Singing Opera: Soprano Fleur de Bray on Singing High and Dramatic Pieces

Fleur de Bray, a soprano, shares insights on singing techniques, emphasizing clarity and phrasing. She discusses her role in Amadeus, highlighting the importance of balancing drama with voice control. Breathing techniques and flexibility are crucial for achieving crisp sound and adaptability. The piece's character drives the music, affecting the singer's characterization and motivation.

What is the key to making the piece as clear as possible?

What should one remember about the drama in the piece?

What is the importance of breathing in this piece?

What techniques does the soprano suggest for practicing the piece?

How does the character's drive affect the performance of the piece?