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WorksheetsEMS Art FINAL
Total questions: 100
Worksheet time: 25hrs 0mins
Name
Class
Date
1.
Elements in an art piece that do not go together is called
a)
Harmony
b)
Unity
c)
Contrast
d)
Emphasis
2.
An easy way to create Contrast is to use
a)
Emphasis
b)
Complementary colors
c)
Unity
d)
Placement
3.
Elements in an art piece that do go together is called
a)
Unity/Harmony
b)
Placement
c)
Emphasis
d)
Cohesive
4.
The point of interest in a piece (where you want the viewer to look) is created by using
a)
Contrast
b)
Emphasis
c)
Unity
d)
Placement
5.
The Rule of Thirds will help you find the correct _________________ for your subject. (3x3 grid)
a)
Placement
b)
Emphasis
c)
Contrast
d)
Harmony
6.
To get a scratchy effect will watercolor, the technique you need to use is
a)
Wet on Wet
b)
Wet on Dry
c)
Dry Brush
d)
Blooming
7.
To get a flowing watercolor that moves naturally with little control on your paper, the technique you need to use is
a)
Wet on Dry
b)
Blooming
c)
Wet on Wet
d)
Dry Brush
8.
When color is dropped onto a wet surface and is allowed to bloom.
a)
Pulling
b)
Drips
c)
Splatter
d)
Drop in color
9.
When you tap your brush and and flick paint onto the surface of your paper, that technique is called
a)
Splatter
b)
Drips
c)
Pulling
d)
Wash
10.
When you create a puddle of paint and tilt your paper to make the puddle move, that technique is called
a)
Drips
b)
Splatter
c)
Wash
d)
Pulling
11.
When you apply paint to your paper and use a clean wet brush to move the pigment around, that technique is called
a)
Wash
b)
Drips
c)
Pulling
d)
Blooming
12.
When you create an even/smooth coverage on your paper, that technique is called a
a)
Wash
b)
Pulling
c)
Wet on Dry
d)
Wet on Wet
13.
If you can see through your watercolor, your pigment is
a)
Translucent
b)
Opaque
c)
Opaline
d)
Transparent
14.
If you can't see through your watercolor, your pigment is
a)
Translucent
b)
Transparent
c)
Opaque
d)
Opaline
15.
To create Opaque washes, you need to use
a)
more water
b)
less water
c)
more paint
d)
less paint
16.
To create Transparent washes, you need to use
a)
more water
b)
less water
c)
more paint
d)
less paint
17.
To activate your paint, you need to add a little bit of
a)
saturation
b)
turpentine
c)
water
d)
pigment
18.
A word to describe pigment spreading in a radial pattern on a wet surface.
a)
Blooming
b)
Drips
c)
Splatter
d)
Wash
19.
Shading using random scribbles
a)
Scumbling
b)
Hatching
c)
Cross Hatching
d)
Stippling
20.
Using dots to create value or blend
a)
Scumbling
b)
Hatching
c)
Cross Hatching
d)
Stippling
21.
Applying a large amount of pressure to different hues and mixing them together.
a)
Light Pressure Blend
b)
Heavy Pressure Blend
c)
Medium Pressure Blend
d)
Rough Pressure Blend
22.
Applying a small about of pressure to different hues and mixing them together.
a)
Heavy Pressure Blend
b)
Rough Pressure Blend
c)
Light Pressure Blend
d)
Medium Pressure Blend
23.
When blending oil pastels, you should put the _______________ hue down first.
a)
Lighter
b)
Darker
c)
Saturated
d)
Intense
24.
Instead of using your finger, you can blend using a
a)
Paint Brush Handel
b)
A wet brush
c)
Wet Wipe
d)
Paper towel
25.
If you want to tone down a hue, use...
a)
Black
b)
Gray
c)
White
d)
Tan
26.
If you want to create a shade of a hue, use...
a)
Black
b)
White
c)
Gray
d)
Tan
27.
If you want to create a tint of a hue, use...
a)
Tan
b)
Gray
c)
White
d)
Black
28.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
29.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
30.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
31.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
32.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
33.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
34.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
35.
What technique is being shown in the picture?
a)
Stippling
b)
Scumbling
c)
Scraffito
d)
Embossing
36.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
37.
A painting and drawing medium with characteristics similar to pastels and wax crayons
a)
Prisma Colors
b)
Watercolors
c)
Oil Pastel
d)
Tempera
38.
A repeated design
a)
Texture
b)
Pattern
c)
Movement
d)
Rhythm
39.
The distances or areas around, between or inside a subject
a)
Rhythm
b)
Pattern
c)
Movement
d)
Space
40.
Caused by repeating an idea with variations (changes).
a)
Rhythm
b)
Pattern
c)
Movement
d)
Space
41.
__________________ is the path our eyes follow when we look at a work of art
a)
Rhythm
b)
Pattern
c)
Movement
d)
Space
42.
How something looks like it would feel
a)
Texture
b)
Simulated Texture
c)
Movement
d)
Rhythm
43.
How something physically feels
a)
Texture
b)
Simulated Texture
c)
Movement
d)
Rhythm
44.
The technique used to show three-dimensional objects on a two-dimensional surface
a)
Form
b)
Texture
c)
Perspective
d)
Movement
45.
Another word for Color
a)
Hue
b)
Highlight
c)
Saturation
d)
Shade
46.
Hue + White =
a)
Pigment
b)
Tint
c)
Tone
d)
Shade
47.
Hue + Gray =
a)
Pigment
b)
Tint
c)
Tone
d)
Shade
48.
Colors that are across from each other on the color wheel
a)
Analogous
b)
Complementary
c)
Triadic
d)
Monochromatic
49.
Three that are beside each other on the color wheel
a)
Analogous
b)
Complementary
c)
Triadic
d)
Monochromatic
50.
Red, Yellow and Blue are
a)
Primary
b)
Secondary
c)
Tertiary
d)
Monochromatic
51.
Yellow-Orange, Red-Orange, Red-Violet, Blue-Violet, Blue-Green and Yellow-Green are
a)
Warm colors
b)
Cool Colors
c)
Tertiary
d)
Monochromatic
52.
Yellow-Green, Green, Blue-Green, Blue, Blue-Violet and Violet are
a)
Warm colors
b)
Cool Colors
c)
Tertiary
d)
Monochromatic
53.
Yellow, Yellow-Orange, Orange, Red-Orange, Red and Red-Violet
a)
Warm colors
b)
Cool Colors
c)
Tertiary
d)
Monochromatic
54.
Orange, Green and Purple are
a)
Primary
b)
Secondary
c)
Tertiary
d)
Chromium
55.
How do you mix paint to create a Primary Color?
a)
By mixing equal parts of two Primary colors
b)
By mixing equal parts of a Primary and a Secondary
c)
You can't
d)
Carefully
56.
How do you mix paint to create a Secondary Color?
a)
By mixing equal parts of two Primary colors
b)
By mixing equal parts of a Primary and a Secondary
c)
You can't
d)
Carefully
57.
How do you mix paint to create a Tertiary Color?
a)
By mixing equal parts of two Primary colors
b)
By mixing equal parts of a Primary and a Secondary
c)
You can't
d)
Carefully
58.
Cadmium, Barium and Umber are all...
a)
Moderately Toxic
b)
Toxic
c)
Non Toxic
d)
Highly Toxic
59.
Cobalt and Phthaloe (thay-low) are all...
a)
Moderately Toxic
b)
Toxic
c)
Non Toxic
d)
Highly Toxic
60.
Crayola Crayons are all...
a)
Moderately Toxic
b)
Toxic
c)
Non Toxic
d)
Highly Toxic
61.
How many Primary Colors are there?
a)
1
b)
3
c)
6
d)
12
62.
How many Secondary Colors are there?
a)
1
b)
3
c)
6
d)
12
63.
How many Tertiary Colors are there?
a)
1
b)
3
c)
6
d)
12
64.
____________ is used to describe the intensity of color.
a)
Hue
b)
Pigment
c)
Saturation
d)
Color
65.
One Color their tints, tones and shades.
a)
Tertiary
b)
Gradient
c)
Value
d)
Monochromatic
66.
A point moving through space
a)
Line
b)
Implied Line
c)
Contour Line
d)
Cross Contour Line
67.
A line in an artwork that is not physically there but suggested by points in the artwork
a)
Line
b)
Implied Line
c)
Contour Line
d)
Cross Contour Line
68.
Technique used to create shading effects by drawing closely spaced parallel lines
a)
Stippling
b)
Scumbling
c)
Hatching
d)
Cross Hatching
69.
Technique used to shade (an area) with intersecting sets of parallel lines.
a)
Stippling
b)
Scumbling
c)
Hatching
d)
Cross Hatching
70.
2-D Form
a)
Organic
b)
Geometric
c)
Shape
d)
Form
71.
Two Types of Shapes
a)
Organic / Geometric
b)
Natural / Unnatural
c)
Shape / Form
d)
2-D / 3-D
72.
Famous non objective artist that used lines
a)
Pablo Picasso
b)
Wassily Kandinsky
c)
Louise Nevelson
d)
Frida Kahlo
73.
Where the light is coming from
a)
Reflected Light
b)
Light Source
c)
Highlight
d)
Center Light
74.
What tool is used to cut detailed shapes out of paper?
a)
Scissors
b)
X-Acto Knife
c)
Pik
d)
Needle
75.
When using an X-Acto knife, you should always cut on a...
a)
table
b)
floor
c)
box
d)
mat
76.
Going from dark to light or light to dark with a smooth and even transition.
a)
Gradient
b)
Value
c)
Tonal Quality
d)
Wash
77.
How thick or thin a line is
a)
Line
b)
Contour Line
c)
Line Quality
d)
Line Size
78.
Who is the Artist?
a)
Banksy
b)
Basquiat
c)
Keith Haring
d)
Andy Warhol
79.
What is the Horizon Line?
a)
Place an object lower on the surface of a picture to make it appear closer to your eye.
b)
Draw a horizontal reference line to create the illusion that objects in the picture are varying distances from your eye.
c)
Draw an object in front of another object to create the visual illusion that it is closer to your eye.
d)
Draw an object larger to make it appear closer to your eye.
80.
When drawing, what can you do to portray size?
a)
Place an object lower on the surface of a picture to make it appear closer to your eye.
b)
Draw a horizontal reference line to create the illusion that objects in the picture are varying distances from your eye.
c)
Draw an object in front of another object to create the visual illusion that it is closer to your eye.
d)
Draw an object larger to make it appear closer to your eye.
81.
What does overlapping do?
a)
Place an object lower on the surface of a picture to make it appear closer to your eye.
b)
Draw a horizontal reference line to create the illusion that objects in the picture are varying distances from your eye.
c)
Draw an object in front of another object to create the visual illusion that it is closer to your eye.
d)
Draw an object larger to make it appear closer to your eye.
82.
What is placement?
a)
Place an object lower on the surface of a picture to make it appear closer to your eye.
b)
Draw a horizontal reference line to create the illusion that objects in the picture are varying distances from your eye.
c)
Draw an object in front of another object to create the visual illusion that it is closer to your eye.
d)
Draw an object larger to make it appear closer to your eye.
83.
When you create a shadow you...
a)
Create the illusion of distance by drawing objects light and with less detail.
b)
Draw darkness on the ground next to the object, opposite the positioned light source, to create the illusion of depth.
c)
Draw darkness on an object opposite the positioned light source to create the illusion of depth.
d)
Draw curving lines wrapping around the shape of a round object to give it volume and depth.
84.
When you shade you...
a)
Create the illusion of distance by drawing objects light and with less detail.
b)
Draw darkness on the ground next to the object, opposite the positioned light source, to create the illusion of depth.
c)
Draw darkness on an object opposite the positioned light source to create the illusion of depth.
d)
Draw curving lines wrapping around the shape of a round object to give it volume and depth.
85.
When using contour lines while drawing you...
a)
Create the illusion of distance by drawing objects light and with less detail.
b)
Draw darkness on the ground next to the object, opposite the positioned light source, to create the illusion of depth.
c)
Draw darkness on an object opposite the positioned light source to create the illusion of depth.
d)
Draw curving lines wrapping around the shape of a round object to give it volume and depth.
86.
In the terms of drawing, density means to...
a)
Create the illusion of distance by drawing objects light and with less detail.
b)
Draw darkness on the ground next to the object, opposite the positioned light source, to create the illusion of depth.
c)
Draw darkness on an object opposite the positioned light source to create the illusion of depth.
d)
Draw curving lines wrapping around the shape of a round object to give it volume and depth.
87.
Foreshortening means to...
a)
Draw an object in front of another object to create the visual illusion that it is closer to your eye.
b)
Create the illusion of distance by drawing objects light and with less detail.
c)
Distort an object to create the illusion that one part of it is closer to your eye.
d)
Draw an object larger to make it appear closer to your eye.
88.
The ratio we use to have a proportional human body is
a)
7 1/2 heads
b)
Contrast
c)
Harmony
d)
Unity
89.
What is the Balance of the picture?
a)
Radial
b)
Asymmetry
c)
Symmetry
d)
Parallel
90.
A word to describe pigment spreading in a radial pattern on a wet surface.
a)
Splatter
b)
Blooming
c)
Drips
d)
Pulling
91.
Who is the artist?
a)
Banksy
b)
Basquiat
c)
Keith Haring
d)
Andy Warhol
92.
Who is the artist?
a)
Banksy
b)
Basquiat
c)
Keith Haring
d)
Andy Warhol
93.
Who is the artist?
a)
Banksy
b)
Basquiat
c)
Keith Haring
d)
Andy Warhol
94.
a diagram depicting a range of block values from light to dark.
a)
Pulling
b)
Drips
c)
Gradient
d)
Value Scale
95.
Going from dark to light or light to dark with a smooth and even transition.
a)
Pulling
b)
Drips
c)
Gradient
d)
Value Scale
96.
Using a dry material to lift watercolor from the page to add texture.
a)
Pulling
b)
Blotting
c)
Resist
d)
Lifting
97.
Using wax, masking tape or masking fluid to block watercolor or other mediums.
a)
Resist
b)
Blotting
c)
Blooming
d)
Lifting
98.
When the edges of a watercolor line blend with its neighboring color.
a)
Drop in Color
b)
Feathering
c)
Hard Edge
d)
Soft Edge
99.
Crisp, clean edges made by letting the first layer dry before adding a neighboring color.
a)
Drop in Color
b)
Feathering
c)
Hard Edge
d)
Soft Edge
100.
a word to describe when watercolor bleeds into or through neighboring colors.
a)
Drop in Color
b)
Feathering
c)
Hard Edge
d)
Soft Edge
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