CLEAN : Veronese on display at London's National G

The video discusses a unique art exhibition in London, showcasing works that have never been displayed together before. It highlights the reunion of historical paintings, some not seen together for centuries, and the significance of Veronese's art. The exhibition includes pieces that have never left Venice or Paris since the 17th century, emphasizing Veronese's portrayal of Renaissance Venice's opulence and grandeur. The Mystic Marriage of Saint Catherine is featured, leaving Venice for the first time since its creation, exemplifying Veronese's mastery in color, textiles, and composition.

What elements make up the 'perfect recipe of ironies' in the context of the altarpiece discussed?

In what ways do the colors and textiles contribute to the overall composition of the paintings?