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VDA - History (Part 5)

Total questions: 47

Worksheet time: 47mins

Name
Class
Date
1.

A transitional style of English architecture that developed during the reign of the royal house of Tudor in the second half of the 16th century

a)

Tudor architecture

b)

Cinquecento architecture

c)

Baroque architecture

d)

Colonial architecture

2.

Characterized by the Tudor arch and the application of Renaissance details to buildings otherwise late Perpendicular in style

a)

Tudor architecture

b)

Cinquecento architecture

c)

Baroque architecture

d)

Colonial architecture

3.

The Italian Renaissance architecture of the 16th century

a)

Tudor architecture

b)

Cinquecento architecture

c)

Baroque architecture

d)

Colonial architecture

4.

A style of architecture originating in Italy in the early 17th century and variously prevalent in Europe and the New World for a century and a half

a)

Tudor architecture

b)

Cinquecento architecture

c)

Baroque architecture

d)

Rococo architecture

5.

Characterized by free and sculptural use of the classical orders and ornament, dynamic opposition and interpenetration of spaces, and the dramatic combined effects of architecture, sculpture, painting, and the decorative arts

a)

Gothic architecture

b)

Renaissance architecture

c)

Baroque architecture

d)

Rococo architecture

6.

The style of architecture, decoration, and furnishings of the British colonies in America in the 17th and 18th centuries

a)

Tudor architecture

b)

Cinquecento architecture

c)

Baroque architecture

d)

Colonial architecture

7.

Mainly adapted to local materials and demands from prevailing English styles

a)

Tudor architecture

b)

Cinquecento architecture

c)

Baroque architecture

d)

Colonial architecture

8.

A style of decorative art that evolved from the Baroque, originating in France about 1720

a)

Rococo

b)

Classic Revival

c)

Federal style

d)

Mannerism

9.

Distinguished by fanciful, curved spatial forms and elaborate, profuse designs of shellwork and foliage intended for a delicate overall effect

a)

Rococo

b)

Classic Revival

c)

Baroque

d)

Renaissance

10.

Art and architecture in the style of the ancient Greeks and Romans, as that of the Italian Renaissance and the neoclassical movements in England and the United States in the late 18th and early 19th centuries

a)

Neoclassicism

b)

Classic Revival

c)

Colonial architecture

d)

Mannerism

11.

The classicism prevailing in the architecture of Europe, America, and various European colonies during the late 18th and early 19th centuries

a)

Neoclassicism

b)

Classic Revival

c)

Colonial architecture

d)

Mannerism

12.

Characterized by the introduction and widespread use of Greek and Roman orders and decorative motifs, the subordination of detail to simple, strongly geometric compositions, and the frequent shallowness of relief in ornamental treatment of facades

a)

Neoclassicism

b)

Classic Revival

c)

Colonial architecture

d)

Mannerism

13.

The Classic Revival style of the decorative arts and architecture current in the US from c. 1780 to c. 1830

a)

Georgian architecture

b)

Classic Revival

c)

Federal style

d)

Mannerism

14.

A protective fortress in or adjoining a German city; by extension, a term for several German palaces or parts of palaces, as in Dresden

a)

Zwinger

b)

Chinoiserie

c)

Architecture parlante

d)

Rococo

15.

A style of ornament prevalent chiefly in 18th-century Europe, characterized by intricate patterns and extensive use of motifs identified as Chinese

a)

Zwinger

b)

Chinoiserie

c)

Mingtang

d)

Xanadu

16.

The Indo-Islamic architecture of the Mughal dynasty, 1526 to 1857

a)

Mughal architecture

b)

Mudéjar architecture

c)

Moorish architecture

d)

Muslim architecture

17.

Typified by monumental palaces and mosques with highly detailed decorative work

a)

Mughal architecture

b)

Mudéjar architecture

c)

Moorish architecture

d)

Muslim architecture

18.

A transitional style in European architecture in the late 16th century, particularly in Italy

a)

Mannerism

b)

Georgian

c)

Regency

d)

Classicism

19.

The prevailing style of architecture, furniture, and crafts current in England and the North American colonies, esp. from 1714 to 1811

a)

Georgian architecture

b)

Colonial architecture

c)

Baroque architecture

d)

Rococo architecture

20.

Characterized by the unconventional use of classical elements

a)

Mannerism

b)

Georgian

c)

Regency

d)

Classicism

21.

Derived from classical, Renaissance, and Baroque forms

a)

Georgian architecture

b)

Colonial architecture

c)

Tudor architecture

d)

Cinquecento architecture

22.

Characterized by close imitation of ancient Greek forms as well as by less frequent and looser adaptations of ancient Roman, Gothic, Chinese, and ancient Egyptian forms

a)

Regency style

b)

Empire style

c)

Directoire style

d)

Federal style

23.

Characterized by an increasing use of Greco-Roman forms along with an introduction, toward the end, of Egyptian motifs

a)

Regency style

b)

Empire style

c)

Directoire style

d)

Federal style

24.

Characterized by the use of delicate but elaborate ornamentation imitated from Greek and Roman examples and by the occasional use of military and Egyptian motifs

a)

Regency style

b)

Empire style

c)

Directoire style

d)

Federal style

25.

Speaking architecture: a term used in 18th-century France to describe buildings whose plans or elevations create an image that suggests their functions

a)

Architecture parlante

b)

Architecture zwinger

c)

Architecture panopticon

26.

The Italian version of Art Nouveau, named after the firm of Liberty and Co. in London

a)

Stile Liberty

b)

Sezession

c)

Modernismo

d)

Jugendstil

27.

The Austrian version of Art Nouveau, so named because its adherents seceded from the official Academy of Art in Vienna

a)

Stile Liberty

b)

Sezession

c)

Modernismo

d)

Jugendstil

28.

The Spanish, particularly Catalan, version of Art Nouveau

a)

Stile Liberty

b)

Sezession

c)

Modernismo

d)

Jugendstil

29.

Art Nouveau as practiced in German-speaking countries, from the German term for youth style

a)

Stile Liberty

b)

Sezession

c)

Modernismo

d)

Jugendstil

30.

A movement aimed at reviving the spirit and forms of Gothic architecture, originating in the late 18th century but flourishing mainly in the 19th century in France, Germany, England, and to a lesser extend in the US.

a)

Gothic Revival

b)

Steamboat Gothic

c)

Collegiate Gothic

d)

Carpenter Gothic

31.

A florid architectural style used for home built in the middle of the 19th century in the Ohio and Mississippi river valleys, suggesting the gingerbread-decorated construction of riverboats of the Victorian period

a)

Gothic Revival

b)

Steamboat Gothic

c)

Collegiate Gothic

d)

Carpenter Gothic

32.

A secular version of Gothic architecture, as in the older colleges of Cambridge and Oxford

a)

Gothic Revival

b)

Steamboat Gothic

c)

Collegiate Gothic

d)

Carpenter Gothic

33.

A style of Victorian Gothic architecture in the 19th century adapted by artisan-builders to the resources of contemporary woodworking tools and machinery

a)

Gothic Revival

b)

Steamboat Gothic

c)

Collegiate Gothic

d)

Carpenter Gothic

34.

Heavily, gaudily, and superfluously ornamented, esp. in architecture

a)

Gingerbread

b)

Panopticon

c)

Hacienda

d)

Radial building

35.

A building, such as a prison, hospital, or library, arranged so that all parts of the interior are visible from a single point

a)

Gingerbread

b)

Panopticon

c)

Hacienda

d)

Radial building

36.

A design movement of the mid-19th century that emphasized the decorative use of materials and textures and the development of ornament as an integral part of a structure rather than as applied adornment

a)

Rationalsim

b)

Arts and Crafts Movement

c)

Art Nouveau

37.

A movement that originated in England c. 1860 as a reaction against poor-quality mass-produced goods, conceiving of craft and decoration as a single entity in the handcrafting of both utilitarian and decorative objects

a)

Rationalsim

b)

Arts and Crafts Movement

c)

Art Nouveau

38.

A style of fine and applied art current in the late 19th and early 20th centuries, characterized by fluid, undulating motifs, often derived from natural forms

a)

Rationalsim

b)

Arts and Crafts Movement

c)

Art Nouveau

39.

The revival of the Romanesque style in the US by Henry Hobson Richardson (1838 to 1886) and his followers

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

40.

Characterized by heavy arches, rusticated masonry walls, and dramatic asymmetrical effects

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

41.

A style of architecture in the mid-19th century, esp. in Germany

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

42.

Characterized by the use of the round-arch motif and combining in various degrees elements from the Early Christian, Byzantine, Romanesque, and Early Renaissance styles, from the German term for round-arched style

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

43.

The revival and eclectic architecture, decor, and furnishings popular in English-speaking countries during the reign of Queen Victoria in England, 1837 to 1901

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

44.

Characterized by rapid changes of style as a consequence of aesthetic controversy and technological innovations, by the frequent presence of ostentatious ornament

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

45.

Overall trend from classicism at the start to romanticism and eclecticism at the middle of the period and thence to classicism again

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

46.

A style of architecture favored by the Ecole des Beaux-Arts in late 19th-century France and adopted in the US and elsewhere c. 1900

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture

47.

Characterized by symmetrical plans and the eclectic use of architectural features combined so as to give a massive, elaborate, and often ostentatious effect

a)

Richardsonian Romanesque

b)

Rundbogenstil

c)

Victorian architecture

d)

Beaux-Arts architecture