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AP Language and Composition Final Exam Review

Total questions: 115

Worksheet time: 6hrs 45mins

Name
Class
Date
1.

the author's attitude toward a subject; can be identified by looking at word choices and phrases

a)

diction

b)

mood

c)

tone

d)

syntax

2.

the feeling or atmosphere created by a text

a)

mood

b)

tone

c)

attitude

d)

syntax

3.

Fill in the blank: When we talk about ______, we might look for powerful vocabulary, but we also consider figures of speech such as metaphors, similes, personification, and hyperbole.

a)

diction

b)

syntax

4.

Fill in the blank: When we consider ______, we want to notice interesting constructions such as parallelism, juxtaposition, and antithesis, along with sentence types such as compound, complex, periodic, cumulative, and imperative, among others; we might also look at at the pacing of a piece of work.

a)

syntax

b)

diction

5.

Fill in the blank: If you are answering the following questions, you are analyzing _______: What is the order of the parts of the sentence? Is it conventional (subject-verb-object), or is it inverted (object-subject-verb) or some other pattern that is out of the ordinary? Are the sentences periodic or cumulative? Are many of the sentences simple? Complex? Compound? Long or short? Does the writer ask questions? How does the writer connect words, phrases, and clauses?

a)

syntax

b)

diction

6.

Which of the following sentences is an exemplar thesis statement for a rhetorical analysis?

a)

In her speech "People and Peace, Not Profits and War," Congresswoman Shirley Chisholm attempts to convince her audience of her argument.

b)

Shirley Chisholm's passionate speech to Congress appeals to pathos.

c)

In Shirley Chishom's 1969 speech to Congress, the young congresswoman establishes her credibility, makes a clear connection between cause and effect, and focuses on the human costs of government policy to argue for the necessity of making people and peace America's first priority.

7.

Quotations should be inserted as seamlessly as possible into your own writing when using text evidence to support your thesis

a)

true

b)

false

8.

When it comes time to write a rhetorical analysis essay, the first thing to do is decide how you want to organize your essay.

a)

true

b)

false

9.

When writing a rhetorical analysis essay, the first thing to do is craft a thesis statement.

a)

true

b)

false

10.

A rhetorical analysis requires references to the text

a)

true

b)

false

11.

Which of the following are close-reading techniques mentioned in the chapter? (choose as many as apply)

a)

asking questions

b)

annotating

c)

using a graphic organizer

d)

memorizing

e)

brainstorming

12.

What is the conventional order of a sentence?

a)

object-subject-verb

b)

subject-object-verb

c)

subject-verb-object

13.

Placement of two things closely together to emphasize similarities or differences

a)

hyperbole

b)

juxtaposition

c)

irony

d)

antithesis

14.

similarity of structure in a pair or series of related words, phrases, or clauses

a)

diction

b)

tone

c)

parallelism

d)

repetition

15.

"The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it, and the glow from that fire can truly light the world" is an example of--

a)

a complex sentence

b)

a compound sentence

16.

"If a free society cannot help the many who are poor, it cannot save the few who are rich" is an example of--

a)

a compound sentence

b)

a complex sentence

17.

"But neither can two great and powerful groups of nations take comfort from our present course-- both sides overburdened by the cost of modern weapons, both rightly alarmed by the steady spread of the deadly atom, yet both racing to alter that uncertain balance of terror that stays the hand of mankind's final war" is an example of a--

a)

periodic sentence

b)

cumulative sentence

18.

"To what world assembly of sovereign states, the United Nations, our last best hope in an age where the instruments of war have far outpaced the instruments of peace, we renew our pledge of support" is an example of a--

a)

periodic sentence

b)

cumulative sentence

19.

"peaceful revolution" is an example of--

a)

an oxymoron

b)

a modifier

c)

metonymy

20.

the atmosphere created by a text

a)

context

b)

mood

c)

tone

d)

appeal

21.

a speaker's attitude toward the subject conveyed by the speaker's stylistic and rhetorical choices

a)

syntax

b)

mood

c)

tone

d)

context

22.

Opposition, or contrast, of ideas or words in a parallel construction

a)

antithesis

b)

diction

c)

irony

d)

allusion

23.

"Take a pledge, with God and your own conscience as witness, that you will no longer rest till freedom is achieved and will be prepared to lay down your lives in the attempt to achieve it. " is an example of--

a)

a declarative sentence

b)

an imperative sentence

c)

an interrogative sentence

d)

an exclamatory sentence

24.

the arrangement of words and phrases to create well-formed sentences in a language.

a)

diction

b)

syntax

c)

mood

d)

parallelism

25.

" In the far distance a helicopter skimmed down between the roofs, hovered for an instant like a bluebottle, and darted away again with a curving flight." is an example of--

a)

imagery

b)

parallelism

c)

an oxymoron

26.

The listener, viewer, or reader of a text. Most texts are likely to have multiple.

a)

occasion

b)

audience

c)

argument

d)

persuasion

27.

While this term generally means the written word, in the humanities it has come to mean any cultural product that can be "read"-- meaning not just consumed and comprehended but investigated. This includes fiction, nonfiction, poetry, political cartoons, fine art, photography, performances, fashion, cultural trends, and much more.

a)

audience

b)

text

c)

syntax

d)

subject

28.

rhetorical techniques used to persuade an audience by emphasizing what they find most important or compelling. The three major ones are to ethos (character), logos (reason), and pathos (emotions).

a)

rhetoric

b)

rhetorical questions

c)

rhetorical appeals

d)

devices

29.

the goal the speaker wants to achieve

a)

occasion

b)

appeal

c)

purpose

d)

context

30.

the use of humor to critique society or an individual

a)

sarcasm

b)

irony

c)

satire

d)

ridicule

31.

a diagram that illustrates the interrelationship among the speaker, audience, and subject in determining a text.

a)

rhetorical triangle

b)

Aristotelian triangle

c)

Neither

d)

Both

32.

the faculty of observing in any given case the available means of persuasion; the art of using words to persuade an audience

a)

author's craft

b)

analysis

c)

rhetoric

33.

the faculty of observing in any given case the available means of persuasion; the art of using words to persuade an audience

a)

author's craft

b)

analysis

c)

rhetoric

34.

the person or group who creates a text

a)

speaker

b)

crafter

c)

publisher

d)

qualifier

35.

the topic of a text

a)

occasion

b)

context

c)

subject

d)

tone

36.

a speaker's attitude toward the subject conveyed by the speaker's stylistic and rhetorical choices.

a)

argument

b)

dissertation

c)

tone

d)

critique

37.

The listener, viewer, or reader of a text. Most texts are likely to have multiple.

a)

occasion

b)

audience

c)

argument

d)

persuasion

38.

While this term generally means the written word, in the humanities it has come to mean any cultural product that can be "read"-- meaning not just consumed and comprehended but investigated. This includes fiction, nonfiction, poetry, political cartoons, fine art, photography, performances, fashion, cultural trends, and much more.

a)

audience

b)

text

c)

syntax

d)

subject

39.

rhetorical techniques used to persuade an audience by emphasizing what they find most important or compelling. The three major appeals are to ethos (character), logos (reason), and pathos (emotions).

a)

rhetoric

b)

rhetorical questions

c)

rhetorical appeals

d)

devices

40.

the goal the speaker wants to achieve

a)

occasion

b)

appeal

c)

purpose

d)

context

41.

a diagram that illustrates the interrelationship among the speaker, audience, and subject in determining a text.

a)

rhetorical triangle

b)

Aristotelian triangle

c)

Neither

d)

Both

42.

the use of humor to critique society or an individual

a)

sarcasm

b)

irony

c)

satire

d)

ridicule

43.

the faculty of observing in any given case the available means of persuasion; the art of using words to persuade an audience

a)

appeals

b)

analysis

c)

rhetoric

d)

author's craft

44.

the person or group who creates a text

a)

speaker

b)

crafter

c)

publisher

d)

qualifier

45.

the topic of a text

a)

occasion

b)

context

c)

subject

d)

tone

46.

a speaker's attitude toward the subject conveyed by the speaker's stylistic and rhetorical choices.

a)

argument

b)

dissertation

c)

tone

d)

critique

47.

a figure of speech in which something is presented as less important, dire, urgent, good, and so on, then it actually is, also called_________.

a)

overstatement...hyperbole

b)

understatement...litote

c)

overstatement...litote

d)

understatement...hyperbole

48.

In rhetoric, the use of laughter, humor, irony, and satire in the confirmation or refutation of an argument; most commonly understood as clever expression, whether aggressive or harmless; that is, with or without derogatory intent toward someone or something in particular; characterized by a mocking or paradoxical quality, evoking laughter through apt phrasing.

a)

argumentation

b)

wit

c)

ridicule

d)

sarcasm

49.

Greek for "embodied thought;" Offers clear, rational ideas and uses specific details, examples, facts, statistics, or expert testimony to back them up.

a)

pathos

b)

ethos

c)

logos

50.

Greek for "suffering" or "experience;" speakers use this appeal in order to emotionally motivate their audience. More specific appeals might play on the audience's values, desires, and hopes, on the one hand, or fears and prejudices, on the other.

a)

pathos

b)

ethos

c)

logos

51.

a figure of speech that occurs when a speaker or character says one thing but means something else, or when what is said is the opposite of what is expected, creating a noticeable incongruity.

a)

satire

b)

ridicule

c)

litote

d)

irony

52.

a speaker's choice of words. Analysis of this looks at these choices and what they add to the message.

a)

syntax

b)

diction

c)

structure

d)

parallelism

53.

meanings or associations that readers have with a word beyond its dictionary definition. Often positive or negative, and they often greatly affect an author's tone.

a)

denotation

b)

connotation

54.

the circumstances, atmosphere, attitudes, and events surrounding a text

a)

situation

b)

context

c)

setting

d)

tone

55.

the time and place a speech is given or a piece is written

a)

occasion

b)

purpose

c)

subject

d)

setting

56.

Greek for "mask." The face or character that a speaker shows to his or her audience.

a)

character

b)

modifier

c)

persona

d)

polemic

57.

the feeling or atmosphere created by a text

a)

diction

b)

tone

c)

attitude

d)

mood

58.

an opposing argument to the one a writer is putting forward; rather than ignoring this, a strong writer will usually address it through the process of concession and refutation.

a)

argument

b)

counterargument

c)

confirmation

d)

oration

59.

addresses the counterargument; it is a bridge between the writer's proof and conclusion; a denial of the validity of an opposing argument. It often follows a concession.

a)

concession

b)

refutation

c)

composition

d)

confirmation

60.

an acknowledgement that an opposing argument may be true or reasonable; usually accompanied by a refutation challenging the validity of the opposing argument.

a)

confirmation

b)

concession

c)

context

d)

assumption

61.

a mnemonic device that stands for Subject, Occasion, Audience, Purpose, Speaker, and Tone. It is a handy way to remember the various elements that make up the rhetorical situation.

(a)  

62.

"The night in prison was novel and interesting enough" is an example of --

a)

hyperbole

b)

litote

c)

juxtaposition

d)

ridicule

63.

acknowledging the counterargument is one way to appeal to--

a)

pathos

b)

ethos

c)

logos

64.

In some cases, a speaker's reputation immediately establishes--

a)

pathos

b)

ethos

c)

logos

65.

the author's attitude toward a subject; can be identified by looking at word choices and phrases

a)

diction

b)

mood

c)

tone

d)

syntax

66.

the feeling or atmosphere created by a text

a)

mood

b)

tone

c)

attitude

d)

syntax

67.

Fill in the blank: When we talk about ______, we might look for powerful vocabulary, but we also consider figures of speech such as metaphors, similes, personification, and hyperbole.

a)

diction

b)

syntax

68.

Fill in the blank: When we consider ______, we want to notice interesting constructions such as parallelism, juxtaposition, and antithesis, along with sentence types such as compound, complex, periodic, cumulative, and imperative, among others; we might also look at at the pacing of a piece of work.

a)

syntax

b)

diction

69.

Fill in the blank: If you are answering the following questions, you are analyzing _______: What is the order of the parts of the sentence? Is it conventional (subject-verb-object), or is it inverted (object-subject-verb) or some other pattern that is out of the ordinary? Are the sentences periodic or cumulative? Are many of the sentences simple? Complex? Compound? Long or short? Does the writer ask questions? How does the writer connect words, phrases, and clauses?

a)

syntax

b)

diction

70.

Which of the following sentences is an exemplar thesis statement for a rhetorical analysis?

a)

In her speech "People and Peace, Not Profits and War," Congresswoman Shirley Chisholm attempts to convince her audience of her argument.

b)

Shirley Chisholm's passionate speech to Congress appeals to pathos.

c)

In Shirley Chishom's 1969 speech to Congress, the young congresswoman establishes her credibility, makes a clear connection between cause and effect, and focuses on the human costs of government policy to argue for the necessity of making people and peace America's first priority.

71.

Quotations should be inserted as seamlessly as possible into your own writing when using text evidence to support your thesis

a)

true

b)

false

72.

When it comes time to write a rhetorical analysis essay, the first thing to do is decide how you want to organize your essay.

a)

true

b)

false

73.

When writing a rhetorical analysis essay, the first thing to do is craft a thesis statement.

a)

true

b)

false

74.

A rhetorical analysis requires references to the text

a)

true

b)

false

75.

Which of the following are close-reading techniques mentioned in the chapter? (choose as many as apply)

a)

asking questions

b)

annotating

c)

using a graphic organizer

d)

memorizing

e)

brainstorming

76.

What is the conventional order of a sentence?

a)

object-subject-verb

b)

subject-object-verb

c)

subject-verb-object

77.

Placement of two things closely together to emphasize similarities or differences

a)

hyperbole

b)

juxtaposition

c)

irony

d)

antithesis

78.

similarity of structure in a pair or series of related words, phrases, or clauses

a)

diction

b)

tone

c)

parallelism

d)

repetition

79.

"The energy, the faith, the devotion which we bring to this endeavor will light our country and all who serve it, and the glow from that fire can truly light the world" is an example of--

a)

a complex sentence

b)

a compound sentence

c)

a cumulative sentence

d)

a periodic sentence

80.

"If a free society cannot help the many who are poor, it cannot save the few who are rich" is an example of--

a)

a compound sentence

b)

a complex sentence

c)

a cumulative sentence

d)

a periodic sentence

81.

"To what world assembly of sovereign states, the United Nations, our last best hope in an age where the instruments of war have far outpaced the instruments of peace, we renew our pledge of support" is an example of a--

a)

periodic sentence

b)

cumulative sentence

82.

"peaceful revolution" is an example of--

a)

an oxymoron

b)

a modifier

c)

metonymy

83.

a speaker's attitude toward the subject conveyed by the speaker's stylistic and rhetorical choices

a)

syntax

b)

mood

c)

tone

d)

context

84.

"I mumble thanks for the advice, feeling like I've just been stripped naked by the crazed enforcer of some ancient sumptuary law: No chatting for you, girl. No fancy service ethic allowed for serfs" is an example of--

a)

hyperbole

b)

litote

85.

"My fellow citizens of the world: ask not what America will do for you, but what together we can do for the freedom of man" is an example of--

a)

a declarative sentence

b)

an imperative sentence

c)

an interrogative sentence

d)

an exclamatory sentence

86.

"Currer Bell's book found acceptance nowhere, nor any ackowledgement of merit, so that something like the chill of despair began to invade her heart" is an example of--

a)

imagery

b)

parallelism

c)

an oxymoron

d)

tone

87.

the arrangement of words and phrases to create well-formed sentences in a language.

a)

diction

b)

syntax

c)

mood

d)

parallelism

88.

In rhetorical analysis, we do not focus on whether or not we agree with the stands authors take, but how effectively they make them.

a)

true

b)

false

89.

In rhetorical analysis, your job is to evaluate how authors use language to create arguments and accomplish a purpose, not necessarily to evaluate the merits of their arguments.

a)

true

b)

false

90.

attempts to affect the listener's personal feelings; try to persuade readers by designing their arguments to elicit emotional responses from the readers

(a)  

91.

attempts to persuade the listener through use of deductive reasoning, logic, or intelligence

(a)  

92.

is an explicit reference to a particular meaning or to the various meanings of a word, in order to remove or prevent ambiguity.

(a)  

93.

Have the potential to generate strong emotions or feelings – positive or negative

(a)  

94.

a question asked more to produce an effect than to summon an answer

(a)  

95.

The speaker asks a question (usually one that is on the minds of his listeners) and then answers it.

(a)  

96.

repetition of the same pattern of words or phrases within a sentence or passage

(a)  

97.

is a writing principle that suggests that a trio of events or characters is more humorous, satisfying, or more effective than other numbers.

(a)  

98.

is any figure of speech which depends on a non-literal meaning of some or all of the words used

(a)  

99.

polite, indirect expressions that replace words and phrases considered harsh and impolite, or which suggest something unpleasant.

(a)  

100.

a brief, usually indirect reference to a person, place, or event - real or fictional

(a)  

101.

repetition of the first part of the sentence through-out piece

(a)  

102.

meant to mock, often with satirical or ironic remarks, with a purpose to amuse and hurt someone, or some section of society, simultaneously.

(a)  

103.

Use of words to convey a meaning that is the opposite of its literal meaning

(a)  

104.

a self-evident or universally recognized truth

(a)  

105.

an attempt to convince the audience that God is on the speaker’s side AND failure to agree with the speaker's argument is the equivalent of a failure to defend God

(a)  

106.

a short and amusing or interesting story about a real incident or person, usually used to illustrate a point

(a)  

107.

is a psychological phenomenon in which people do something primarily because other people are doing it, regardless of their own beliefs, which they may ignore or override.

(a)  

108.

the repetition of a word, or groups of words, at the end of successive clauses or sentences.

(a)  

109.

opposition or contrast emphasized by parallel structure.

(a)  

110.

placing two things side by side so as to highlight their differences.

(a)  

111.

a statement that contradicts itself, or that must be both true and untrue at the same time

(a)  

112.

used to create images in the mind of the reader. Imagery includes figurative and metaphorical language to improve the reader’s experience through their senses.

(a)  

113.

a figure of speech in which two essentially dissimilar objects or concepts are expressly compared with one another through the use of “like” or “as.”

(a)  

114.

a figure of speech that describes an object or action in a way that isn't literally true, but helps explain an idea or make a comparison.

(a)  

115.

an element of argument and persuasion through which a speaker establishes their credibility and knowledge, as well as their good moral character.

(a)