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Art 1301 Chapter 7

Total questions: 25

Worksheet time: 13mins

Name
Class
Date
1.

Why is fresco painting best suited for dry climates?

a)

The fresco dries more quickly.

b)

There is less chance mold growing in the walls.

c)

Painters can work slowly and correct mistakes.

d)

Painters cannot work when it rains.

2.

To what does the term sizing refer?

a)

priming the ground

b)

framing a picture

c)

sealing a support

d)

stretching a canvas

3.

How did Winslow Homer create highlights in Boys Wading?

a)

leaving areas blank and using gouache

b)

adding highlights with encaustic

c)

combining watercolor with oil paint

d)

priming the paper with white gouache

4.

What technique does Yunhee Min use with her acrylic paintings to remove any trace of the artist’s hand?

a)

applying paint by using drip painting

b)

applying paint with a squeegee

c)

applying paint with a fine brush

d)

applying paint with a palette knife

5.

What did Raphael have to do before painting the fresco Assumed Portrait of Francesco Maria delaRovere, detail from the School of Athens?

a)

mix melted beeswax into the colored pigment

b)

make a full-size cartoon for that part of the painting

c)

sketch the entire figure in charcoal on the wall

d)

grind pigments to mix with linseed oil

6.

What was a main reason for the revival of fresco in the twentieth century?

a)

The characteristically bright colors of fresco appealed to the public.

b)

Fresco could be used to decorate public buildings.

c)

There was a renewed interest in classical traditions and subject matter.

d)

The invention of new technologies made fresco painting practical.

7.

What innovation with oil painting did Elizabeth Murray make?

a)

She mixed acrylic with oil paint.

b)

She painted on glass screens.

c)

She based works on everyday subject matters.

d)

She painted on irregular shapes and bolted them together.

8.

The sparkling jewels and luxurious textiles in Madonna and Child with the Chancellor Rolin demonstrate Jan van Eyck’s mastery of which medium?

a)

tempera

b)

acrylic

c)

encaustic

d)

oil paint

9.

When were acrylic paints developed?

a)

late eighteenth century

b)

mid-twentieth century

c)

mid-nineteenth century

d)

early twentieth century

10.

Fresco painting was often used for

a)

murals

b)

exterior walls.

c)

framed portraits.

d)

decorative finishes.

11.

Why is rag paper the best support for a watercolor?

a)

It has a high gloss.

b)

It has superior absorbency and longevity.

c)

It can be rolled for storage.

d)

It is very inexpensive.

12.

Why can artists achieve both controlled and accidental blending with acrylics?

a)

They can use large brushes.

b)

It is possible to work very slowly and spread the acrylic.

c)

Acrylics can be thinned with oil, which lightens their color.

d)

Water is the vehicle and contributes to translucency.

13.

Why can encaustic lend itself to a textured surface?

a)

The drying encaustic attracts dirt.

b)

The drying encaustic retains brushstroke marks.

c)

The pigments create bubbles in encaustic.

d)

Drying encaustic seeps into the support.

14.

What nineteenth-century development made it possible for the Impressionists to paint outside?

a)

tempera

b)

acrylic paints

c)

oil paints in tubes

d)

portable easels

15.

What material gives gouache its distinctive opaque appearance?

a)

egg yolk

b)

synthetic resin

c)

chalk

d)

beeswax

16.

What country has a tradition of black ink watercolor?

a)

China

b)

India

c)

France

d)

Persia

17.

What is the term for an oil painting finished in one sitting?

a)

direct painting

b)

airbrushing

c)

trompe l’oeil

d)

glazing

18.

What was one reason Jasper Johns used encaustic in Three Flags?

a)

to create a smooth, glossy surface

b)

to create transparency

c)

to add complex details

d)

to point out that flags and paintings are both colored canvases

19.

Why do graffiti artists favor spray cans and airbrushes?

a)

They can be used to apply paint quickly.

b)

They lack a human touch.

c)

They offer more color options than other media.

d)

They allow for more subtle shading than other media.

20.

What is necessary for true fresco?

a)

synthetic resin

b)

plaster

c)

wax

d)

linseed oil

21.

Traditional tempera painting was most successfully executed if the artist had

a)

experience with gouache and oil.

b)

an interest in working spontaneously.

c)

access to canvas and paper supports.

d)

complete preliminary drawings.

22.

What is one reason that cave paintings have lasted so long?

a)

natural pigments

b)

lack of light

c)

humidity

d)

dry air

23.

What contributes to the subtle luminosity of tempera paintings?

a)

use of gouache

b)

the use of beeswax

c)

many layers of paint

d)

the oil binder

24.

What innovation did Venetian painters introduce for large oil paintings?

a)

panels covered with cloth

b)

wood panels glued together

c)

gesso on canvas

d)

stretched canvas on wood frames

25.

Which type of paint typically employs egg yolk as a binder?

a)

watercolor

b)

tempera

c)

encaustic

d)

fresco