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AC 6 READINGS Postmodern-architecture

Total questions: 26

Worksheet time: 34mins

Name
Class
Date
1.

Postmodernism became a style in the late 1970s

a)

True

b)

False

2.

Architects rediscovered the "e___________ and s____________" value of architectural elements and forms, like wit, ornament and reference.

(a)  

3.

Two of the early examples of postmodern architecture are:

a)

Michael Graves' Portland Building in Portland, Oregon

b)

Allison and Peter Smithson's House of the future

c)

Louis Kahn's Yale Center for British Art

d)

Philip Johnson's Sony Builgind (AT&T Building) in New York City

4.

Postmodern architecture has also been described as "n__-e______"

(a)  

5.

Two famous postmodern buildings that combine eclecticism with non-orthogonal angles and unusual surfaces are

a)

Michael Graves' Portland Building in Portland, Oregon

b)

James Stirling's State Gallery of Stutgart

c)

Charles Moore's Piazza d'Italia

d)

Philip Johnson's Sony Builgind (AT&T Building) in New York City

6.

What did postmodernist architects seek with their buildings in contrast with modernist architects?

4 lines
7.

One building form that typifies postmodernism is the use of the traditional "g_______ r_____"

(a)  

8.

Postmodern architects turned towards the past, quoting past aspects of various buildings and melding them together to create a new means of designing buildings.

a)

True

b)

False

9.

Postmodern architecture often disregarded the context in terms of the materials, forms and details of the buildings around it—the cultural context.

a)

True

b)

False

10.

Why does Postmodernism have its origins in the perceived failure of Modern Architecture? Explain

4 lines
11.

Where was Postmodernism born?

a)

México

b)

United States

c)

Europe

d)

Asia

12.

His book "Complexity and Contradiction in Architecture" (published in 1966), was instrumental in opening readers eyes to new ways of thinking about buildings,

a)

Charles Moore

b)

Philip Johnson

c)

Robert Venturi

d)

James Stirling

13.

The move away from modernism’s functionalism is well illustrated by Venturi’s adaptation of Mies van der Rohe’s famous maxim “Less is more” to " (a)   "

14.

In their book "Learning from Las Vegas" argues that ornamental and decorative elements accommodate existing needs for variety and communication.

a)

Charles Moore

b)

Philip Johnson and Henry Russel Hitchcock

c)

Robert Venturi and Denise Scott Brown

d)

James Stirling

15.

The postmodernist architects often considered the general requirements of the urban buildings and their surroundings during the building’s design.

a)

True

b)

False

16.

The aims of Postmodernism include: (Select all that apply)

a)

solving the problems of Modernism

b)

communicating meanings with ambiguity

c)

sensitivity for the building’s context

d)

using elements that are imitative and/or historicist

17.

The characteristics of postmodernism allow its aim to be expressed in diverse physical ways. Select the one that does NOT belong.

a)

use of sculptural forms,

b)

use of ornament

c)

anthropomorphism

d)

materials which perform trompe l'oeil

e)

use of iconic flat roofs

18.

Postmodern architecture also has characteristics of meaning. Select the one that does NOT belong

a)

pluralism

b)

double coding

c)

contextualism

d)

irony and paradox

e)

functionality

19.

The use of ornament is perfectly shown in this building

a)

Hans Hollein’s Abteiberg Museum

b)

Frank Gehry’s Venice Beach house

c)

Michael Graves' Portland Municipal Services Building ("Portland Building")

d)

Carlo Scarpa's Brion Cemetery

20.

This building exemplifies Postmodernism's sensitivity to the building’s context, including the needs of humans from the building.

a)

Hans Hollein’s Abteiberg Museum

b)

Frank Gehry’s Venice Beach house

c)

Michael Graves' Portland Municipal Services Building ("Portland Building")

d)

Carlo Scarpa's Brion Cemetery

21.

This building illustrates the Postmodernist aim of communicating a meaning and the characteristic of symbolism.

a)

Robert Venturi’s Vanna Venturi House

b)

Frank Gehry’s Venice Beach house

c)

Michael Graves' Portland Municipal Services Building ("Portland Building")

d)

Carlo Scarpa's Brion Cemetery

22.

The best example of irony in Postmodern buildings. The architect quotes (architecturally) elements of the renaissance and classical Antiquity, but the pillars are covered with steel.

a)

Robert Venturi’s Vanna Venturi House

b)

Frank Gehry’s Venice Beach house

c)

Charles Moore's Piazza d'Italia

d)

Carlo Scarpa's Brion Cemetery

23.

Double coding meant the buildings convey many meanings simultaneously, and this building exemplifies this perfectly: tall skyscraper (connotations of very modern technology) with a top section (conveys elements of classical antiquity)

a)

Robert Venturi’s Vanna Venturi House

b)

Philip Johnson's Sony Building (originally AT&T Building)

c)

Charles Moore's Piazza d'Italia

d)

Carlo Scarpa's Brion Cemetery

24.

Select the one that is NOT one of the basic shared principles of postmodernism:

a)

historical reference

b)

freedom from rules

c)

populist design

d)

contextual approaches

e)

simplified forms

25.

What use is Postmodernism today?

4 lines
26.

What makes Postmodern architecture different?

4 lines