This part of the C-Stand will adjust for uneven surfaces.

These parts of the C-Stand work as "knobs" to adjust its height and the direction of the gobo arm.

This part MUST have a tennis ball or empty water ball at its end in order protect crew, students, cast, etc. from injury.

This grip equipment is PRIMARILY used to set up lights or equipment with a baby pin.

This term refers to cables that run from light fixtures to outlets.

Never have your knees on the floor when plugging stingers into outlets on the ground. This is dangerous.

This grip equipment is a smaller version of a beefy baby.

This grip equipment diffuses light through a fabric held by C-Stands.

When operating a C-Stand, the gobo arm MUST face this direction:

The knuckles of the gobo arm should always be on this side:

All sandbags ("dirt") should go on this leg of the C-Stand:

Never put your face directly in front of lamps, light fixtures, etc.

If sandbags are not available, a person MUST stand next to any raised light fixture.

This refers to the main source of light on the subject. It can be sunlight, a lamp, a bounce card, etc.

This refers to a softer light that adds additional light to a subject and fills in shadows.

This refers to the light that separates the subject from the background:

This grip equipment is used to block light from the subject and direct light with black fabric:

When holding the camera, you may ONLY hold it from the top handle and side handle.

This image is the floating head of a tripod:

Securely tighten all knobs on the tripod extremely tight beyond the point of them "biting."

This image is called a plate which slides on to the floating head of a tripod:

Stingers should hang from the light fixtures down the outlets. Wrapping stingers is not necessary.

This grip equipment bounces light on to the subject and softens the light by spreading it more evenly.

"Doubles" drop f-stops by how much?

"Singles" drop the aperture by how many f-stops?

The short side of the face is most visible on camera.

The broad side of the face is the most visible on camera.

This grip equipment is named after an animal and holds pizza boxes.

Grips are in charge of this element of a film production: