Parallel Major and Minor Keys - Music Theory Crash Course
Interactive Video
•
Performing Arts
•
10th - 12th Grade
•
Hard
Wayground Content
FREE Resource
10 questions
Show all answers
1.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the relationship between a major scale and its parallel minor scale?
They have the same tonic and key signature.
They have the same key signature but different tonics.
They share the same tonic but have different key signatures.
They are completely unrelated.
2.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
In the context of music, what is the primary emotional difference between major and minor keys?
Both major and minor keys are associated with sadness.
Both major and minor keys are associated with happiness.
Major keys are associated with sadness, while minor keys are associated with happiness.
Major keys are associated with happiness, while minor keys are associated with sadness.
3.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
How do you find the key signature of a minor key?
Count up three half steps from the tonic.
Count down three half steps from the tonic.
Count up two half steps from the tonic.
Count down two half steps from the tonic.
4.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the main feature of the harmonic minor scale?
It has a lowered 6th scale degree.
It has a lowered 7th scale degree.
It has a raised 6th scale degree.
It has a raised 7th scale degree.
5.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is the purpose of raising the 7th scale degree in the harmonic minor scale?
To lower the tension in the music.
To create a new tonic.
To make the scale sound more like a major scale.
To create a leading tone that resolves to the tonic.
6.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
Which chord progression is typical in classical European music?
Tonic, dominant, predominant, tonic
Dominant, tonic, predominant, tonic
Predominant, tonic, dominant, tonic
Tonic, predominant, dominant, tonic
7.
MULTIPLE CHOICE QUESTION
30 sec • 1 pt
What is a common technique used in creating a melody over a chord progression?
Ignoring the chord progression
Using random notes unrelated to the chords
Outlining the chord tones in the melody
Using only the tonic note
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