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WorksheetsMAPEH 3Q3
Total questions: 83
Worksheet time: 46mins
____ is making a picture of people, trees, plants, animals, houses, and a lot more.
DRAWING
PRINTMAKING
RELIEF PRINTING
LOGO DESIGN
ABSTRACT SHAPES
It is a variety of techniques developed to create multiple copies of a single image.
DRAWING
PRINTMAKING
RELIEF PRINTING
LOGO DESIGN
ABSTRACT SHAPES
____ is used by an organization as a symbol to represent
their organization.
DRAWING
PRINTMAKING
RELIEF PRINTING
LOGO DESIGN
ABSTRACT SHAPES
They are not regular shapes like square, round, nor the natural shapes of fruits and trees.
DRAWING
PRINTMAKING
RELIEF PRINTING
LOGO DESIGN
ABSTRACT SHAPES
_____ do not represent regular shapes.
DRAWING
PRINTMAKING
LOGO DESIGN
ABSTRACT SHAPES
TYPES OF PRINT MAKING
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
SHADING
In art, _______, a process consisting of cutting or etching a printing surface in such a way that all that remains of the original surface is the design to be printed.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
Examples of relief-printing processes include:
woodcut
anastatic printing (also called relief etching)
linocut
metal cut
ribbon cut
In art printmaking, a process consisting of _____ a printing surface in such a way that all that remains of the original surface is the design to be printed.
cutting or etching
molding or shaping
edging or bording
the printing is done from ink that is below the surface of the plate.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
____is the opposite of relief printing.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
The design is cut, scratched, or etched into the printing
surface or plate, which can be copper, zinc, aluminum,
magnesium, plastics, or even coated paper.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
Printing procedure in which the image is printed from a flat
surface.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
This is chemically prepared in order to hold on to printing ink, in places from which they will absorb after it transferred on the paper, while rejecting it in these areas, which will keep blank on the paper.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
is a less expensive, cleaner, and a simpler alternative to screen printing.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
It is an easy way for you to print an image, or several images, repeatedly on a surface, like a poster or a t-shirt.
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
unlike screen printing, _____ doesn't require you to use any smelly chemicals!
RELIEF PRINTING
INTAGLIO
PLANOGRAPHY
STENCIL
(a) are ready-made letterings or designed letters of the alphabet that are used for printing.
TRUE OR FALSE
LETTER STENCILS could be rubbed so as to be transferred on paper.
TRUE
FALSE
TRUE OR FALSE
LETTER STENCILS could also be mechanically cut out or cut out by hands for printing.
TRUE
FALSE
ELEMENTS OF ARTS
LINES
TEXTURES
SHAPES
SHADES
TYPES OF LINES
Vertical Lines
Horizontal lines
Slant Lines
Zigzag Lines
Curved Lines
TRUE OR FALSE
In ARTS, you should understand what is contrast in texture
TRUE
FALSE
TRUE OR FALSE
In ARTS, you should understand how is depth achieved
TRUE
FALSE
TRUE OR FALSE
In ARTS, you should understand to balance the size of your drawing
TRUE
FALSE
How many are elements of ARTS?
5
6
7
8
ELEMENTS OF ARTS
LINE
COLOR
VALUE
PATTERN
RHYTHM
ELEMENTS OF ARTS
SPACE
SHAPE
SHADOW
PATTERN
CONTRAST
ELEMENTS OF ARTS
FORM
TEXTURE
SHADOW
PROPORTION
MOVEMENT
HOW MANY ARE PRINCIPLES OF ARTS
10
9
8
11
A principle of design that indicates movement, created by the careful placement of repeated elements in a work of art to cause a visual tempo or beat.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
created by movement implied through the repetition of elements of art in a non-uniform but organized way.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
Unlike pattern, which demands consistency, ___ relies on variety.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
A way of combining elements to add a feeling of Equilibrium or stability to a work of art. Major types are symmetrical and asymmetrical.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
Refers to the visual weight of the elements of the composition. It is a sense that the painting feels stable and "feels right."
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
TRUE or FALSE
Imbalance causes a feeling of discomfort in the viewer.
TRUE
FALSE
Balance can be achieved in these different ways
Symmetry
Asymmetry
Radial symmetry
composition
in which both sides of a composition have the same elements in the same position, as in a mirror-image, or the two sides of a face
Symmetry
Asymmetry
Radial symmetry
composition
in which the composition is balanced due to the contrast of any of the elements of art. For example, a large circle on one side of a composition might be balanced by a small square on the other side
Symmetry
Asymmetry
Radial symmetry
composition
in which elements are equally spaced around a central point, as in the spokes coming out of the hub of a bicycle tire.
Symmetry
Asymmetry
Radial symmetry
composition
is when the artist creates an area of the composition that is visually dominant and commands the viewer's attention. This is often achieved by
contrast
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
is the difference between elements of art in a composition, such that each element is made stronger in relation to the other.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
When placed next to each other, ____ elements command the viewer's attention.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
Areas of ____ are among the first places that a viewer's eye is drawn. It can be achieved by juxtapositions of any of the elements of art.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
Examples of ____
- Negative/Positive space
- Complementary colors placed side by side
- Notan
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
A principle of design that refers to the relationship of certain elements to the whole and to each other.
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
Can also be intertwined with scale
Rhythm
Balance
Emphasis
Contrast
Proportion
____ is relative to our own size
3 types
•Monumental
•Human Scale
•Small Size
Rhythm
Balance
Emphasis
Contrast
Proportion/Scale
3 TYPES OF SCALE
Monumental
Human Scale
Small Size
Huge
Gigantic
A way of combining elements by using a series of gradual changes in those elements. (large shapes to small shapes, dark hue to light hue, etc)
Gradation
Harmony/Pattern
Variety/Unity
Movement
A way of combining similar elements in an artwork to accent their similarities (achieved through use of repetitions and subtle gradual changes)
Gradation
Harmony/Pattern
Variety/Unity
Movement
is the uniform repetition of any of the elements of art or any combination thereof.
Gradation
Harmony/Pattern
Variety/Unity
Movement
Some classic _____ are
- spirals
- grids
- weaves
Gradation
Harmony/Pattern
Variety/Unity
Movement
A popular drawing practice is (a) , in which an abstract or representational outline is divided into different areas, each of which contains a unique pattern.
A principle of design concerned with diversity or contrast. It is achieved by using different shapes, sizes, and/or colors in a work of art.
Gradation
Harmony/Pattern
Variety/Unity
Movement
You want your painting to feel unified such that all the elements fit together comfortably.
Gradation
Harmony/Pattern
Variety/Unity
Movement
TRUE or FALSE
Too much unity creates monotony, too much variety creates chaos. You need both.
TRUE
FALSE
TRUE or FALSE
In UNITY, ideally, you want areas of interest in your
composition along with places for your eye to
rest.
TRUE
FALSE
A principle of design used to create the look and feeling of action and to guide the viewer’s eye throughout the work of art.
Gradation
Harmony/Pattern
Variety/Unity
Movement
is the result of using the elements of art such that they move the viewer's eye around and within the image
Gradation
Harmony/Pattern
Variety/Unity
Movement
A sense of ____ can be created by diagonal or curvy lines, either real or implied, by edges, by the illusion of space, by repetition, by energetic mark-making.
Gradation
Harmony/Pattern
Variety/Unity
Movement
It is an animated artwork used to represent a character in a play.
(a)
The movement of a puppet is done by a ____.
puppeteer
actor
dancer
pupper
TRUE or FALSE
Puppets differ in form and in materials. They also differ in the manner of their creation .
TRUE
FALSE
TYPES OF PUPPETS
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
PUPPETEERS PERFORM ON THE BACK OF A WHITE CLOTH WITH LIGHT AT THE BACK OF PUPPETS.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
THEY ARE MADE OF ANIMAL SKIN AND STICKS.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
THEY ARE MADE OF FOAM AND CLOTH.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
THE PUPPETEERS HAND IS INSERTED IN THE NECK, HOLDING THE FLAP TO OPEN THE PUPPET'S MOUTH.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
THE MOVEMENTS ARE LIMITED TO THE MOUTH, NECK, ARMS, AND HANDS. PUPPETEERS KNEEL DOWN OR STAND UP WHILE PERFORMING.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
THEY ARE MADE OF WOOD, STEEL, RUBBER, OR FIBERGLASS.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
PUPPETEERS ARE ABOVE THE STRINGS AS THEY MOVE THE HEAD, ARMS, HANDS, AND FEET.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
RODS ARE USED TO MOVE THE HEAD, ARMS, AND FEET OF THE PUPPET.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
THEY ARE MADE OF CARDBOARD AND STICKS.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
STICKS ARE USED FOR MOVEMENTS.
SHADOW PUPPETS
HAND PUPPETS
STRING PUPPETS
ROD PUPPETS
STICK PUPPETS
(a) is an element of art that is produces when light, striking an object, is reflected back to the eye.
____ are made by adding white to color.
For example, when white is added to red, pink is created.
Pink is a ___ of red.
tints
shade
neutral color
A ___ is produced when black is added to a pure color.
An example would be the green color when mixed with black or gray becomes dark green.
tints
shade
neutral color
____ contain equal parts of each of the three primary colors: red, blue and yellow.
tints
shade
neutral color
A ____ is defined as being a color of very low saturation, close to gray.
tints
shade
neutral color
Black, white, gray and sometimes brown are considered to be ____
tints
shade
neutral color
TRUE or FALSE
COLOR HARMONY IS THE COMBINATION OF COLORS THAT CAN GO TOGETHER. WHEN THERE IS HARMONY IN COLORS, IT IS PLEASING TO THE EYES.
TRUE
FALSE
TRUE or FALSE
When primary colors which are found on the left and the secondary colors which are found on the right are gradually mixed with black that are positioned in the middle, these colors turn to earth colors
TRUE
FALSE
