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WorksheetsRhetorical Analysis
Total questions: 39
Worksheet time: 20mins
Name
Class
Date
1.
Reference to a famous historical, Biblical, mythological, or literary figure or event.
a)
Exigence
b)
Logos
c)
Allusion
d)
Syollogism
2.
Words or phrases that limit the scope of a claim (e.g., usually in a few cases, under these circumstances)
a)
Qualifiers
b)
Purpose
c)
Analysis
d)
Claim
3.
Persuasion through appeals to the audience's emotions.
a)
Logos
b)
Pathos
c)
Immediate Audience
d)
Inductive Reasoning
4.
Persuasion by means of logic or reasoning.
a)
Allusion
b)
Logos
c)
Arrangement
d)
Pathos
5.
Form/Structure/Organization
a)
Arrangement
b)
Deductive Reasoning
c)
Form
d)
Tone
6.
A spoken, written, or visual text that expresses a point of view; the central point a text is making; a reason or set of reasons given with the aim of persuading others that an action or idea is right or wrong.
a)
Tone
b)
Qualifers
c)
Argument
d)
Exigence
7.
A statement that asserts a belief or truth.
a)
Claim
b)
Purpose
c)
Metaphor
d)
Tone
8.
An audience that is not physically present, but that is affected by the speaker's message.
a)
Immediate Audience
b)
Syllogism
c)
Qualifers
d)
Mediated Audience
9.
What prompts the speaker to speak at this particular point in time.
a)
Tone
b)
Exigence
c)
Purpose
d)
Claim
10.
Persuasion through convincing the audience of one's moral character.
a)
Arrangement
b)
Ethos
c)
Tone
d)
Syllogism
11.
A comparison between two objects without using the words like or as.
a)
Metaphor
b)
Claim
c)
Simile
d)
Analysis
12.
Reasoning from General to Specific
a)
Deductive Reasoning
b)
Inductive Reasoning
13.
Reasoning from Specific to General
a)
Inductive Reasoning
b)
Deductive Reasoning
14.
A comparison between two items in using the words like or as.
a)
Metaphor
b)
Logos
c)
Simile
d)
Form
15.
What the speaker wants the audience to feel while listening; what he/she wants the audience to do after listening.
a)
Purpose
b)
Form
c)
Tone
d)
Analysis
16.
The audience that is physically present when a speech is delivered.
a)
Immediate audience
b)
Mediated audience
c)
Form
d)
Tone
17.
The genre or type of text (e.g., journal, editorial,letter,essay,poem,etc.)
a)
Ethos
b)
Tone
c)
Form
d)
Arrangement
18.
Identifying the features of a text AND explaining how the author uses these to develop the meaning or to achieve a particular effect.
a)
Purpose
b)
Analysis
c)
Exigence
d)
Syllogism
19.
The writer's attitude toward his/her subject.
a)
Form
b)
Tone
c)
Ethos
d)
Claim
20.
Repetition of initial consonant letters (or sounds) in two or more different words across successive sentences, clauses, or phrases [ example: "Somewhere at this very moment a child is being born in America. Let it be our cause to give that child a happy home, a healthy family, and a hopeful future."
a)
Polysyndeton
b)
Alliteration
c)
Anaphora
d)
Non sequitur
21.
Repetition of the same group of words at the beginning of successive phrases, clauses, sentences, or paragraphs [example: "We are a people in quandary about the present. We are a people in search of our future. We are a people in search of a national community."
a)
Polysyndeton
b)
Ad hominem
c)
Anaphora
d)
Hyperbole
22.
Short and amusing or interesting account depicting a real incident or person used to support a speaker's argument.
a)
Anecdote
b)
Parallelism
c)
Paradox
d)
Concession
23.
Logical fallacy in which a writer attacks an opponent's character.
a)
Diction
b)
Ad hominem
c)
Personficiation
d)
Antithesis
24.
Figure of emphasis in which a single word or short phrase, usually interrupting normal speech, is used to lend emphasis to the words on either side of the figure. Typical examples include: infact, of course to be sure indeed, I suppose, I hope, you know, you see, clearly, in any event, in effect, certainly, remarkably.
a)
Expletive
b)
anaphora
c)
syntax
d)
imagery
25.
Figure of omission in which normally occurring conjunctions (and, or, but, for, nor, so, yet) are intentionally omitted in successive phrases, or causes.
a)
Alliteration
b)
Paradox
c)
Expletive
d)
Asyndeton
26.
Figure that binds together TWO words that are ordinarily contradictory; a TWO WORD paradox; two words with contrary or apparently contradictory meanings occurring next to each other, and, which, nonetheless, evoke some measure of truth.
a)
Polysyndeton
b)
Oxymoron
c)
enumeratio
d)
Parallelism
27.
A figure of speech in which an animal, an object, a force of nature, or an idea is given human characteristics.
a)
Anaphora
b)
Personification
c)
Diction
d)
Imagery
28.
Rhetorical strategy in which contrasting ideas are intentionally juxtaposed, in adjacent phrases, clauses, or sentences.
a)
Antithesis
b)
Imagery
c)
Parallelism
d)
Polysyndeton
29.
Making two or more words, phrases, or clauses equal in part of speech or grammatical structure.
a)
Anaphora
b)
Non sequitur
c)
Parallelism
d)
Diction
30.
An argument in which the conclusion does not follow from the premises.
a)
Anaphora
b)
Ad hominem
c)
Non sequitur
d)
paradox
31.
Intentional and extreme exaggeration
a)
enumeratio
b)
concession
c)
paradox
d)
Hyperbole
32.
A question that is asked merely for effect with no obvious answer expected.
a)
Diction
b)
Asyndeton
c)
Rhetorical Question
d)
Ad hominem
33.
Figure of addition and emphasis which intentionally employs a series of conjunctions(and, or, but, for, nor,so,yet) not normally found in successive words, phrases, or clauses.
a)
Polysyndeton
b)
Personification
c)
Syntax
d)
Expletive
34.
Figure of amplification in which a subject is divided into c constituent parts of details, and may include a listing of causes, effects, problems, solutions, conditions, and consequences.
a)
Anaphora
b)
Enumeratio
c)
Syntax
d)
Expletive
35.
Word Choice
a)
Diction
b)
Polysyndeton
c)
Paradox
d)
Imagery
36.
Word pictures designed to appeal to the senses.
a)
Anecdote
b)
Imagery
c)
Antithesis
d)
Parallelism
37.
A seemingly contradictory or absurd statement that may actually express some truth.
a)
Polysyndeton
b)
oxymoron
c)
Paradox
d)
Non sequitur
38.
Sentence length, type, and structure.
a)
Syntax
b)
oxymoron
c)
asyndeton
d)
parallelism
39.
Acknowledgement of other points of view in an argument by yielding or compromising in some way.
a)
Anaphora
b)
Concession
c)
Antithesis
d)
Expletitve
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