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Unit 15 Test

Total questions: 76

Worksheet time: 45mins

Name
Class
Date
1.

Bb Lydian

a)

Bb Cb Db Eb Fb Gb Ab Bb

b)

Bb C Db Eb F G Ab Bb

c)

Bb C D Eb F G A Bb

d)

Bb C D E F G A Bb

e)

Bb C D Eb G Ab Bb

2.

F# Dorian

a)

F# G# A# B# C# D# E# F#

b)

E F# G# A B C# D# E

c)

F# G# A B C# D# E F#

d)

F# G A B C D E F#

e)

F# G# A# B C# D# E F#

3.

Ab Mixolydian

a)

Ab Bb C Db Eb F G Ab

b)

Ab Bb Cb Db Eb Fb Gb Ab

c)

Ab Bb C D E F G Ab

d)

Ab Bb C D Eb F G Ab

e)

Ab Bb C Db Eb F Gb Ab

4.

F# Phrygian

a)

F# G A B C# D E F#

b)

F# G A B C D E F#

c)

F# G# A B C# D E F#

d)

F# G# A# B# C# D# E# F#

e)

F# G# A# B C# D# E F#

5.

A# Aeolian

a)

A# B C# D# E F# G# A#

b)

A# B C# D E F# G A#

c)

A# B C# D# E# F# G# A#

d)

A# B# C# D# E# Fx G# A#

e)

A# B# C# D# E# F# G# A#

6.

What is the 3rd note of F Locrian?

a)

Abb

b)

Ab

c)

A

d)

A#

e)

Ax

7.

What is the 5th note of D Lydian?

a)

Abb

b)

Ab

c)

A

d)

A#

e)

Ax

8.

What is the 6th note of Bb Dorian

a)

Gbb

b)

Gb

c)

G

d)

G#

e)

Gx

9.

What is the 7th note of F# Mixolydian

a)

Ebb

b)

Eb

c)

E

d)

E#

e)

Ex

10.

What is the 4th note of the D Phrygian?

a)

Gbb

b)

Gb

c)

G

d)

G#

e)

Gx

11.

What is the relative major key for Bb Dorian?

a)

Gb

b)

Db

c)

F

d)

Ab

e)

Bb

12.

What is the relative major key for G# Phrygian

a)

F#

b)

E

c)

C#

d)

B

e)

D

13.

What is the relative major key for Ab Mixolydian?

a)

Cb

b)

Db

c)

Eb

d)

Ab

e)

Gb

14.

What is the relative major key for B# Locrian

a)

A#

b)

G#

c)

F#

d)

D#

e)

C#

15.

What is the 8th note of Cb Ionian?

a)

Bbb

b)

Db

c)

Cb

d)

Ab

e)

Eb

16.

What scale degree is associated with Lydian?

a)

1

b)

4

c)

5

d)

7

e)

3

17.

What scale degree is associated with Phrygian?

a)

4

b)

7

c)

1

d)

6

e)

3

18.

What scale degree is associated with Aeolian?

a)

5

b)

2

c)

4

d)

6

e)

3

19.

What scale degree is associated with Dorian?

a)

1

b)

2

c)

3

d)

4

e)

5

20.

What scale degree is associated with Locrian?

a)

1

b)

3

c)

5

d)

7

e)

9

21.

Which mode is in the image?

a)

Mixolydian

b)

Phrygian

c)

Lydian

d)

Dorian

22.

Which mode is in the image? (treble clef notes)

a)

Dorian

b)

Lydian

c)

Phrygian

d)

Mixolydian

23.

Which mode is in the image?

a)

Dorian

b)

Mixolydian

c)

Phrygian

d)

Lydian

24.

Which mode is in the image? (treble clef notes)

a)

Mixolydian

b)

Lydian

c)

Dorian

d)

Phrygian

25.

Which of the following scales is a correct construction of a harmonic minor scale?

a)
b)
c)
d)
26.

How do create a harmonic minor scale?

a)

Raise the 6th scale degree from the natural minor scale

b)

Raise the 7th scale degree from the natural minor scale

c)

Raise the 6th and 7th scale degree from the natural minor scale

d)

Lower the 3rd scale degree from the natural minor scale

27.

In the harmonic minor scale, which triads are major?

a)

I, IV, and V

b)

II, III, and VI

c)

V and VI

d)

IV, V, and VII

28.

In the harmonic minor scale, which triads are minor?

a)

i, iv

b)

iii, v

c)

vi, vii

d)

ii, vii

29.

Which chord is traditionally altered in a minor key when you raise the leading tone?

a)

IV

b)

V

c)

VII

d)

I

30.

What is the relative major of e minor?

a)

G Major

b)

A Major

c)

B Major

d)

C Major

31.

What is the relative minor of D Major?

a)

a minor

b)

b minor

c)

c minor

d)

e minor

32.

What is the ii chord in a minor?

a)

B major

b)

b minor

c)

b diminished

d)

B augmented

33.

Which of the following numbers indicates a triad is in 2nd inversion?

a)

6

b)

7

c)

6/4

d)

6/3

34.

Which of the following would be in the bass in a 2nd inversion E Major chord?

a)

E

b)

G#

c)

B

d)

D

35.

What are the primary triads in minor keys?

a)

I, ii, iii, IV, V, VI, vii

b)

i, iv, V

c)

V, VI, IV, I

d)

i, V, VI

36.

True or False: We use Roman Numerals to describe chords?

a)

TRUE

b)

FALSE

37.

Upper case roman numerals indicate __________ chords.

a)

MINOR

b)

MAJOR

38.

Lower case roman numerals indicate __________ chords.

a)

MAJOR

b)

MINOR

39.

Chord changes in a musical composition is known as ______________________.

a)

Chord Progression

b)

Harmony

c)

Melodic Accompaniment

d)

Arpeggio

40.

What is the chord on the piano above?

a)

C major

b)

C minor

c)

D major

d)

E major

41.

What is the triad being played on the piano above?

a)

G minor

b)

A minor

c)

A major

d)

G Major

42.

What is the triad being played on the piano above?

a)

E major

b)

E minor

c)

F major

d)

F minor

43.

What is the triad being played on the piano above?

a)

F minor

b)

F major

c)

G major

d)

F# major

44.

What is the triad being played on the piano above?

a)

D# major

b)

D major

c)

D minor

d)

D# minor

45.

What is the chord being played on the piano above?

a)

E major

b)

C major

c)

D major

d)

B major

46.

What is the triad being played on the piano above?

a)

A major

b)

B major

c)

A minor

d)

G minor

47.

What is the triad being played on the piano above?

a)

A minor

b)

G major

c)

F major

d)

G minor

48.

What is the chord being played on the piano above?

a)

B major

b)

B minor

c)

E minor

d)

E major

49.

Which of the following scales is a correct construction of a melodic minor scale?

a)
b)
c)
d)
50.

Which of the following scales is a correct construction of a natural minor scale?

a)
b)
c)
d)
51.

In the harmonic minor scale, which triads are diminished?

a)

i, iv

b)

iii, v

c)

vi, vii

d)

ii, vii

52.

In the harmonic minor scale, which triad is augmented?

a)

I+

b)

III+

c)

VI+

d)

II+

53.

To create a smooth chord progression, the i chord is played in:

a)

root position

b)

1st inversion

c)

2nd inversion

d)

3rd inversion

54.

To create a smooth chord progression, the iv chord is played in:

a)

root position

b)

1st inversion

c)

2nd inversion

d)

3rd inversion

55.

To create a smooth chord progression, the V7 chord is played in:

a)

root position

b)

1st inversion

c)

2nd inversion

d)

3rd inversion

56.

Dorian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

minor scale with the 6th raised a half step

d)

minor scale with the 2nd lowered a half step

e)

minor scale with the 2nd & 5th lowered a half step

57.

Mixolydian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

minor scale with the 6th raised a half step

d)

minor scale with the 2nd lowered a half step

e)

minor scale with the 2nd & 5th lowered a half step

58.

Locrian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

minor scale with the 6th raised a half step

d)

minor scale with the 2nd lowered a half step

e)

minor scale with the 2nd & 5th lowered a half step

59.

Phrygian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

minor scale with the 6th raised a half step

d)

minor scale with the 2nd lowered a half step

e)

minor scale with the 2nd & 5th lowered a half step

60.

Phrygian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

minor scale with the 6th raised a half step

d)

minor scale with the 2nd lowered a half step

e)

minor scale with the 2nd & 5th lowered a half step

61.

Lydian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

minor scale with the 6th raised a half step

d)

minor scale with the 2nd lowered a half step

e)

minor scale with the 2nd & 5th lowered a half step

62.

Ionian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

major scale with no alterations

d)

minor scale with the 2nd lowered a half step

e)

minor scale with no alterations

63.

Aeolian mode is related to the:

a)

major scale with the 4th raised a half step

b)

major scale with the 7th lowered a half step

c)

major scale with no alterations

d)

minor scale with the 2nd lowered a half step

e)

minor scale with no alterations

64.

Name the minor key:

a)

A flat minor

b)

F minor

c)

D flat minor

d)

C minor

65.

Name the minor key:

a)

A minor

b)

G# minor

c)

F# minor

d)

C# minor

66.

Spell the i chord from the bottom-up in the correct inversion, if needed, for this minor key:

a)

F, Ab, C

b)

Ab, C, F

c)

C, F, Ab

d)

F, A, C

e)

Ab, C, Eb

67.

Spell the iv chord from the bottom-up in the correct inversion, if needed, for this minor key:

a)

F, Bb, Db

b)

Bb, Db, F

c)

Db, F, Bb

d)

Ab, C, Eb

e)

Eb, G, Bb

68.

Spell the V chord from the bottom-up in the correct inversion, if needed, for this minor key:

a)

E♮, G, C

b)

Eb, G, C

c)

G, C, Eb

d)

G, C, E♮

e)

C, E♮, G

69.

Spell the i chord from the bottom-up in the correct inversion, if needed, for this minor key:

a)

F#, A, C#

b)

A, C#, F#

c)

C#, F#, A

d)

F#, A#, C#

e)

A, C#, E

70.

Spell the iv chord from the bottom-up in the correct inversion, if needed, for this minor key:

a)

F#, B, D

b)

B, D, F#

c)

D, F#, B

d)

A, C#, E

e)

E, G#, B

71.

Spell the V chord from the bottom-up in the correct inversion, if needed, for this minor key:

a)

E#, G#, C#

b)

E, G#, C#

c)

G#, C#, E

d)

G#, C#, E#

e)

C#, E#, G#

72.

Bb Dorian contains the exact same key signature as:

a)

Ab Major

b)

F Major

c)

G minor

d)

B minor

73.

A Phrygian contains the exact same key signature as:

a)

Ab Major

b)

F Major

c)

G minor

d)

B minor

74.

Eb Lydian contains the exact same key signature as:

a)

Ab Major

b)

F Major

c)

Bb Major

d)

B Major

75.

F# Mixolydian contains the exact same key signature as:

a)

Ab Major

b)

F Major

c)

Bb Major

d)

B Major

76.

G Locrian contains the exact same key signature as:

a)

Ab Major

b)

F Major

c)

Bb Major

d)

B Major

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