CLEAN : DakArt contemporary art fair opens in Senegal 2

The transcript discusses the market potential in Johannesburg and Dakar, emphasizing the strategic position of Dakar for Francophone markets. It highlights the rising global interest in African art, noting the presence of international curators and collectors. The discussion touches on art as a consumable and the exploration of new sensations, while emphasizing the vitality and roots of African art. Curators are particularly interested in discovering new talents in this vibrant art scene.

What does the speaker mean by saying that African art is 'terribly alive'?

In what ways do American curators approach the African art market differently than traditional collectors?