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WorksheetsIntermediate/Honors Final Exam Review
Total questions: 61
Worksheet time: 19mins
Name
Class
Date
1.
Dance is best defined as
a)
the body moving in space, and though time, with energy
b)
actions of he whole body, body parts, or shapes
c)
pathways in space where the body moves, jmps, or turns
2.
A transition in movement relates best to
a)
changing from one style to another
b)
moving effortlessly to the next movement
c)
using various speeds of movement
3.
In movement principles the anchor princple is
a)
counterpull
b)
balance
c)
alignment
4.
A combination of movement, energy, and time best describes the term
a)
dynamics
b)
indirect movement
c)
dance style
5.
The elements of dance are the basic building blocks of dancing and dance making.
a)
true
b)
false
6.
The space your body occupies is negative space.
a)
true
b)
false
7.
Dance technique is the way a dancer executes a dance genre
a)
true
b)
false
8.
Observation is the same as motor memory
a)
true
b)
false
9.
Having a light swinging quality
a)
suspension
b)
pendular
c)
collapse
d)
vibratory
e)
percussive
10.
Movement off balance before catching your fall
a)
pendular
b)
suspension
c)
collapse
d)
vibratory
e)
percussive
11.
Quick discharge of all energy in a bosy part or entire body
a)
sustained
b)
abrupt
c)
percussive
d)
vibratory
e)
collapse
12.
Quick, repeated releases of energy through small body part
a)
pendular
b)
suspension
c)
collapse
d)
vibratory
e)
percussive
13.
Sharp, forceful movement, quickly halted, and with sound
a)
pendular
b)
collapse
c)
percussive
d)
sustained
e)
abrupt
14.
Sharp, forceful movement, quickly halted, and without sound
a)
suspension
b)
vibratory
c)
abrupt
d)
sustained
e)
percussive
15.
Continuous release of energy at the same rate
a)
sustained
b)
abrupt
c)
percussive
d)
vibratory
e)
collapse
16.
The proper psture that allows dancer to stand and move efficiently
a)
Alignment
b)
Turnout
c)
Stance
d)
Transfer of Weight
e)
Balance
17.
The subtle adjustments that dancer uses while standing or during movement
a)
Alignment
b)
Turnout
c)
Stance
d)
Transfer of Weight
e)
Balance
18.
The weight of the body distributed on both feet and one foot
a)
Alignment
b)
Turnout
c)
Stance
d)
Transfer of Weight
e)
Balance
19.
The outward rotation of the legs from the hip joint, a feature of some dance forms
a)
Alignment
b)
Turnout
c)
Stance
d)
Transfer of Weight
e)
Balance
20.
The change of weight from two feet to one foot or one foot ro two feet
a)
Alignment
b)
Turnout
c)
Stance
d)
Transfer of Weight
e)
Balance
21.
Free-form, semi-structured, and structured are components of
a)
Choreogaphy
b)
Improvisation
c)
Musical Structures
22.
The process for using your body and mind together to tap personal internal creative and movement resources is known as
a)
body storming
b)
choreographic invention
c)
somatic movement awareness
23.
A dance composition focuses on the beginning, the middle, the end, and on the movement between them.
a)
true
b)
false
24.
The source of movement for any dance is external stimuli
a)
true
b)
false
25.
Dance artistry is a continuous self-check process of technique, creative, or intellectual challenges.
a)
true
b)
false
26.
Learning how to make a dance
a)
Choreographer
b)
Dance Composition
c)
4/4 Time signature
d)
Symmetrical
e)
Asymmetrical
27.
The same design on both sides of the body
a)
Choreographer
b)
Dance Composition
c)
4/4 Time signature
d)
Symmetrical
e)
Asymmetrical
28.
The person who create the dance
a)
Choreographer
b)
Dance Composition
c)
4/4 Time signature
d)
Symmetrical
e)
Asymmetrical
29.
Four beats equal one measure
a)
Choreographer
b)
Dance Composition
c)
4/4 Time signature
d)
Symmetrical
e)
Asymmetrical
30.
One side of the body is a different design than the other side.
a)
Choreographer
b)
Dance Composition
c)
4/4 Time signature
d)
Symetrical
e)
Asymmetrical
31.
What type of theater space is best suited for dance performance?
a)
thrust
b)
in the round
c)
proscenium stage
32.
Spaces such as parks and natural environments, art museums, or different places throughout a community are referred to as
a)
site-specific spaces
b)
outside performance area
c)
alternative performance sites
33.
The person who coordinates the backstage work before the performance for the elements of lighting and sound is
a)
the artistic director
b)
the technical director
c)
the stage director
34.
The individual who supervises the lobby, assists or answers question for audience members, and ensures their safety before, during, and after a performance is
a)
the house manager
b)
the box office manager
c)
the theater manager
35.
Using Peripheral Vision helps dancers adjust their movement
a)
to get a sense of their stage space
b)
so everyone's movements are executed together
c)
to gain a sense of the audience's reactions
36.
Dance costume design concepts include
a)
movability, fit, and comfort
b)
shape, color, and texture
c)
texture, length, and style
37.
What is the last stage rehearsal before performance called?
a)
run-through
b)
technical rehearsal
c)
dress rehearsal
38.
The major reason for dancers to use stage makeup is
a)
to see the dancer's face and facial expression
b)
to complement the dancer's costume
c)
for a unified look for all the dancrs
39.
A mental rehearsal is practicing the dance by visualizing yourself doing the choreography perfectly in your mind.
a)
true
b)
false
40.
Theater ettiquette is what crew and dancers practice backstage a performance
a)
true
b)
false
41.
The stage manager call the cues for each dance.
a)
true
b)
false
42.
The theater manager is in charge of the stage and backstage area before, during , and after a performace.
a)
true
b)
false
43.
Producing a dance is a simple process of selection movement and design elements, problem solviing, and communication with artists and technicians.
a)
true
b)
false
44.
Multiple Intelligences are different ways being smart.
a)
true
b)
false
45.
Associated Actors and Artists of America (4As) is an organizationof dancers, choreographers, and educators.
a)
true
b)
false
46.
Dance literacy includes knowledge of movement, music, theater, and arts terminology.
a)
true
b)
false
47.
Professional dance auditions are either a non-union or union call for dancers.
a)
true
b)
false
48.
Teamwork and collaboration
a)
Communication
b)
Collaboration
c)
Creativity
d)
Critical Thinking
49.
Writing and Speaking
a)
Communication
b)
Collaboration
c)
Creativity
d)
Critical Thinking
50.
Seeing options and alternatives
a)
Communication
b)
Collaboration
c)
Creativity
d)
Critical Thinking
51.
Logical reasoning
a)
Communication
b)
Collaboration
c)
Creativity
d)
Critical Thinking
52.
Dance Booking Agent
a)
Dance Arts Manager
b)
dance ethnologist
c)
Dance health and wellness professional
d)
Dance notator
53.
Teaches students preschool-age through senior citizens
a)
Dance educator
b)
dance fitness professional
c)
dance industry professional
d)
dance theatrical production
54.
Works in cultural dance and associated fields
a)
Dance Arts Manager
b)
dance ethnologist
c)
Dance health and wellness professional
d)
Dance notator
55.
Pilates teacher
a)
Dance Educator
b)
dance fitness professional
c)
dance industry professional
d)
dance theatrical production
56.
Scientist, psychologist, or nutritionist
a)
Dance ethnologist
b)
Dance health and wellness professional
c)
dance notator
d)
dance/movement therapist
57.
Dance Videographer
a)
dance fitness professional
b)
dance industry professional
c)
dance theatrical production
d)
dance writer
58.
Preserves major dance works in concert and cultural forms
a)
Dance Arts Manager
b)
dance fitness professional
c)
Dance notator
d)
dance writer
59.
Costume, lighting, or scenic designer
a)
Dance theatrical production
b)
dance ethnologist
c)
Dance educator
d)
dance notator
60.
Practices in the community and in health care settings
a)
dance fitness professional
b)
Dance notator
c)
Dance Arts Manager
d)
dance/movement therapist
61.
Produces work in newspaper, magazines, journals, and websites
a)
dance fitness professional
b)
dance writer
c)
dance industry professional
d)
Dance notator
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