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Chapter One

Total questions: 10

Worksheet time: 10mins

Name
Class
Date
1.

How long ago do historians believe theater began?

a)

2500 years ago in Europe

b)

2000 years ago in Asia

c)

Centuries ago in Africa and Latin America

d)

All of the above

e)

None of the above

2.

What are some reasons to study theater history?

a)

It tells about theater today

b)

It educates future artists

c)

It provides insights into the past

d)

All of the above

e)

None of the above

3.

What does it mean for something to be ephemeral?

a)

It is significant in history

b)

It lasts for only a very short time

c)

It is permanent

d)

It is insignificant

e)

None of the above

4.

Which are thought to be three possible origins of theater?

a)

Imitation, role playing, and storytelling

b)

Migration, ceremonies, and writing

c)

Role playing, rituals, and cave drawings

d)

All of the above

e)

None of the above

5.

Efficaciousness and methexis

a)

Both mean group sharing

b)

Are the result of popular entertainment

c)

Separate ritual and ceremony from theater

d)

A and B only

e)

A and C only

6.

Acting, following scripts, and having design elements

a)

Are the ties that bind ritual and ceremony to theater

b)

Create methexis, or group sharing

c)

Are the three elements needed to call something theater

d)

Have stayed the same in theater since its origins

7.

Participatory theater

a)

Is another name for psychodrama or sociodrama

b)

Attempts to remove the barrier between performers or spectators

c)

Is the opposite of immersive theater

d)

All of the above

e)

None of the above

8.

A person studying hegemonic theory in theater would most likely be

a)

A postcolonial historian

b)

A multicultural historian

c)

An LGBTQ+ historian

d)

A Marxist historian

9.

It is difficult to determine what constitutes significance in theater history because

a)

Theater scholars do not share their work

b)

Money determines success and we often do not have records for how much money theater made in its time

c)

What is valued now may not match what was valued in a tradition's own time

d)

All of the above

e)

None of the above

10.

When studying theater history, we should consider whether audiences were wealthy or poor, nobility or common people, or members of the general public or from a select group because

a)

Only work that appealed to the masses is worth studying

b)

Higher-class audiences are better judges of art

c)

It lends perspective and changes our interpretation of plays and theatre practices

d)

All of the above

e)

None of the above