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Worksheets

MAPEH 3Q3

Total questions: 83

Worksheet time: 46mins

Name
Class
Date
1.

____ is making a picture of people, trees, plants, animals, houses, and a lot more.

a)

DRAWING

b)

PRINTMAKING

c)

RELIEF PRINTING

d)

LOGO DESIGN

e)

ABSTRACT SHAPES

2.

It is a variety of techniques developed to create multiple copies of a single image.

a)

DRAWING

b)

PRINTMAKING

c)

RELIEF PRINTING

d)

LOGO DESIGN

e)

ABSTRACT SHAPES

3.

____ is used by an organization as a symbol to represent

their organization.

a)

DRAWING

b)

PRINTMAKING

c)

RELIEF PRINTING

d)

LOGO DESIGN

e)

ABSTRACT SHAPES

4.

They are not regular shapes like square, round, nor the natural shapes of fruits and trees.

a)

DRAWING

b)

PRINTMAKING

c)

RELIEF PRINTING

d)

LOGO DESIGN

e)

ABSTRACT SHAPES

5.

_____ do not represent regular shapes.

a)

DRAWING

b)

PRINTMAKING

c)

LOGO DESIGN

d)

ABSTRACT SHAPES

6.

TYPES OF PRINT MAKING

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

e)

SHADING

7.

In art, _______, a process consisting of cutting or etching a printing surface in such a way that all that remains of the original surface is the design to be printed.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

8.

Examples of relief-printing processes include:

a)

woodcut

b)

anastatic printing (also called relief etching)

c)

linocut

d)

metal cut

e)

ribbon cut

9.

In art printmaking, a process consisting of _____ a printing surface in such a way that all that remains of the original surface is the design to be printed.

a)

cutting or etching

b)

molding or shaping

c)

edging or bording

10.

the printing is done from ink that is below the surface of the plate.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

11.

____is the opposite of relief printing.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

12.

The design is cut, scratched, or etched into the printing

surface or plate, which can be copper, zinc, aluminum,

magnesium, plastics, or even coated paper.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

13.

Printing procedure in which the image is printed from a flat

surface.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

14.

This is chemically prepared in order to hold on to printing ink, in places from which they will absorb after it transferred on the paper, while rejecting it in these areas, which will keep blank on the paper.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

15.

is a less expensive, cleaner, and a simpler alternative to screen printing.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

16.

It is an easy way for you to print an image, or several images, repeatedly on a surface, like a poster or a t-shirt.

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

17.

unlike screen printing, _____ doesn't require you to use any smelly chemicals!

a)

RELIEF PRINTING

b)

INTAGLIO

c)

PLANOGRAPHY

d)

STENCIL

18.

(a)   are ready-made letterings or designed letters of the alphabet that are used for printing.

19.

TRUE OR FALSE


LETTER STENCILS could be rubbed so as to be transferred on paper.

a)

TRUE

b)

FALSE

20.

TRUE OR FALSE


LETTER STENCILS could also be mechanically cut out or cut out by hands for printing.

a)

TRUE

b)

FALSE

21.

ELEMENTS OF ARTS

a)

LINES

b)

TEXTURES

c)

SHAPES

d)

SHADES

22.

TYPES OF LINES

a)

Vertical Lines

b)

Horizontal lines

c)

Slant Lines

d)

Zigzag Lines

e)

Curved Lines

23.

TRUE OR FALSE


In ARTS, you should understand what is contrast in texture

a)

TRUE

b)

FALSE

24.

TRUE OR FALSE


In ARTS, you should understand how is depth achieved

a)

TRUE

b)

FALSE

25.

TRUE OR FALSE


In ARTS, you should understand to balance the size of your drawing

a)

TRUE

b)

FALSE

26.

How many are elements of ARTS?

a)

5

b)

6

c)

7

d)

8

27.

ELEMENTS OF ARTS

a)

LINE

b)

COLOR

c)

VALUE

d)

PATTERN

e)

RHYTHM

28.

ELEMENTS OF ARTS

a)

SPACE

b)

SHAPE

c)

SHADOW

d)

PATTERN

e)

CONTRAST

29.

ELEMENTS OF ARTS

a)

FORM

b)

TEXTURE

c)

SHADOW

d)

PROPORTION

e)

MOVEMENT

30.

HOW MANY ARE PRINCIPLES OF ARTS

a)

10

b)

9

c)

8

d)

11

31.

A principle of design that indicates movement, created by the careful placement of repeated elements in a work of art to cause a visual tempo or beat.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

32.

created by movement implied through the repetition of elements of art in a non-uniform but organized way.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

33.

Unlike pattern, which demands consistency, ___ relies on variety.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

34.

A way of combining elements to add a feeling of Equilibrium or stability to a work of art. Major types are symmetrical and asymmetrical.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

35.

Refers to the visual weight of the elements of the composition. It is a sense that the painting feels stable and "feels right."

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

36.

TRUE or FALSE


Imbalance causes a feeling of discomfort in the viewer.

a)

TRUE

b)

FALSE

37.

Balance can be achieved in these different ways

a)

Symmetry

b)

Asymmetry

c)

Radial symmetry

d)

composition

38.

in which both sides of a composition have the same elements in the same position, as in a mirror-image, or the two sides of a face

a)

Symmetry

b)

Asymmetry

c)

Radial symmetry

d)

composition

39.

in which the composition is balanced due to the contrast of any of the elements of art. For example, a large circle on one side of a composition might be balanced by a small square on the other side

a)

Symmetry

b)

Asymmetry

c)

Radial symmetry

d)

composition

40.

in which elements are equally spaced around a central point, as in the spokes coming out of the hub of a bicycle tire.

a)

Symmetry

b)

Asymmetry

c)

Radial symmetry

d)

composition

41.

is when the artist creates an area of the composition that is visually dominant and commands the viewer's attention. This is often achieved by

contrast

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

42.

is the difference between elements of art in a composition, such that each element is made stronger in relation to the other.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

43.

When placed next to each other, ____ elements command the viewer's attention.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

44.

Areas of ____ are among the first places that a viewer's eye is drawn. It can be achieved by juxtapositions of any of the elements of art.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

45.

Examples of ____


- Negative/Positive space

- Complementary colors placed side by side

- Notan

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

46.

A principle of design that refers to the relationship of certain elements to the whole and to each other.

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

47.

Can also be intertwined with scale

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion

48.

____ is relative to our own size


3 types

•Monumental

•Human Scale

•Small Size

a)

Rhythm

b)

Balance

c)

Emphasis

d)

Contrast

e)

Proportion/Scale

49.

3 TYPES OF SCALE

a)

Monumental

b)

Human Scale

c)

Small Size

d)

Huge

e)

Gigantic

50.

A way of combining elements by using a series of gradual changes in those elements. (large shapes to small shapes, dark hue to light hue, etc)

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

51.

A way of combining similar elements in an artwork to accent their similarities (achieved through use of repetitions and subtle gradual changes)

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

52.

is the uniform repetition of any of the elements of art or any combination thereof.

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

53.

Some classic _____ are

- spirals

- grids

- weaves

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

54.

A popular drawing practice is (a)   , in which an abstract or representational outline is divided into different areas, each of which contains a unique pattern.

55.

A principle of design concerned with diversity or contrast. It is achieved by using different shapes, sizes, and/or colors in a work of art.

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

56.

You want your painting to feel unified such that all the elements fit together comfortably.

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

57.

TRUE or FALSE


Too much unity creates monotony, too much variety creates chaos. You need both.

a)

TRUE

b)

FALSE

58.

TRUE or FALSE


In UNITY, ideally, you want areas of interest in your

composition along with places for your eye to

rest.

a)

TRUE

b)

FALSE

59.

A principle of design used to create the look and feeling of action and to guide the viewer’s eye throughout the work of art.

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

60.

is the result of using the elements of art such that they move the viewer's eye around and within the image

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

61.

A sense of ____ can be created by diagonal or curvy lines, either real or implied, by edges, by the illusion of space, by repetition, by energetic mark-making.

a)

Gradation

b)

Harmony/Pattern

c)

Variety/Unity

d)

Movement

62.

It is an animated artwork used to represent a character in a play.

(a)  

63.

The movement of a puppet is done by a ____.

a)

puppeteer

b)

actor

c)

dancer

d)

pupper

64.

TRUE or FALSE


Puppets differ in form and in materials. They also differ in the manner of their creation .

a)

TRUE

b)

FALSE

65.

TYPES OF PUPPETS

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

66.

PUPPETEERS PERFORM ON THE BACK OF A WHITE CLOTH WITH LIGHT AT THE BACK OF PUPPETS.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

67.

THEY ARE MADE OF ANIMAL SKIN AND STICKS.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

68.

THEY ARE MADE OF FOAM AND CLOTH.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

69.

THE PUPPETEERS HAND IS INSERTED IN THE NECK, HOLDING THE FLAP TO OPEN THE PUPPET'S MOUTH.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

70.

THE MOVEMENTS ARE LIMITED TO THE MOUTH, NECK, ARMS, AND HANDS. PUPPETEERS KNEEL DOWN OR STAND UP WHILE PERFORMING.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

71.

THEY ARE MADE OF WOOD, STEEL, RUBBER, OR FIBERGLASS.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

72.

PUPPETEERS ARE ABOVE THE STRINGS AS THEY MOVE THE HEAD, ARMS, HANDS, AND FEET.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

73.

RODS ARE USED TO MOVE THE HEAD, ARMS, AND FEET OF THE PUPPET.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

74.

THEY ARE MADE OF CARDBOARD AND STICKS.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

75.

STICKS ARE USED FOR MOVEMENTS.

a)

SHADOW PUPPETS

b)

HAND PUPPETS

c)

STRING PUPPETS

d)

ROD PUPPETS

e)

STICK PUPPETS

76.

(a)   is an element of art that is produces when light, striking an object, is reflected back to the eye.

77.

____ are made by adding white to color.


For example, when white is added to red, pink is created.

Pink is a ___ of red.

a)

tints

b)

shade

c)

neutral color

78.

A ___ is produced when black is added to a pure color.


An example would be the green color when mixed with black or gray becomes dark green.

a)

tints

b)

shade

c)

neutral color

79.

____ contain equal parts of each of the three primary colors: red, blue and yellow.

a)

tints

b)

shade

c)

neutral color

80.

A ____ is defined as being a color of very low saturation, close to gray.

a)

tints

b)

shade

c)

neutral color

81.

Black, white, gray and sometimes brown are considered to be ____

a)

tints

b)

shade

c)

neutral color

82.

TRUE or FALSE


COLOR HARMONY IS THE COMBINATION OF COLORS THAT CAN GO TOGETHER. WHEN THERE IS HARMONY IN COLORS, IT IS PLEASING TO THE EYES.

a)

TRUE

b)

FALSE

83.

TRUE or FALSE


When primary colors which are found on the left and the secondary colors which are found on the right are gradually mixed with black that are positioned in the middle, these colors turn to earth colors

a)

TRUE

b)

FALSE