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COMPRE- THEORY

Total questions: 40

Worksheet time: 14mins

Name
Class
Date
1.

Filipino architect’s floating volume and simplistic design

a)

Jose Maria Zaragoza

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

2.

Father of Philippine Landscape Architecture

a)

Jose Maria Zaragoza

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

3.

2006 National Artist for Architecture

a)

Jose Maria Zaragoza

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

4.

Far Eastern University Administration and Science buildings architect:

a)

Jose Maria Zaragoza

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

5.

Designer- University of the Philippines Administration and University Library

a)

Juan Nakpil

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

6.

Architect of Sto. Domingo Church, Manila

a)

Juan Nakpil

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Jose Maria Zaragoza

7.

Concept of Philippine Architecture inspired by the bahay kubo and the bahay na bato:

a)

Jose Maria Zaragoza

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

8.

Architect of Eskaya Beach Resort, Bohol

a)

Jose Maria Zaragoza

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

9.

EDSA Shrine architect:

a)

Juan Nakpil

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

10.

EDSA Shrine architect:

a)

Gabriel Formoso

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

11.

Architect of Lepanto office building Paseo de Rojas, Makati

a)

Gabriel Formoso

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

12.

Believes that buildings “should be planned with austerity in mind and its stability forever as the aim of true architecture, that buildings must be progressive, simple in design but dignified, true to a purpose without resorting to an applied set of aesthetics and should eternally recreate truth”.

a)

Gabriel Formoso

b)

Ildefonso Santos

c)

Leandro Locsin

d)

Pablo Antonio

e)

Francisco Mañoza

13.

The BA Lepanto Bldg in Paseo de Roxas, Makati was designed by___________

a)

Leandro Locsin

b)

Gabriel Formoso

c)

Cesar Concio

d)

Antonio Sindiong

14.

New York Times Building is a skyscraper that was completed in 2007. The tower rises 228m and has a mast that rises to 319m. It is the 7th tallest building in the United States. This is a green building (although not LEED certified). It uses a screen of 1 5/8” ceramic rods mounted on the exterior of the glass curtain wall to block direct sunlight and reduce the cooling load. Mechanized shades controlled by sensors reduce the glare and more than 18,000 individually dimmable lighting fixtures supplement

natural light. Raised floor system allows the underfloor air distribution which requires less cooling compared to ducted system. As a designer, my uncle utilizes more than ninety five percent of the structural steel used was recycled. Lastly, the building DOES NOT provide any site parking so that employees will use the public transit system. However, management did provide an indoor parking for 20 Bicycles. Who is the architect of this green building?

a)

Louis Kahn

b)

Norman Foster

c)

Richard Rogers

d)

Renzo Piano

15.

Which of the following is the work of Jose Maria Zaragosa?

a)

Meralco Bldg.

b)

San Agustin Church

c)

Sandiganbayan

d)

Batasan Pambansa

16.

From the Resulting Manifestation of man’s companionship with people is:

a)

Desire for Preservation

b)

Desire for Response

c)

Desire for Recognition

d)

Desire for Self-Expression

17.

Resulting Manifestation of man’s urge to assert himself as an individual:

a)

Desire for Preservation

b)

Desire for Response

c)

Desire for Recognition

d)

Desire for Self-Expression

18.

Man’s pride and ambition:

a)

Desire for Preservation

b)

Desire for Response

c)

Desire for Recognition

d)

Desire for Self-Expression

19.

Shopping center is a RM of man’s _________ :

a)

Desire for Preservation

b)

Desire for Response

c)

Desire for Recognition

d)

Desire for Self-Expression

20.

Monument is the Resulting Manifestation of man’s ______:

a)

Desire for Preservation

b)

Desire for Response

c)

Desire for Recognition

d)

Desire for Self-Expression

21.

He was against the idea of fanciful design. He was an anti-ornamentalist, a believer of engineering and plumbing.

a)

Frank Lloyd Wright

b)

Louis Sullivan

c)

Marcel Breuer

d)

Adolf Loss

22.

The hue, intensity and the total value of a form's surface:

a)

Shape

b)

texture

c)

Position

d)

Color

e)

Orientation

23.

The principal identifying characteristic of form:

a)

Shape

b)

texture

c)

Position

d)

Color

e)

Orientation

24.

Forms location or visual field:

a)

Shape

b)

texture

c)

Position

d)

Color

e)

Orientation

25.

The compass points or the person viewing the form:

a)

Shape

b)

texture

c)

Position

d)

Color

e)

Orientation

26.

Denotes gayety and stimulating cheer:

a)

Yellow

b)

Red

c)

Green

d)

Orange

e)

Blue

27.

Reduces excitability and therefore helps one to concentrate:

a)

Yellow

b)

Red

c)

Green

d)

Orange

e)

Blue

28.

Has a cooling quality and it acts as a sedative:

a)

Yellow

b)

Red

c)

Green

d)

Orange

e)

Blue

29.

Should usually be used in relatively small amounts:

a)

Yellow

b)

Red

c)

Green

d)

Orange

e)

Blue

30.

Variety in the basic principles of composition:

a)

Balance

b)

Unity

c)

Contrast

d)

Proportion

31.

Size and magnitude in the basic principles of composition:

a)

Balance

b)

Scale

c)

Contrast

d)

Proportion

32.

Relationship of an item to the others, as basic principles of composition:

a)

Balance

b)

Unity

c)

Contrast

d)

Proportion

33.

Cube within a cube

a)

Antonio Gaudi

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

34.

Less is More

a)

Antonio Gaudi

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

35.

Theories in his skyscrapers design- curtain wall, opaque facade, continuity of traffic flow and play of reflections:

a)

Antonio Gaudi

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

e)

Eero Saarinen

36.

Function influence but does not dictate form:

a)

Antonio Gaudi

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

e)

Eero Saarinen

37.

Spiritual function is inseparable from practical function:

a)

Antonio Gaudi

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

e)

Eero Saarinen

38.

Father of Modern Architecture:

a)

Louis Sullivan

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

e)

Frank Lloyd Wright

39.

Form follows function:

a)

Louis Sullivan

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

e)

Frank Lloyd Wright

40.

The whole is to the part, as the part is to the whole:

a)

Louis Sullivan

b)

Le Corbusier

c)

Walter Gropius

d)

Mies Van Der Rohe

e)

Frank Lloyd Wright

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