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WorksheetsYr 11 Psychology Unit 2: Sense & Perception Practice Quiz
Total questions: 64
Worksheet time: 21mins
Name
Class
Date
1.
The process by which meaning is given to incoming sensory information
a)
Perception
b)
Transmission
c)
Reception
d)
Transduction
2.
The area of space in which a sensory receptor can respond to a stimulus or the specific area of sensitivity of a receptor cell where a stimulus will affect its activity
a)
Sensory Sytem
b)
Cornea
c)
Receptive field
d)
Perceptual System
3.
the totality of the stimuli that impinge on a receptor or an individual at a given time.
a)
Receptive Field
b)
Sensory System
c)
Perceptual System
d)
Iris
4.
the computational system (biological or artificial) designed to make inferences about properties of a physical environment based on senses.
a)
Perceptual System
b)
Transduction
c)
Sensory System
d)
Receptive Field
5.
The process of detecting and responding to incoming sensory information
a)
Trasduction
b)
Perception
c)
Reception
d)
Transmission
6.
the process by which one form of energy is converted into another.
a)
Reception
b)
Transmission
c)
Perception
d)
Transduction
7.
the act or process of causing something (e.g., a disease) to pass from one place or person to another.
a)
Transmission
b)
Perception
c)
Transmission
d)
Interpretation
8.
In perception, the process of assigning meaning to incoming sensory information so that it can be understood
a)
Transduction
b)
Interpretation
c)
Reception
d)
Transmission
9.
the transparent part of the outer covering of the eye, through which light first passes.
a)
Lens
b)
Iris
c)
Rods
d)
Cornea
10.
Cells that receive and process sensory information
a)
Cones
b)
Pupil
c)
Sensory Receptors
d)
Rods
11.
the aperture through which light passes on entering the eye.
a)
Pupil
b)
Lens
c)
Iris
d)
Cornea
12.
a muscular disk that surrounds the pupil of the eye and controls the amount of light entering the eye by contraction or relaxation.
a)
Cornea
b)
Iris
c)
Cones
d)
Photoreceptors
13.
a transparent, biconvex structure in the anterior portion of the eyeball (just behind the iris) that provides the fine, adjustable focus of the optical system
a)
Pupil
b)
Cornea
c)
Iris
d)
Lens
14.
a visual receptor: a retinal rod or a retinal cone.
a)
Photoreceptors
b)
Pupil
c)
Rods
d)
Sensory Receptors
15.
any of various photoreceptors in the retina that respond to low light levels
a)
Cones
b)
Cornea
c)
Rods
d)
Lens
16.
any of various photoreceptors in the retina that respond to moderate or high light levels
a)
Rods
b)
Iris
c)
Cones
d)
Ganglion Cells
17.
the only type of neuron in the retina that sends signals to the brain resulting from visual stimulation
a)
Ganglion cells
b)
Cones
c)
Optic chiasm
d)
Rods
18.
the second cranial nerve, which carries the axons of retinal ganglion cells and extends from the retina to the optic chiasm.
a)
Optic chiasm
b)
Hyperopia
c)
Rods
d)
Optic nerve
19.
the area of the monocular visual field in which stimulation cannot be perceived because the image falls on the site of the optic disk in the eye.
a)
Optic Nerve
b)
Myopia
c)
Optic Chiasm
d)
Blind spot
20.
the location at the base of the brain at which the optic nerves from the two eyes meet.
a)
Hyperopia
b)
Optic chiasm
c)
Optic Nerve
d)
Myopia
21.
farsightedness caused by a refractive error due to an abnormally short eyeball, which causes the image of close objects to be blurred because the focal point of one or both eyes lies behind, rather than on, the retina.
a)
Hyperopia
b)
Blind Spot
c)
Gestalt Principle
d)
Myopia
22.
nearsightedness caused by a refractive error due to an abnormally long eye in which the retinal image is blurred because the focal point of one or both eyes lies in front of, rather than on, the retina.
a)
Transduction
b)
Hyperopia
c)
Myopia
d)
Blind Spot
23.
Rule applied to visual information to assist organisation and interpretation of the information in consistent and meaningful ways
a)
Gestalt Principle
b)
Visual Perception Principles
c)
Convergence
d)
Proximity
24.
Organising the features of a visual scene to perceive a whole, complete form
a)
Visual Perception Principle
b)
Convergence
c)
Reversible Figure
d)
Gestalt Principles
25.
In visual perception, organising visual information by perceptually dividing a visual scene into a figure, which stands out form the groud which is its surroundings
a)
Figure-ground
b)
Camouflage
c)
Similarity
d)
Reversible Figure
26.
an ambiguous figure in which the perspective easily shifts, so that at certain times specific elements appear to make up a distinct figure while at others those same elements appear as an indistinct background
a)
Camouflage
b)
Closure
c)
Reversible Figures
d)
Figure-ground
27.
the use of cryptic coloration and vocal signals that are difficult to localize in order to conceal one’s location
a)
Camouflage
b)
Figure-ground
c)
Gestalt Principle
d)
Reversible figure
28.
states that people tend to perceive incomplete forms (e.g., images, sounds) as complete, synthesizing the missing units so as to perceive the image or sound as a whole—in effect closing the gap in the incomplete forms to create complete forms.
a)
Closure
b)
Proximity
c)
Convergance
d)
Simularity
29.
states that people tend to organize objects with similar qualities into a perceptual group and interpret them as a whole
a)
Proximity
b)
Convergence
c)
Similarity
d)
Closure
30.
states that people tend to organize objects close to each other into a perceptual group and interpret them as a single entity.
a)
Simularity
b)
Proximity
c)
Closure
d)
Convergence
31.
A source of information from the environment (external cue) that assists perception of how far away objects are and therefore to perceive depth; often classified as binocular or monocular
a)
Convergence
b)
Depth Cues
c)
Proximity
d)
Retinal Disparity
32.
The ability to accurately estimate the distance of objects and therefore perceive the world in three dimensions
a)
Depth Cues
b)
Proximity
c)
Accomodation
d)
Depth Perception
33.
A depth or distacne perception cue requiring the use of both eyes
a)
Monocular Depth
b)
Proximity
c)
Binocular Depth Cues
d)
Accomodation
34.
the rotation of the two eyes inward toward a light source so that the image falls on corresponding points on the foveas
a)
Proximity
b)
Convergence
c)
Retinal Disparity
d)
Binocular Depth Cues
35.
the slight difference between the right and left retinal images
a)
Retinal Disparity
b)
Binocular Depth Cues
c)
Monocular Depth Cues
d)
Accomodation
36.
the information in the retinal image that gives us information about depth and distance but can be inferred from just a single retina (or eye).
a)
Binocular Depth
b)
Retinal Disparity
c)
Accomodation
d)
Monocular Depth Cues
37.
In visual perception, a depth cue involving the automatic focusing of the lens in the eye to adjust shape in response to changes in the distance of view from an object
a)
Proximity
b)
Accommodation
c)
Convergence
d)
Interposition
38.
A visual perception depth cue that can be represented pictorially on a two-dimensional surface
a)
Binocular Depth Cues
b)
Relative Size
c)
Texture Gradient
d)
Pictorial Cues
39.
A visual perception depth cue based on the apparent convergence of parallel lines as they recede into the distance
a)
Linear Perspective
b)
Interposition
c)
Relative Size
d)
Texture Gradient
40.
when two objects are in the same line of vision and the closer object, which is fully in view, partly conceals the farther object
a)
Proximity
b)
Height in the Visual Field
c)
Interposition
d)
Perceptual Consistancy
41.
the progressive decline in the resolution of textures as the viewer moves away from them.
a)
Texture Gradient
b)
Interposition
c)
Perceptual Consistancy
d)
Linear Perspective
42.
The perceptual tendency to visually perceive the object that produces the largest image on the retina as being closer and the object that produces the smallest image as being further away (when objects are expected to be the same size)
a)
Height In The Vision Field
b)
Perceptual Consistancy
c)
Size Consistancy
d)
Relative Size
43.
The perceptual tendency to visually perceive objects located closer to the horizon as being more distant than objects located further from the horizon
a)
Shape Consistancy
b)
Height in the Visual Field
c)
Size Consistancy
d)
Perceptual Consistancy
44.
the phenomenon in which an object or its properties (e.g., size, shape, color) appear unchanged despite variations in the stimulus itself or in the external conditions of observation, such as object orientation or level of illumination.
a)
Perceptual Constancy
b)
Size Consistancy
c)
Shape Consistancy
d)
Brightness Consistentcy
45.
the ability to perceive an object as being the same size despite the fact that the size of its retinal image changes depending on its distance from the observer.
a)
Shape Consistency
b)
Size Constancy
c)
Interposition
d)
Perceptual Set
46.
a type of perceptual constancy in which an object is perceived as having the same shape when viewed at different angles.
a)
Size Consistancy
b)
Context
c)
Perceptual Set
d)
Shape Constancy
47.
the tendency to perceive a familiar object as having the same brightness under different conditions of illumination.
a)
Perceptual Consistancy
b)
Perceptual Set
c)
Brightness Constancy
d)
Size Consistency
48.
The predisposition to perceive something in accordance with expectations of what it is.
a)
Perceptual Set
b)
Convergence
c)
Emotional State
d)
Interposition
49.
The setting, situation or environment in which an event occurs; in visual perception, the setting in which a perception is made
a)
Emotional State
b)
Context
c)
Past Experience
d)
Motivation
50.
Processes within an organism which activate behaviour that is directed towards achieving a particular goal
a)
Motivation
b)
Emotional State
c)
Past Experience
d)
Context
51.
How an individual is feeling at a point in time
a)
Past Experience
b)
Context
c)
Motovation
d)
Emotional State
52.
Personal experiences throughout an individual's life, including everything that is learned intentionally and unintentionally through experience
a)
Context
b)
Emotional State
c)
Past Experience
d)
Motovation
53.
Sensory receptor that detects the chemical molecules that enable taste; sometimes called gustatory cells
a)
Taste buds
b)
Taste receptors
c)
Papillae
d)
Gustatory hairs
54.
Structure containing taste receptors
a)
Taste buds
b)
Gustatory hairs
c)
Taste Receptors
d)
Taste Pores
55.
Small bumps on the surface of the tongue that contain taste buds
a)
Tastants
b)
Gustatory hairs
c)
Papillae
d)
Taste buds
56.
Connects the surface of the tongue to taste receptors within taste buds (via gustatory hairs)
a)
Taste pores
b)
Taste receptors
c)
Tastants
d)
Papillae
57.
Fine hairs that extend from the taste receptors into taste pores, thereby connecting taste pores to taste receptors
a)
Papillae
b)
Gustatory hairs
c)
Taste pores
d)
Tastants
58.
The dissolved chemical moelcules in the mouth that can be tasted
a)
Tastants
b)
Papillae
c)
Gustatory hairs
d)
Taste Receptors
59.
Sweet, salty, sour, bitter, umami
a)
Perceptual Distortion
b)
Tastants
c)
Papillae
d)
Five basic tastes
60.
An inconsistency or mismatch between a perceptual experience and physical reality
a)
Visual illusion
b)
Perceptual Distortion
c)
Muller-Lyer Illussion
d)
Synaesthesia
61.
A consistent perceptual misinterpretation of real sensory information whenever that sensory information is viewed
a)
Ames Room
b)
Muller-Lyer Illusion
c)
Visual Illusion
d)
Perception Distortion
62.
A visual illusion in which one of two lines of equal length, each of which has opposite shaped ends, is incorrectly perceived as being longer than the other
a)
Muller-Lyer Illusion
b)
Synaesthesia
c)
Gestalt Principle
d)
Ames Room
63.
A perceptual misinterpretation involving a trapezium-shaped room which appears rectangular when viewed through a peephole using only eye and people appear small or large depending on where they stand in the room
a)
Synaesthesia
b)
Ames Room
c)
Muller-Lyer Illusion
d)
Perceptual Distortion
64.
Perceptual experience in which stimulation of one sense involuntarily produces additional unusual experiences in another sense
a)
Perceptual Distortion
b)
Ames Room
c)
Convergence
d)
Synaesthesia
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