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TOA M-01 01

Total questions: 50

Worksheet time: 25mins

Name
Class
Date
1.

Identified four major ingredients of art: point, line, plane and volume

a)

Michelagelo Buonarotti

b)

Leon Battista Alberti

c)

Marcus Vitruvius

d)

Wassily Kadinski

e)

None of the Above

2.

position in space; pictorial form

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

3.

property of length, direction and position; movement

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

4.

properties of length and width, shape, surface, orientation and position

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

5.

properties of length, width and depth, form and space; surface, orientation, and position

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

6.

Identify the element prominent in the image

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

7.

Identify the element prominent in the image

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

8.

Identify the element prominent in the image

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

9.

Identify the element prominent in the image

a)

point

b)

line

c)

plane

d)

volume

e)

None of the Above

10.

The manner of arranging and coordinating the elements and parts of a composition to produce a coherent image

a)

Shape

b)

Form

c)

Figure

d)

Volume

e)

None of the Above

11.

Characteristic outline or surfaces configuration of a particular form

a)

Shape

b)

Form

c)

Figure

d)

Volume

e)

None of the Above

12.

physical dimensions of length, width, and depth of a form

a)

Size

b)

Color

c)

Texture

d)

Position

e)

None of the Above

13.

a phenomenon of light and visual perception of hue, saturation and tonal value

a)

Size

b)

Color

c)

Texture

d)

Position

e)

None of the Above

14.

visual and especially tactile quality given to a surface by the size, shape, arrangement and proportions of the parts

a)

Size

b)

Color

c)

Texture

d)

Position

e)

None of the Above

15.

Location of a form relative to its environment.

a)

Size

b)

Color

c)

Texture

d)

Position

e)

None of the Above

16.

direction of a form relative to the ground plane, compass points, other forms of point of view

a)

Orientation

b)

Scale

c)

Visual Inertia

d)

Surface

e)

None of the Above

17.

determined by its size relative to other forms in its context

a)

Orientation

b)

Scale

c)

Visual Inertia

d)

Surface

e)

None of the Above

18.

the degree of concentration and stability of a form; depends on its geometry and orientation

a)

Orientation

b)

Scale

c)

Visual Inertia

d)

Surface

e)

None of the Above

19.

refers to any figure having only 2 dimensions (flat plane); curved 2-dimensional locus of points defining the boundary of a 3D solid

a)

Orientation

b)

Scale

c)

Visual Inertia

d)

Surface

e)

None of the Above

20.

parts related to each other are consistent; generally stable and symmetrical

a)

Irregular Forms

b)

Standard Forms

c)

Regular Forms

d)

Odd Forms

e)

None of the Above

21.

parts are dissimilar and related in an inconsistent manner; generally dynamic and asymmetrical

a)

Irregular Forms

b)

Standard Forms

c)

Regular Forms

d)

Odd Forms

e)

None of the Above

22.

a form can be transformed by altering one or more of its dimensions and still retain its identity as a member of a family of forms

a)

Dimensional Transformation

b)

Subtractive Transformation

c)

Additive Transformation

d)

Relative Transformation

e)

None of the Above

23.

a form can be transformed by subtracting a portion of its volume

a)

Dimensional Transformation

b)

Subtractive Transformation

c)

Additive Transformation

d)

Relative Transformation

e)

None of the Above

24.

a form can be transformed by the addition of elements to its volume

a)

Dimensional Transformation

b)

Subtractive Transformation

c)

Additive Transformation

d)

Relative Transformation

e)

None of the Above

25.

a number of secondary forms clustered about a dominant central parent form

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

26.

a series of forms arranged sequentially in a row

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

27.

a composition of linear forms extending outward from a central form in a radial manner

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

28.

collection of forms grouped together by proximity or the sharing of a common visual trait.

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

29.

a set of modular forms related and regulated by a 3-dimensional grid

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

30.

This type of relationship relies on the close proximity of the forms or their sharing of a common visual trait, such as shape, colour, or material.

a)

Spatial Tension

b)

Edge-to-Edge Contact

c)

Face-to-Face Contact

d)

Interlocking Volumes

e)

None of the Above

31.

Contact In this type of relationship, the forms share a common edge and can pivot about that edge.

a)

Spatial Tension

b)

Edge-to-Edge Contact

c)

Face-to-Face Contact

d)

Interlocking Volumes

e)

None of the Above

32.

This type of relationship requires that the two forms have corresponding planar surfaces which are parallel to each other.

a)

Spatial Tension

b)

Edge-to-Edge Contact

c)

Face-to-Face Contact

d)

Interlocking Volumes

e)

None of the Above

33.

In this type of relationship, the forms interpenetrate each other’s space. The forms need not share any visual traits.

a)

Spatial Tension

b)

Edge-to-Edge Contact

c)

Face-to-Face Contact

d)

Interlocking Volumes

e)

None of the Above

34.

Identify the type of form in the image

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

35.

Identify the type of form in the image

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

36.

Identify the type of form in the image

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

37.

Identify the type of form in the image

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

38.

Identify the type of form in the image

a)

Centralized

b)

Linear

c)

Radial

d)

Clustered

e)

Grid

39.

refers to the manner in which the surfaces of a form come together to define its shape and volume

a)

Edge and Corner Articulation

b)

Surface Articulation

c)

Articulation of Forms

d)

Corner Articulation

e)

None of the Above

40.

Identify the spatial relationship in the image

a)

Space within a space

b)

Interlocking spaces

c)

Adjacent Spaces

d)

Spaces linked by a common space

e)

None of the Above

41.

Identify the spatial relationship in the image

a)

Space within a space

b)

Interlocking spaces

c)

Adjacent Spaces

d)

Spaces linked by a common space

e)

None of the Above

42.

Identify the spatial relationship in the image

a)

Space within a space

b)

Interlocking spaces

c)

Adjacent Spaces

d)

Spaces linked by a common space

e)

None of the Above

43.

Identify the spatial relationship in the image

a)

Space within a space

b)

Interlocking spaces

c)

Adjacent Spaces

d)

Spaces linked by a common space

e)

None of the Above

44.

explained how the brain perceived the types and patterns that were presented to it, or how visual information were treated

a)

Gestalt Psychology

b)

Geralt Psychology

c)

Gervais Psychology

d)

Gentrified Psychology

e)

None of the Above

45.

refers to the relationship with the positive element and the negative space

a)

Figure and Ground

b)

Proximity

c)

Similarity

d)

Closure

e)

None of the Above

46.

objects that are closer together as a group are seen more of a relation, but if they are farther apart they are seen as individual elements.

a)

Figure and Ground

b)

Proximity

c)

Similarity

d)

Closure

e)

None of the Above

47.

using a number of elements that show repeating forms

a)

Figure and Ground

b)

Proximity

c)

Similarity

d)

Closure

e)

None of the Above

48.

refers to how elements are arranged in a way that we try to scan these elements, and find something that is recognizable and allows us to fill in the gaps

a)

Figure and Ground

b)

Proximity

c)

Similarity

d)

Closure

e)

None of the Above

49.

refers to how we spot things that are similar and how well organized they are to make a precise and intricate design

a)

Similarity

b)

Symmetry

c)

Continuity

d)

Closure

e)

None of the Above

50.

refers to where design moves the human eye around the space, and how the same repeating element is continued, where if the design leading the eye to one room to another or to different elements in the design

a)

Similarity

b)

Symmetry

c)

Continuity

d)

Closure

e)

None of the Above