By doing this you create a gradual taper rather than a hard edge

To make gradient fills and fill in the erased areas of an image

Is the bottommost layer in the Layers palette

sharing a common border; touching.

By doing this you create a gradual taper rather than a hard edge.

to paint, fill, and stroke selections .

is the bottommost layer in the Layers palette.

sharing a common border; touching.

By doing this you create a gradual taper rather than a hard edge

to paint, fill, and stroke selections .

allows you to move your image while you're zoomed in to more than 100% and part of the image is out of view

sharing a common border; touching

By doing this you create a gradual taper rather than a hard edge.

to paint, fill, and stroke selections

allows you to move your image while you're zoomed in to more than 100% and part of the image is out of view

the brightest elements in an image;

are grayscale, so you can't add colors

to paint, fill, and stroke selections

allows you to move your image while you're zoomed in to more than 100% and part of the image is out of view

the brightest elements in an image;

are grayscale, so you can't add colors

are important to any design workflow since they are used to work on individual parts of an image while not affecting other parts

allows you to move your image while you're zoomed in to more than 100% and part of the image is out of view

the brightest elements in an image;

are grayscale, so you can't add colors

are important to any design workflow since they are used to work on individual parts of an image while not affecting other parts

the colours that are in-between. For example, if we had a black and white image, the mid tone would be grey

the brightest elements in an image;

are grayscale, so you can't add colors

are important to any design workflow since they are used to work on individual parts of an image while not affecting other parts

the colours that are in-between. For example, if we had a black and white image, the mid tone would be grey

(sometimes called NDE for short) is a method of editing in Photoshop that allows you to make changes to an image without overwriting the original image data

Masks let you isolate and protect parts of an image. When you create a mask based on a selection, the area not selected is masked or protected from editing.

are important to any design workflow since they are used to work on individual parts of an image while not affecting other parts

the colours that are in-between. For example, if we had a black and white image, the mid tone would be grey

(sometimes called NDE for short) is a method of editing in Photoshop that allows you to make changes to an image without overwriting the original image data

Masks let you isolate and protect parts of an image. When you create a mask based on a selection, the area not selected is masked or protected from editing.

Used for blending blemishes

the colours that are in-between. For example, if we had a black and white image, the mid tone would be grey

(sometimes called NDE for short) is a method of editing in Photoshop that allows you to make changes to an image without overwriting the original image data

Masks let you isolate and protect parts of an image. When you create a mask based on a selection, the area not selected is masked or protected from editing.

Used for blending blemishes

Make selections · In the Tools panel, select the Quick Selection tool. · Drag over an area you want to select.

(sometimes called NDE for short) is a method of editing in Photoshop that allows you to make changes to an image without overwriting the original image data

Masks let you isolate and protect parts of an image. When you create a mask based on a selection, the area not selected is masked or protected from editing.

Used for blending blemishes

Make selections · In the Tools panel, select the Quick Selection tool. · Drag over an area you want to select.

are the darkest parts.

option tells Photoshop how different in tone and color a pixel can be from the area we clicked on for it to be included in the selection.

Used for blending blemishes

Make selections · In the Tools panel, select the Quick Selection tool. · Drag over an area you want to select.

are the darkest parts.

option tells Photoshop how different in tone and color a pixel can be from the area we clicked on for it to be included in the selection.

allows you to zoom in on the image to get a better idea of the actual pixel makeup of a section you are working on

Make selections · In the Tools panel, select the Quick Selection tool. · Drag over an area you want to select.

are the darkest parts.

option tells Photoshop how different in tone and color a pixel can be from the area we clicked on for it to be included in the selection.

allows you to zoom in on the image to get a better idea of the actual pixel makeup of a section you are working on

Make selections · In the Tools panel, select the Quick Selection tool. · Drag over an area you want to select.

are the darkest parts.

option tells Photoshop how different in tone and color a pixel can be from the area we clicked on for it to be included in the selection

allows you to zoom in on the image to get a better idea of the actual pixel makeup of a section you are working on

Make selections · In the Tools panel, select the Quick Selection tool. · Drag over an area you want to select.

are the darkest parts.

option tells Photoshop how different in tone and color a pixel can be from the area we clicked on for it to be included in the selection.

allows you to zoom in on the image to get a better idea of the actual pixel makeup of a section you are working on

Make selections · In the Tools panel, select the Quick Selection tool. · Drag over an area you want to select.

are the darkest parts.

defines how your kernel is positioned with respect to the pixel currently processed during the filter operation

is a rectangular border around an image, shape, or text that you can drag to move, transform, rotate, or scale

are objects that mask other artwork so only areas within the shape are visible.

has no starting point and no endpoint

helps the path change direction.

is a rectangular border around an image, shape, or text that you can drag to move, transform, rotate, or scale

are objects that mask other artwork so only areas within the shape are visible.

has no starting point and no endpoint

helps the path change direction.

usually shown in graphs or other diagrams as arrows (directed line segments), as illustrated in the figure. Here, the point A is called the origin, tail, base, or initial point, and the point B is called the head, tip, endpoint, terminal point or final point.

are objects that mask other artwork so only areas within the shape are visible.

has no starting point and no endpoint

helps the path change direction.

usually shown in graphs or other diagrams as arrows (directed line segments), as illustrated in the figure. Here, the point A is called the origin, tail, base, or initial point, and the point B is called the head, tip, endpoint, terminal point or final point.

vector shapes can be filled with a solid color, a gradient or a pattern

has no starting point and no endpoint

helps the path change direction.

usually shown in graphs or other diagrams as arrows (directed line segments), as illustrated in the figure. Here, the point A is called the origin, tail, base, or initial point, and the point B is called the head, tip, endpoint, terminal point or final point.

vector shapes can be filled with a solid color, a gradient or a pattern.

allows you to draw a two-point line on the canvas

a path with separate anchor points on each end. If an anchor point only has one line segment connected to it, that anchor is seen as an "end" point, and thus the path is "open".

the point A is called the origin, tail, base, or initial point, and the point B is called the head, tip, endpoint, terminal point or final point.

vector shapes can be filled with a solid color, a gradient or a pattern

allows you to draw a two-point line on the canvas

a path with separate anchor points on each end. If an anchor point only has one line segment connected to it, that anchor is seen as an "end" point, and thus the path is "open"

is a drawn or generated outline that represents a series of smooth straight (vector) lines instead of raster dots (or bitmap dots). Therefore, the paths are independent of resolution.

vector shapes can be filled with a solid color, a gradient or a pattern.

allows you to draw a two-point line on the canvas

a path with separate anchor points on each end. If an anchor point only has one line segment connected to it, that anchor is seen as an "end" point, and thus the path is "open".

is a drawn or generated outline that represents a series of smooth straight (vector) lines instead of raster dots (or bitmap dots). Therefore, the paths are independent of resolution.

indicates the ratio of the distance on a map to the actual distance along the ground.

allows you to draw a two-point line on the canvas

a path with separate anchor points on each end. If an anchor point only has one line segment connected to it, that anchor is seen as an "end" point, and thus the path is "open".

is a drawn or generated outline that represents a series of smooth straight (vector) lines instead of raster dots (or bitmap dots). Therefore, the paths are independent of resolution.

indicates the ratio of the distance on a map to the actual distance along the ground

part of the path between two points

you can draw rectangular, rounded rectangular, elliptical, polygon, line or custom shapes

is a drawn or generated outline that represents a series of smooth straight (vector) lines instead of raster dots (or bitmap dots). Therefore, the paths are independent of resolution.

indicates the ratio of the distance on a map to the actual distance along the ground

part of the path between two points

you can draw rectangular, rounded rectangular, elliptical, polygon, line or custom shapes

designed so that a path continues as one smooth line, without any unexpected changes in direction or curvature.

indicates the ratio of the distance on a map to the actual distance along the ground

part of the path between two points

you can draw rectangular, rounded rectangular, elliptical, polygon, line or custom shapes

designed so that a path continues as one smooth line, without any unexpected changes in direction or curvature.

is a presentation attribute defining the color (or any SVG paint servers like gradients or patterns) used to paint the outline of the shape

part of the path between two points

you can draw rectangular, rounded rectangular, elliptical, polygon, line or custom shape

are designed so that a path continues as one smooth line, without any unexpected changes in direction or curvature

is a presentation attribute defining the color (or any SVG paint servers like gradients or patterns) used to paint the outline of the shape

part of the path between two points

part of the path between two points

are designed so that a path continues as one smooth line, without any unexpected changes in direction or curvature

is a presentation attribute defining the color (or any SVG paint servers like gradients or patterns) used to paint the outline of the shape

indicates the ratio of the distance on a map to the actual distance along the ground

part of the path between two points

indicates the ratio of the distance on a map to the actual distance along the ground.

is a presentation attribute defining the color (or any SVG paint servers like gradients or patterns) used to paint the outline of the shape

designed so that a path continues as one smooth line, without any unexpected changes in direction or curvature.

is the setting of text flow or image placement relative to a page, column (measure), table cell, or tab

are the vertical, upwards strokes that rise above the x-height. In typography, an ascender occurs on lowercase letters.

consists of horizontal guide lines that keep lines of text consistent from page to page

are the quotation marks used in good typography. There are four curly quote characters: the opening single quote ( ' ), the closing single quote ( ' ), the opening double quote ( “ ), and the closing double quote ( ” ).

is a typeface that is intended for use at large sizes for headings, rather than for extended passages of body text

are the vertical, upwards strokes that rise above the x-height. In typography, an ascender occurs on lowercase letters.

consists of horizontal guide lines that keep lines of text consistent from page to page

is the portion of a letter that extends below the baseline of a fon

Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text.

is used to make a break between parts of a sentence. Use it when a comma is too weak, but a colon, semicolon, or pair of parentheses is too strong

There are four curly quote characters: the opening single quote ( ' ), the closing single quote ( ' ), the opening double quote ( “ ), and the closing double quote ( ” ).

is the portion of a letter that extends below the baseline of a font

Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text.

The em dash puts a nice pause in the text—and it is underused in professional writing. Don't use a slash ( / ) where an en dash is correct

is a typographic unit, half of the width of an em

is the portion of a letter that extends below the baseline of a font

is a typeface that is intended for use at large sizes for headings, rather than for extended passages of body text

is used to make a break between parts of a sentence

is a typographic unit, half of the width of an em

refer to the weights, widths, and styles that constitute a typeface

the spacing between the baselines of type

is used to make a break between parts of a sentence

is a typographic unit, half of the width of an em

refer to the weights, widths, and styles that constitute a typeface

the spacing between the baselines of type

used for measuring font size, leading, and other items on a printed page

is a typographic unit, half of the width of an em

refer to the weights, widths, and styles that constitute a typeface

the spacing between the baselines of type

used for measuring font size, leading, and other items on a printed page

is the smallest unit of measure. ... It is used for measuring font size, leading, and other items on a printed page

refer to the weights, widths, and styles that constitute a typeface

the spacing between the baselines of type

used for measuring font size, leading, and other items on a printed page

is the smallest unit of measure. ... It is used for measuring font size, leading, and other items on a printed page

is one that does not have extending features called "serifs" at the end of strokes

is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts.

used for measuring font size, leading, and other items on a printed page

is the smallest unit of measure

is one that does not have extending features called "serifs" at the end of strokes

is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts.

adjusts every character uniformly

is the smallest unit of measure

is one that does not have extending features called "serifs" at the end of strokes

is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts.

adjusts every character uniformly

is the design of lettering that can include variations, such as extra bold, bold, regular, light, italic, condensed, extended, etc.

is one that does not have extending features called "serifs" at the end of strokes

is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts

adjusts every character uniformly

is the design of lettering that can include variations, such as extra bold, bold, regular, light, italic, condensed, extended, etc

The capital height is the distance from the baseline to the capital line

used for measuring font size, leading, and other items on a printed page

adjusts every character uniformly

is the design of lettering that can include variations, such as extra bold, bold, regular, light, italic, condensed, extended, etc

The capital height is the distance from the baseline to the capital line

used for measuring font size, leading, and other items on a printed page

is the portion of a letter that extends below the baseline of a font

is the design of lettering that can include variations, such as extra bold, bold, regular, light, italic, condensed, extended, etc

The capital height is the distance from the baseline to the capital line

is the smallest unit of measure

adjusts every character uniformly

is the design of lettering that can include variations, such as extra bold, bold, regular, light, italic, condensed, extended, etc

The capital height is the distance from the baseline to the capital line.

in the graphic arts, is pre-made images used to illustrate any medium

A picture or graph that moves up or down on a page of a document as text is deleted or inserted above it.

in the Web are actually HTML pages with links to graphics files stored on the Web server

copyrights to your own images