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Worksheets

Art photo finals

Total questions: 79

Worksheet time: 40mins

Name
Class
Date
1.

Combining elements to add a feeling of equilibrium or stability

a)

Harmoy

b)

Color

c)

Balance

d)

Unity

2.

Combining similar elements to accent their similarities

a)

Harmony

b)

Variation

c)

Gradation

d)

Emphasis

3.

An element made up of three distinct qualities hue, intensity

a)

line

b)

shape

c)

space

d)

color

4.

An individual which indicates the lightness or darkness in the work

a)

Gradation

b)

Value

c)

Rhythm

d)

Proportion

5.

Combining elements by using gradual changes in those elements.

a)

Emphasis

b)

Unity

c)

Gradation

d)

Harmony

6.

Combining elements to stress the differences between them

a)

Variety

b)

Line

c)

Emphasis

d)

Gradation

7.

Combining elements to cause the viewer eye to sweep over the entire work

a)

Unity

b)

Movement

c)

Balance

d)

Gradation

8.

A continuous work

a)

gradation

b)

value

c)

movement

d)

line

9.

Combining elements in involved ways to create an intricate and and complicated background

a)

emphasis

b)

variety

c)

gradation

d)

shape

10.

The look or feeling of wholeness in a work of a art

a)

line

b)

space

c)

shape

d)

unity

11.

The surface quality

a)

space

b)

texture

c)

gradation

d)

value

12.

Combining repeated elements to create a visual tempo or beat

a)

texture

b)

value

c)

emphasis

d)

Rhythm

13.

The relationship of certain elements to the whole and to each other

a)

rhythm

b)

propertion

c)

unity

d)

texture

14.

An area defined by the other elements

a)

shape

b)

texture

c)

space

d)

rhythm

15.

The area between, around, above, below, or within thing

a)

shape

b)

texture

c)

emphasis

d)

space

16.

Any natural grouping of related objects

a)

rule of third

b)

cluster

c)

texture

d)

leading lines

17.

Also known as the line of beauty. Lines in the image create a curving shape similar letter

a)

bulls eye

b)

cluster

c)

leading lines

d)

S-curve/ C-curve

18.

A line within the image leads the viewers eye to a vanishing point which creates depth

a)

leading lines

b)

cluster

c)

movements

d)

rule of thirds

19.

Defined by a point in an image from which other objects radiate out.

Strong attention getter

a)

Bullseye

b)

framing

c)

simplicity

d)

cluster

20.

The picture is split into nine rectangles with four imaginary lines

a)

leading lines

b)

rule of thirds

c)

bulls eye

d)

cluster

21.

Emphasis is brought to one main subject in the image . Everything else is either blurred, not as large or not as interesting

a)

Simplicty

b)

Framing

c)

Emphasis

d)

cluster

22.

Utilizing other elements in an image to create a “ frame” around the subject of interest.

a)

Framing

b)

Rule of thirds

c)

Simplicity

d)

leading lines

23.

The standardized numbers used to measure a film’s speed

a)

ISO

b)

Shutter speed

c)

F stop

d)

Aperature

24.

Camera that uses a mirror and prism system allowing the photographer to see through the lens exactly what will be captured.

a)

SLR

b)

iso

c)

film speed

d)

aperature

25.

The films relative sensitivity to light is called

a)

film speed

b)

ISO

c)

apperature

d)

shutter speed

26.

This determines how much light will pass through the lens

a)

Shutter speed

b)

ISO

c)

SLR

d)

Aperature

27.

Camera setting where you set the shutter speed and camera sets the aperture

a)

Shutter priority

b)

Film speed

c)

ISO

d)

Shutter speed

28.

Camera setting where you set the aperture and the camera setst the shutter speed

a)

Aperature

b)

Shutter speed

c)

Aperture priority

d)

ISO

29.

Exposure is controlled by primarily by these two camera controls

a)

Shutter speed and aperature

b)

aperture and iso

c)

iso and film speed

d)

film speed and shutter speed

30.

This lens has a variable focal length

a)

fish eye

b)

Zoom lens

c)

Tetrameter

d)

shutter speed

31.

A lens that has a very wide angle of view and produces barrel distortion

a)

viewfinder

b)

zoom lens

c)

wide angle lens

d)

fisheye lens

32.

The f;stop that will admit a large amount of light and very little depth of field

a)

F/2

b)

F/22

33.

F/stops that has a deep depth of field

a)

F/2

b)

F/22

34.

Type of measurement of modern lens focal length

a)

inches

b)

meters

c)

tetrameters

d)

yards

35.

Minimum shutter speed to hand hold the camera

a)

1/60

b)

1/2

36.

This measures the correct combination of shutter speed and aperture

a)

tetrameters

b)

shutter speed

c)

light meter

d)

exposure meter

37.

Making several exposures of the same scene

a)

Panning

b)

Bracketing

c)

Viewfinder

d)

quick photo

38.

This allows you to see the scene the camera is recording

a)

viewfinder

b)

bracketing

c)

panning

d)

zoom lens

39.

Method of producing a relatively sharp subject and a background blurred by movement

a)

Panning

b)

Bracketing

c)

Viewfinder

40.

Strand was a citizen of this country-

a)

America

b)

France

c)

Germany

d)

China

41.

Strand was born in this year

a)

1890

b)

1870

c)

1860

d)

1950

42.

1917 Strands photos appeared in this magazine

a)

Camara work

b)

Photos of Americ

c)

Photo work

43.

This photographer did the most to promote Strands work

a)

Alfred Stieglitz

b)

Bernece Abbot

c)

Aaron Siskind

44.

Strand was credited with taking the first ____ photograph

a)

modern

b)

colored

c)

unique

45.

Strand ‘s negatives inspired this person to become a photographer

a)

Ansel Adam

b)

Alfred Steiglitz

c)

Aaron SIskind

46.

Description of Strand’s early work

a)

unique photos

b)

Candids of street people

c)

pictures of things that usually are not noticed

47.

Person Strand studied with in high school

a)

Ansel Adams

b)

Aaron Siskind

c)

Lewis Hine

48.

Year Siskind was born

a)

1909

b)

1890

c)

1980

d)

1920

49.

Type of photography Siskind was originally known for

a)

Documentry

b)

Nature

c)

Personal

d)

Romantic

50.

Siskind took close ups of these subjects

a)

Street people

b)

unique things

c)

Rolcks, boulders

d)

unimportant things

51.

Elements and principles of photography that Siskind was interested in

a)

Color and shape

b)

Shape and space

c)

Texture and form

d)

Unity and harmony

52.

Objects Siskind turned to photograph that were unrecognizable

a)

Close ups of people

b)

Weathered woodland blistered paint

c)

animals

d)

nature and its elements

53.

Schools where Siskind taught

a)

UH school of art

b)

Rhode Island art school

c)

Chicago and Rhode Island Institute of the Arts

d)

Chicago's Institute of Design and Rhode Island school of design

54.

Siskind was inspired by

a)

Alfred Selglitz

b)

Abstract impressionism

55.

Siskind relies on this to convey meaning and beauty in photos

a)

the beauty of nature itself

b)

Organization of abstract shapes, tones, and textures

56.

City and year of birth of Abbott

a)

New York, 1898

b)

Springfelid, Ohio , 1898

c)

Paris, France, 1898

57.

Where did Abbott move at age 20 when she first left home

a)

Paris

b)

New York City

c)

The school of design Rhode Island

58.

Where did Abbott move in 1921

a)

New York

b)

Paris

c)

Back to springfield ohio

59.

What job did Abbott have in Paris

a)

Darkroom assistant to Man Ray

b)

School photographer

c)

Magazine photoshop

60.

Why did she return to New York

a)

Homesick and wanted a new start

b)

went back for her love of her life

c)

missed her family

61.

What type of photographer was Man Ray

a)

Potrait

b)

Documentry

c)

Romantic

d)

Nature

62.

What was Man Rays style

a)

Fun and unexpected

b)

Experimental, romantic, and soft focused

c)

rude and harmful

63.

Who was more popular Man Ray or Abbott

a)

Man Ray

b)

Berenice Abbott

c)

Equal

64.

Weston opened his own studio specializing in this.

a)

Potraits

b)

Family photoshoots

c)

Pictorialism

65.

Early in his career Weston was influenced by____

a)

Bernice Abbott

b)

Man Ray

c)

Aaron Siskind

d)

Pictarolist

66.

Weston helped form a group called____

a)

F/49

b)

F/64

c)

F/61

d)

F/6

67.

After spending time in Mexico, Weston became interested in ______

for which he became famous for.

a)

Nature studies

b)

Mexican history

c)

Mexican archeticture

d)

People

68.

Weston work changed because of the influence of these two photographers

_______________and ________________.

a)

Alfred Stieglitz and Lewis Hine

b)

Paul Strand and Alfred Stieglitz

69.

Liebovitz photography style

a)

Unique

b)

Creative

c)

Flashey, exaggerated, and unexpected poses

70.

What was Liebovitz job from 1973-1983

a)

Model

b)

Movie director

c)

Vaniety fair

71.

1983 Liebovitz began work for this magazine

a)

Chief photographer Rolling Stone Magazine

b)

Cheif photographer of New York Times

72.

In 1948, Liebovitz won this from American Society or Photographer

a)

Photographer of the year

b)

Best photos of the decade

73.

Creates a triangle of light on one side of the face. This is the most common type of lighting. The light is placed at an angle and above the sitter.

a)

Rembrandt

b)

Side Lighting

c)

Halo

d)

Frontal

74.

This is a very dramatic lighting technique. The light is placed directly to the side of the sitter. You may need to use a second fill light to highlight the other side of the sitters face.

a)

Frontal

b)

Butterfly

c)

Halo

d)

Side lighting

75.

Creates a soft effect. The light is placed directly behind the sitter. A second fill light is used from the side or an angle to highlight features.

a)

Halo

b)

Side lighting

c)

Butterfly

d)

Rembrandt

76.

Creates a butterfly shaped shadow under the nose. It is used to thin a round or chubby face and create cheekbones. The light is placed directly in front and above the sitter.

a)

Halo

b)

Side lighting

c)

Frontal

d)

Butterfly

77.

Reduces and virtually eliminates wrinkles on aged faces. The light is placed directly in front of the sitter.

a)

Frontal

b)

Butterfly

c)

Side lighting

78.

Deep depth of feild

a)

burry background

b)

everything in focus

79.

Shallow depth of feild

a)

blurry background

b)

everything in focus