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Integrated Theory Music (6)

Total questions: 93

Worksheet time: 47mins

Name
Class
Date
1.

the highness or lowness (or height or depth) of a musical sound.

a)

Pitch

b)

Intensity

c)

duration

2.

is concerned with the strength or weakness (or loudness or

softness) of sound.

a)

Pitch

b)

Intensity

c)

Duration

3.

covers the length of time between the beginning (attack) and

the end (decay) of a sound.

a)

Pitch

b)

Intensity

c)

duration

4.

the distinctive quality or tone color of each instrument/voice

which makes one sound different from another even when they are both

producing the same pitch with equal intensity and duration.

a)

Intensity

b)

Duration

c)

Timbre

5.

is the flow of music through time.

a)

Rhythm

b)

Melody

c)

Tempo

6.

– is a regular, recurrent pulsation that divides music into equal

units of time.

a)

Beat

b)

Meter

c)

polymeter

7.

the organization of beats into regular groups.

a)

Rhythm

b)

Meter

c)

Melody

8.

is division of time where the fundamental pulses

subdivide into groups of two, four, etc.

a)

Simple Meter

b)

Compound Meter

c)

Polymeter

9.

is a division in which the fundamental pulses

subdivide into groups of three, six, twelve, etc.

a)

Simple Meter

b)

Compound Meter

c)

Polymeter

10.

is double meter to indicate that two meters are com-

bined or there is constant change from one meter to the other

back and both.

a)

Simple Meter

b)

Compound Meter

c)

Polymeter

11.

–consist of two numbers. The upper number indicates

the number of beats for every measure and the lower number indi-

cates what kind of note receives one beat.

a)

Time Signature

b)

Rhythmic Pattern

12.

is the division of beats into patterns of sound. A

combination of notes and rests found in one measure of a given time

signatures.

a)

Rhythmic Pattern

b)

Syncopation

13.

is musical process that involves adding an unexpected

element to the basic beat of a musical composition. A dislocation of the

strong accents within a measure.

a)

Syncopation

b)

Rhythmic Pattern

14.

stress or added emphasis given to a note.

a)

Accent

b)

Presto

c)

Accelaration

15.

is a series of single notes that add up to a recognizable whole.

Melodic directions of movement are going up, going down and repeated.

a)

Rhythm

b)

melody

c)

Tempo

16.

the highness and lowness of a sound.

a)

Pitch

b)

Key signature

c)

Scale

17.

consists of sharps and flats.

a)

Key Signature

b)

Pitch

c)

Scale

18.

is a group of musical notes collected in ascending and

descending order.

a)

Pitch

b)

Key signature

c)

Scale

19.

rate or speed in music

a)

Rhythm

b)

Melody

c)

Tempo

20.

Moderate slow

a)

Andante

b)

Accelaration

c)

Presto

21.

fast

a)

Allergo

b)

Allegro

c)

Moderato

22.

moderately

a)

accelaration

b)

moderato

c)

andante

23.

slow

a)

Lento

b)

Andante

c)

Accelaration

24.

Lively

a)

Vivace

b)

Accelaration

c)

Andante

25.

Very fast

a)

Presto

b)

Accelerando

c)

Ritardando

26.

gradually becoming faster

a)

Accelerando

b)

Retardando

27.

gradually becoming slower

a)

Accelerando

b)

Retardando

28.

the loudness and softness in music.

a)

Melody

b)

Dynamics

c)

Tempo

29.

Very load

a)

Fortissimo

b)

Pianissimo

c)

Piano

30.

Very soft

a)

Pianissimo

b)

Fortissimo

c)

Piano

31.

half solf or soft

a)

Mezzo Piano

b)

Forti

c)

Pianissimo

32.

half loud

a)

Mezzo Forte

b)

Fortissimo

c)

Mezzo Piano

33.

gradually becoming louder

a)

crescendo

b)

decrescendo

34.

gradually becoming softer

a)

decrescendo

b)

crescendo

35.

the structure or framework of a composition.

a)

For

b)

Form

c)

Tempo

36.

smallest unit of a composition.

a)

Tone

b)

figure

c)

Motive

37.

smallest characteristic group of a tone

a)

Tone

b)

Figure

c)

Motive

38.

is a tone group that may be identified with a particular com-

position.

a)

Tone

b)

Figure

c)

Motive

39.

is a succession of tones arranged in such a way as to give a

musical thought.

a)

Phrase

b)

Motive

c)

Period

40.

a complete musical thought consisting of two phrases in

Question and Answer.

a)

Motive

b)

Period

c)

Figure

41.

a combination of periods.

a)

Period

b)

Section

c)

Figure

42.

consist of one part.

a)

Unitary

b)

Binary

c)

Ternary

43.

consist of two parts.

a)

Unitary

b)

Binary

c)

Ternary

44.

consist of three parts.

a)

Utinary

b)

Binary

c)

Ternary

45.

consist of more than three parts.

a)

Binary

b)

Ternary

c)

Rondo

46.

is the qualifying difference between one tone and another. The

color of sound produced by the voice and different instrument.

(Soprano, alto,Tenor, Bass, Orchestra Instrument, rondalla Instrument)

a)

Timbre

b)

Tempo

c)

Melody

47.

is the relationship of melodies (horizontal) and harmonic (vertical) elements in music. Produce qualities of lightness or heaviness, thickness or thinness.

a)

Tempo

b)

Texture

c)

Timbre

48.

single unaccompanied melodic line.

a)

Monophonic

b)

Polyphonic

c)

Homophonic

49.

consist of two or more melodic lines.

a)

Monophonic

b)

Poloyphonic

c)

Homophonic

50.

one main melody accompanied by chords.

a)

Monophonic

b)

Polophonic

c)

Homophonic

51.

is the simultaneous sounding of a group of tones. The vertical

relationship between a melody and its accompanying chords or between

melodies simultaneously played or sung.

a)

Timbre

b)

Texture

c)

Harmony

52.

consist of three notes: the root, 3rd and 5th.

a)

Triad

b)

Chord

53.

a musical sonority consisting of three or more tones sounded

simultaneously.

a)

Triad

b)

Chord

54.

What is the meter of music when the time signature is a fast 6/4 ?

a)

simple duple

b)

compound duple

c)

simple Triple

d)

compound Triple

55.

In cut time music, how many beats will a dotted half note receive?

a)

3 beat

b)

2 beat

c)

one and a half beat

d)

one beat

56.

Which does not have a syncopated rhythm?

a)
b)
c)
d)
57.
a)

a.

b)

b

c)

c

d)

d

58.

What interval can be found between the 6th and the 7th notes of a harmonic minor scale?

a)

whole tone

b)

3 semi tone

c)

semitone

d)

2 whole tones

59.

The resulting interval of an inverted diminished 5th is___________.

a)

perfect 5th

b)

perfect 4th

c)

diminished 4th

d)

augmented 4th

60.

The enharmonic note of G double sharp is___________.

a)

F double sharf

b)

A double flat

c)

F

d)

A

61.

Keys having the same key signature but different tonic notes.

a)

parallel keys

b)

relative keys

c)

tonic keys

d)

perfect keys

62.

The first note of a mode is called_________.

a)

finalis

b)

tenor

c)

confinalis

d)

dominant

63.

A grace note that has no definite time value and is usually played as quickly

as possible.

a)

Turn

b)

Appoggiatura

c)

Acciacatura

d)

mordent

64.

A property of tone that is concern with the weakness and strength; or the

softness or loudness of tone

a)

duration

b)

timbre

c)

sonority

d)

intensity

65.

Which of the following songs follows the unisectional form?

a)

Leron-Leron Sinta

b)

Pambansang Awit

c)

Plilipinas Kong Mahal

d)

Bituing Marikit

66.

The underlying principle in this form is the recurrence of a main theme

which alternates with one or more subordinate themes.

a)

rondo

b)

theme and variation

c)

ternary

d)

sonata allegro

67.

All these songs are in strophic form, except for one. Which one is it?

a)

Bahay Kubo

b)

Leron-Leron Sinta

c)

Pamulinawen

d)

Sitsiritsit

68.

What is the missing 3rd note in this diminished triad, when the root and 5th

are given:

a)

D

b)

Db

c)

D#

d)

Dbb

69.

What kind of triad is formed on the 3rd note of a harmonic minor?

a)

Major

b)

Minor

c)

Augmented

d)

Diminished

70.

What kind of triad is formed on the 3rd note of a harmonic minor?

a)

monophony

b)

monophony

c)

polyphony

d)

heterophony

71.

The gradual increase in volume.

a)

crescendo

b)

diminuendo

c)

accelerando

d)

decrescendo

72.

Which does not belong to the group?

a)

Symphony No.5 in Cm (Beethoven)

b)

Piano Concerto No. 7 (Tchaikovsky)

c)

Moonlight Sonata (Beethoven)

d)

Etude No.3 (Chopin)

73.

The highest and lowest tones an instrument or voice is capable of playing

singing.

a)

register

b)

pitch

c)

range

d)

direction

74.

The _______ fixes or assigns the second line of the staff as G.

a)

Treble clef

b)

bass clef

c)

tenor clef

d)

alto clef

75.

What is the key when the key signature is consisting of 5 sharps?

a)

E min.

b)

F# min.

c)

G# min

d)

D# min.

76.

The semitones in a major scale are found between the _______ notes.

a)

2nd and 3rd; 5th and 6th

b)

3rd and 4th; 7th and 8th

c)

4th and 5th; 7th and 8th

d)

2nd and 3rd; 7th and 8th

77.

One section set to 2 or more stanzas is called ________.

a)

Strophic

b)

binary

c)

rondo

d)

ternary

78.

A single melodic line performed without any accompaniment is said to be_.

a)

Monophonic

b)

homophonic

c)

polyphonic

d)

heterophonic

79.

A curved line indicating that all notes under it are to be played in a very

connected and smooth way.

a)

Slur

b)

Tie

c)

Legato

d)

Portato

80.

A clef sign that fixes the 3rd line as middle C.

a)

Bass clef

b)

soprano clef

c)

alto clef

d)

tenor clef

81.

Chromatic signs that do not belong to the key signatures.

a)

Accidental

b)

natural

c)

sharp

d)

flat

82.

The third note of the scale is called ________.

a)

Tonic

b)

Supertonic

c)

mediant

d)

Sub-mediant

83.

__________________ is characterized as one melody performed by

several groups with slight melodic and/or rhythmic alterations.

a)

Monophony

b)

homophony

c)

polyphony

d)

heterophony

84.

The present day minor scale is the same as the ____________ mode.

a)

Dorian

b)

Locrian

c)

Aeolian

d)

Ionian

85.

Passage from one key or mode to another.

a)

Modulation

b)

Tonality

c)

Transposition

d)

Progression

86.

Notation or performance of a composition in a different key from the one in

which it was originally written.

a)

Modulation

b)

Tonality

c)

Transposition

d)

Progression

87.

Diminished 6th below A flat

a)

C sharp

b)

B

c)

C flat

d)

D flat

88.

The parallel major of G minor is ______.

a)

E minor

b)

G major

c)

B flat major

d)

E flat minor

89.

What is the relative minor key of F sharp major?

a)

C sharp minor

b)

A minor

c)

D sharp minor

d)

E minor

90.

A direction to perform the passage in a smooth and connected manner,

with no break between the tones.

a)

Legato

b)

Staccato

c)

Portato

d)

Trill

91.

A kind of form in which the theme is followed by a repetitions which focus

on alterations in each variation- in the rhythm, harmony, melody, texture

and color of the theme.

a)

Rondo

b)

theme and variation

c)

Sonata- allegro form

d)

Scherzo

92.

Melodic formulas that are used to decorate or embellish a melody.

a)

Ornaments

b)

augmentation

c)

trill

d)

arpeggio

93.

It is used to lower a note by a whole step

a)

Flat

b)

double flat

c)

natural

d)

sharp