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Gong Traditions in Southeast Asia

Total questions: 10

Worksheet time: 6mins

Name
Class
Date
1.

Which of the following is not part of the Gong tradition in Southeast Asia?

a)

Gamelan

b)

Gagaku

c)

Pinpeat

d)

Piphat

2.

Do you see yourself as a Southeast Asian? Is it important to have a cultural identity?

4 lines
3.

It is a gong tradition in Indonesia known as "things struck together."

a)

Gamelan

b)

Pinpeat

c)

Piphat

d)

Hsaing waing

4.

All of the following are reasons for the diverse cultural identity in Southeast Asian, except:

a)

Migration

b)

Colonialism

c)

Trading

d)

Stagnation

5.

This is the only country in the Southeast East that never been into colonialism.

a)

Indonesia

b)

Camdobia

c)

Laos

d)

Thailand

6.

It is the argest archipelago in Southeast Asia which consists of 17,000+ islands.

a)

Philippines

b)

Indonesia

c)

Malaysia

d)

Brunei

7.

What is the Hornbostel-Sachs classification of Bonang?

a)

Aerophone

b)

Chordophone

c)

Idiophone

d)

Membranophone

8.

What is the classification of Kendihang?

a)

Aerophone

b)

Chordophone

c)

Idiophone

d)

Membranophone

9.

Which of the following is not true regarding the cultural relevance of gong tradition in Southeast Asian?

a)

The older the instrument the spirit becomes powerful to connect with their gods.

b)

Musicians pay respect to the instruments because they believe the spirit of their ancestors lives in the instrument.

c)

Children can play the instruments whenever they want to.

d)

Music plays an important role in the communal life of people.

10.

Which of the following is/are true about the musical characteristic/s in Southeast Asia?

a)

Repetition and Improvisation plays an important role in communal playing.

b)

The tonal system in the Southeast Asia uses the same Western diatonic scales.

c)

There are two main tonal system in Southeast Asia which are pelog and slendro.

d)

Southeast Asians play using number system.