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Contemporary Theater, Philippine National Artists, and Gamaba

Total questions: 66

Worksheet time: 1hrs 6mins

Name
Class
Date
1.

What does GAMABA mean?

a)

Gawad sa Manghahabi ng Bayan

b)

Gawad sa Manggagawa ng Bayan

c)

Gawad sa Manlilikha ng Bayan

d)

Gawad sa Manlalakbay ng Bayan

2.

When was it institutionalized?

a)

May 1992

b)

April 1992

c)

May 1990

d)

April 1990

3.

Who is tasked with the administration and implementation of the Award?

a)

NCAA

b)

NCCA

c)

NGCP

d)

NCCP

4.

What council that conducts the search for the finest traditional artists of the land, adopts a program that will ensure the transfer of their skills to others, and undertakes measures to promote a genuine appreciation of and instill pride among our people about the genius of the Manlilikha ng Bayan?

a)

Manlilikha ng Bayan Judisciary Council

b)

Maanlilinang ng Bayan Executive Council

c)

Manlalakbay ng Bayan Executive Council

d)

Manlilikha ng Bayan Executive Council

5.

What is the roots of Gawad sa Manlilikha ng Bayan?

a)

1988 National Folk Artists Award organized by the Rotary Club of Makati-Ayala

b)

National Commission for Culture and the Arts

c)

1999 National Folk Artists Award organized by the Rotary Club of Makati-Ayala

d)

National Commission for Culture and the Artistry

6.

What do folk and traditional artists reflect?

a)

diverse heritage

b)

cultural traditions

c)

roots of their beginnings to become part of our national character

d)

none of the choices

7.

What do traditional and folk artists' works signify?

a)

age-old customs

b)

crafts

c)

ways of living

d)

all of the choices

8.

What are the distinctive skills of GAMABA?

a)

a high level of technical and artistic excellence

b)

have been passed on to and widely practiced by the present generation in his/her community with the same degree of technical and artistic competence

c)

followers

d)

subscribers

9.

What is the required number of years for the documentation?

a)

40

b)

25

c)

35

d)

50

10.

What the character must be possessed by a GAMABA?

a)

makabansa

b)

intelligent

c)

shy

d)

positive thinker

11.

Who awards the GAMABA?

a)

Artists

b)

NCCA

c)

President

d)

None of the choices

12.

Which of the following is not a benefit of GAMABA?

a)

A minimum cash award of Two Hundred Thousand Pesos (Php 200,000.00), net of taxes.

b)

A minimum lifetime personal monthly stipend of Fifty Thousand Pesos (Php 50,000.00).

c)

Medical and hospitalization benefits not exceeding Php 750,000.00 per year.

d)

Public and TV appearances (TF of Php 10,000)

13.

A Tagabanua Bagobo traditional weaver of distinct abaca fabrics called inabal.

a)

Ginaw Bilog

b)

Uwang Ahadas

c)

Salinta Monon

d)

Darhata Sawabi

14.

A Yakan musician who is a master of the kwintangan, kayu, and tuntungan instruments.

a)

Federico Caballero

b)

Alonzo Saclag

c)

Uwang Ahadas

d)

Masino Intaray

15.

A Tausug weaver of Pis Syabit, the traditional cloth tapestry worn as head cover.

a)

Alonzo Saclag

b)

Haja Amina Appi

c)

Eduardo Mutuc

d)

Darhata Sawabi

16.

A T'boli traditional weaver of T'nalak or T'boli cloth made of colorful abaca fabrics.

a)

Lang Dulay

b)

Masino Intaray

c)

Ginaw Bilog

d)

Alonzo Saclag

17.

A Sulod Bukidnon epic chanter from Kalinog, Iloilo who ceasesly works for then documentation of the oral literature, particularly the epics of his people.

a)

Uwang Ahadas

b)

Eduardo Mutuc

c)

Federico Caballero

d)

Masino Intaray

18.

An Artist from Apalit, Pampanga who has dedicated his life creating religious and secular art in silver, bronze, and wood.

a)

Haja Amina Appi

b)

Eduardo Mutuc

c)

Federico Caballero

d)

Uwang Ahadas

19.

A chanter and story-teller recognized for his outstanding mastery of various traditional musical instruments of the Palawan people such as basal, kulilal, and bagil.

a)

GInaw BIlog

b)

Masino Intaray

c)

Lang Dulay

d)

Alonzo Saclag

20.

She was the first Filipina to be awarded of the Order of the National Artists for Dance.

a)

Lucrecia Urtula

b)

Alice Reyes

c)

Francisca Aquino

d)

Leonor Goquingco

21.

A legendary founder of Ballet Philippines.

a)

Lucrecia Urtula

b)

Alice Reyes

c)

Francisca Aquino

d)

Leonor Goquingco

22.

She was the founding director of the Bayanihan Philippine National Folk Dance Company.

a)

Lucrecia Urtula

b)

Alice Reyes

c)

Francisca Aquino

d)

Leonor Goquingco

23.

Ramon Obusan was conferred as National Artist in ______ (year).

a)

1976

b)

2014

c)

2006

d)

1988

24.

Alice Reyes was conferred as National Artist in ______ (year).

a)

1976

b)

2014

c)

2006

d)

1988

25.

Francisca Aquino was conferred as National Artist in ______ (year).

a)

1976

b)

2014

c)

1973

d)

1988

26.

Leonor Goquingco was conferred as National Artist in ______ (year).

a)

1976

b)

1973

c)

2006

d)

2014

27.

Lucrecia Urtula was conferred as National Artist in ______ (year).

a)

1976

b)

2014

c)

2006

d)

1988

28.

She was also known as Cristina Luna and has been dubbed as the Trailblazer and Mother of Theater Dance.

a)

Lucrecia Urtula

b)

Alice Reyes

c)

Francisca Aquino

d)

Leonor Goquingco

29.

He is the National Artist for Film and Broadcast Arts (1997)

a)

Fernando Poe Jr.

b)

Ishmael Bernal

c)

Lamberto Avellana

d)

Lino Brocka

30.

His well-known film is Himala which starred Nora Aunor.

a)

Lamberto Avellana

b)

Ishmael Bernal

c)

Gerardo De Leon

d)

Manuel Conde

31.

He was the first to receive the best director award from the Filipino Academy of Movie Arts and Sciences (FAMAS) and was later inducted into the FAMAS Hall of Fame for winning the best director award seven times.

a)

Lamberto Avellana

b)

Ishmael Bernal

c)

Gerardo De Leon

d)

Manuel Conde

32.

He directed Juan Tamad and him himself starred as Juan Tamad in the movie.

a)

Lamberto Avellana

b)

Ishmael Bernal

c)

Gerardo De Leon

d)

Manuel Conde

33.

He is dubbed as the “King of Philippine Movies.”

a)

Salvador Bernal

b)

Ronald Allan Poe

c)

Ildefonso Santos Jr.

34.

First lady of Philippine Theater.

a)

Honorata "Atang" de la Rama

b)

Daisy Avellana

c)

Lamberto Avellana

d)

Amelia Bonifacio

e)

Emelita Bonifacio

35.

She is known as the Queen of Kundiman.

a)

Lucresia Kasilag

b)

Honorata Dela Rama

c)

Leonor Goquingco

36.

He is known as the “Boy Wonder of Philippine Movies.”

a)

Carlos Francisco

b)

Lamberto Avellana

c)

Ildefonso Santos

37.

He is the Father of Philippine Stage Design.

a)

Salvador Bernal

b)

Ronald Allan Poe

c)

Ildefonso Santos Jr.

38.

She was regarded as the "Mother of Philippine Dancing".

a)

Francisca Reyes Aquino

b)

Jovita Fuentes

c)

Lucrecia Kasilag

39.

She was awarded the National artist for dance in 1976.

a)

Jovita Fuentes

b)

Lucrecia Urtula

c)

Leonor Goquingco

40.

He was regarded as the "Father of Philippine Independent Film".

a)

Kidlat Tahimik

b)

Resil Mojares

c)

Ramon Muzones

41.

She believed that the Zarzuela and Kundiman best express the Filipino soul.

a)

Amelia Bonifacio

b)

Lucrecia Kasilag

c)

Honorata Dela Rama

42.

He was the first to use the point of view camera technique in films.

a)

Ramon Muzones

b)

Lamberto Avellana

c)

Gerry De Leon

43.

PLOT

a)

This is what happens in the play. Plot refers to the action; the basic storyline of the play.

b)

The main idea or lesson to be learned from the play.

c)

The one who move the action, or plot, of the play forward.

d)

The written by the playwright and spoken by the characters in the play.

44.

Where is upstage

a)

The front of the stage

b)

The back

c)

The middle

d)

None of the above

45.

Where is down stage

a)

The back

b)

The front

c)

Behind

d)

The middle

46.
Responsible for leading rehearsals, hiring, actors, and the overall vision of a production.
a)
Producer
b)
Makeup Artist
c)
Prop Master
d)
Director
47.

The character opposing the protagonist.

a)

Comedy

b)

Act

c)

Climax

d)

Antagonist

48.
Dialogue
a)
the chapters in a drama/play
b)
characters in a drama/play
c)
what the actors say in a drama/play
d)
tools used to bring a scence
49.

The line spoken just before your line, or the signal to enter or perform another action.

a)

Breaking Character

b)

Cue

c)

Compass Direction

d)

Black Out

50.

Turning point in the action of a play.

a)

Climax

b)

Spectacle

c)

Conflict

d)

Act

51.
In charge of creating routines for dance and movement during a production, most often during a musical.
a)
Prop Master
b)
Actress
c)
Choreographer
d)
Stage Makeup
52.
Builds and designs sets for a production.  Works closely with director to get a sense of where the action is taking place.
a)
Set Designer
b)
Producer
c)
Costume Designer
d)
Music Director
53.
Responsible for announcing "cues" during a production for lights, sound, sets, props, and actors during a show.
a)
Actress
b)
Stage Manager
c)
Sound Designer
d)
Stage Makeup Artist
54.
In charge of rehearsing with the orchestra or "pit" for music and also helps direct the actors while they sing on stage.
a)
Sound Designer
b)
Choreographer
c)
Set Designer
d)
Music Director
55.
Funds or pays for the costs during a production and hires a director for a show.
a)
Director
b)
Tech/Stage Crew
c)
Actress
d)
Producer
56.
Reads the script and delivers lines on stage to portray a character in a production.
a)
Prop Master
b)
Actor/Actress
c)
Sound Designer
d)
Stage Makeup Artist
57.
Creates the "lighting look" for different scenes and must work with the director and set designer.
a)
Sound Designer
b)
Lighting Designer
c)
Tech/Stage Crew
d)
Director
58.
Responsible for leading rehearsals, hiring, actors, and the overall vision of a production.
a)
Producer
b)
Makeup Artist
c)
Prop Master
d)
Director
59.
Creates the sound track for the production by making a collection of music and sounds for the show.
a)
Choreographer
b)
Director
c)
Sound Designer
d)
Lighting Designer
60.
Develops and creates the clothing the actors and actresses will wear to portray a character in a production.
a)
Stage Manager
b)
Costume Designer
c)
Music Director
d)
Set Designer
61.
Responsible for moving scenery, placement of props, and takes directions from the Stage Manager.
a)
Tech/Stage Crew
b)
Prop Master
c)
Director
d)
Producer
62.

Elements are varied and complex, and may include the physical presence of the actors, the colors and shapes of the costumes and scenery, sound and music, drama and emotions expressed by the playwright

a)

Theater

b)

Architecture

c)

Visual

d)

Photography

63.

A basic theater stage that space can be any kind of structure that maintains its original architectural elements intact such as warehouse gyms

a)

PROSCENIUM or PICTURE FRAME STAGE

b)

Created and found

c)

Thrust stage

d)

ARENA or CIRCLE STAGE

64.

A basic theater stage that the action takes place behind the proscenium opening or frame

a)

PROSCENIUM or PICTURE FRAME STAGE

b)

Created and found

c)

Thrust stage

d)

ARENA or CIRCLE STAGE

65.

A basic theater stage that has three –quarter-seating arranged in a semicircle that encloses the stage protruding the center

a)

PROSCENIUM or PICTURE FRAME STAGE

b)

Created and found

c)

Thrust stage

d)

ARENA or CIRCLE STAGE

66.

A basic theater stage may either be raised a few feet above the floor with seats rising from the floor level

a)

PROSCENIUM or PICTURE FRAME STAGE

b)

Created and found

c)

Thrust stage

d)

ARENA or CIRCLE STAGE