Pre-Columbian Theater, Spanish Empire, and Sor Juana: Crash Course Theater #22

The video explores the history of theater in the Americas, starting with pre-Columbian performances and the impact of Spanish colonization. It highlights the forced conversion of Indigenous peoples and the use of theater for religious propaganda. The focus then shifts to Sor Juana Inés de la Cruz, a prominent figure in the Spanish Golden Age, known for her feminist writings and plays. Her work, 'The Loa of the Divine Narcissus,' is analyzed for its cultural critique and incorporation of Indigenous elements.

What role did Indigenous theater play in Central America before European influence?

How did the arrival of the Spanish affect Indigenous religious practices and theater?

What was the significance of Alonso Ponce's observations of performances in the 16th century?

Who was Sor Juana Inés de la Cruz and what were her contributions to literature?

Describe the themes and styles present in Sor Juana's plays.

What challenges did Sor Juana face as a woman writer in colonial Mexico?

What was the content and purpose of the Loa of the Divine Narcissus?

In what ways did Sor Juana's work reflect a blend of Indigenous and European cultural elements?

How did the character of Religion in the Loa of the Divine Narcissus respond to Indigenous practices?

What legacy did Sor Juana leave behind in the context of feminist literature?