical pianist touring with a jazz band.
A techno producer touring with a classically influenced synthesizer ensemble.
A rock musician experimenting with electronic music.
3.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is a synthesizer primarily designed to do?
Enhance vocal performances.
Record live music.
Mimic real instruments.
Create entirely new sounds.
4.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
How does Carl Craig view the integration of different musical genres in his work?
He believes in embracing a wide range of musical styles.
He prefers to stick to one genre.
He focuses solely on classical influences.
He avoids using synthesizers in his music.
5.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is a characteristic of Carl Craig's music that appeals to audiences?
Its focus on vocal performances.
Its emotional depth and classical influences.
Its short and concise nature.
Its reliance on traditional instruments.
6.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What aspect of Carl Craig's performance was notable to the audience?
The strict adherence to classical music etiquette.
The seamless blend of different musical sounds.
The absence of any electronic elements.
The use of only acoustic instruments.
7.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What future exploration is hinted at in the final section?
Eliminating audience interaction.
Focusing solely on electronic music.
Breaking down the formality of traditional concerts.
Returning to traditional classical music.
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