It is any physical action or expression a character makes in the narrative.

It is the modulation or inflection of our voices and the beat, rate, or rhythm of our words.

Stick with _______ for emphasis.

It has only one function in dialogue which is to indicate a length and type of pause.

Anything designed to identify who is speaking and/or how a line is supposed to be understood by the reader is called:

It is everything you bring to the table when you write (background, beliefs, desires, etc.)

How we endow a character or a scene with emotions we, ourselves have felt and experienced is termed as:

As a writer, you needed to inhabit the mind of your characters.

It is either a performance space in which the casts only uses black boxes for furniture instead of building an entire set or it refers to rehearsals that are done without any costumes, props, furniture, and so on.

R.L. Stine got his ideas from the "Idea store" which has the following departments EXCEPT:

Young audiences loves a happy ending. So as writers, you should always write a happy ending but with a twist.

As writers, use cliffhangers to keep your readers reading.

For your audience to not be able to guess the ending, a trick you may use is to first write/know the ________.

R.L. Stine writes with at least _____ twists in a book.

The hardest part for R.L. Stine is writing the _____ part of the book.

The first _____ pages of the book should reveal what's going to develop, what the problem gonna be, what's going to happen then some kind of surprise and cliffhanger.

For you to create a suspense, there has to be something that is ________ to your character/reader for them to find out for themselves throughout the story.

R.L. Stine wants the reader to be the protagonist of the story that's why he doesn't characterize much with the main character.

As the writer of the story, always remember that you are not the friend of the protagonist. You are actually the enemy of the main character.

You should have a/an _______ to avoid "Writer's Block."

These are twenty story ideas given by R.L. Stine EXCEPT:

Keep the story simple so the audience can easily follow it and also so that they will easily be mislead.

David Mamet stated that all dramas are based on _______.

It is a hero's journey from A to B. The hero should be transformed from King to beggar, beggar to king. It should happen in one place, within 48 hours. The character has to undergo reverse situation and recognition.

As a writer, If it's not fun for you, then it's not going to be fun for your audience. The audience undergoes the same process as the writer.

The tough part of being a dramatic writer is when you need to stop screwing around.

You're responsibility as a writer is to tell the _____

Who said "psychoanalysis is the art of the obvious"?

"The stone that the builders rejected has become the cornerstone" is from the book of: