WorksheetsTOA M-01 01
Total questions: 50
Worksheet time: 25mins
Identified four major ingredients of art: point, line, plane and volume
Michelagelo Buonarotti
Leon Battista Alberti
Marcus Vitruvius
Wassily Kadinski
None of the Above
position in space; pictorial form
point
line
plane
volume
None of the Above
property of length, direction and position; movement
point
line
plane
volume
None of the Above
properties of length and width, shape, surface, orientation and position
point
line
plane
volume
None of the Above
properties of length, width and depth, form and space; surface, orientation, and position
point
line
plane
volume
None of the Above
Identify the element prominent in the image
point
line
plane
volume
None of the Above
Identify the element prominent in the image
point
line
plane
volume
None of the Above
Identify the element prominent in the image
point
line
plane
volume
None of the Above
Identify the element prominent in the image
point
line
plane
volume
None of the Above
The manner of arranging and coordinating the elements and parts of a composition to produce a coherent image
Shape
Form
Figure
Volume
None of the Above
Characteristic outline or surfaces configuration of a particular form
Shape
Form
Figure
Volume
None of the Above
physical dimensions of length, width, and depth of a form
Size
Color
Texture
Position
None of the Above
a phenomenon of light and visual perception of hue, saturation and tonal value
Size
Color
Texture
Position
None of the Above
visual and especially tactile quality given to a surface by the size, shape, arrangement and proportions of the parts
Size
Color
Texture
Position
None of the Above
Location of a form relative to its environment.
Size
Color
Texture
Position
None of the Above
direction of a form relative to the ground plane, compass points, other forms of point of view
Orientation
Scale
Visual Inertia
Surface
None of the Above
determined by its size relative to other forms in its context
Orientation
Scale
Visual Inertia
Surface
None of the Above
the degree of concentration and stability of a form; depends on its geometry and orientation
Orientation
Scale
Visual Inertia
Surface
None of the Above
refers to any figure having only 2 dimensions (flat plane); curved 2-dimensional locus of points defining the boundary of a 3D solid
Orientation
Scale
Visual Inertia
Surface
None of the Above
parts related to each other are consistent; generally stable and symmetrical
Irregular Forms
Standard Forms
Regular Forms
Odd Forms
None of the Above
parts are dissimilar and related in an inconsistent manner; generally dynamic and asymmetrical
Irregular Forms
Standard Forms
Regular Forms
Odd Forms
None of the Above
a form can be transformed by altering one or more of its dimensions and still retain its identity as a member of a family of forms
Dimensional Transformation
Subtractive Transformation
Additive Transformation
Relative Transformation
None of the Above
a form can be transformed by subtracting a portion of its volume
Dimensional Transformation
Subtractive Transformation
Additive Transformation
Relative Transformation
None of the Above
a form can be transformed by the addition of elements to its volume
Dimensional Transformation
Subtractive Transformation
Additive Transformation
Relative Transformation
None of the Above
a number of secondary forms clustered about a dominant central parent form
Centralized
Linear
Radial
Clustered
Grid
a series of forms arranged sequentially in a row
Centralized
Linear
Radial
Clustered
Grid
a composition of linear forms extending outward from a central form in a radial manner
Centralized
Linear
Radial
Clustered
Grid
collection of forms grouped together by proximity or the sharing of a common visual trait.
Centralized
Linear
Radial
Clustered
Grid
a set of modular forms related and regulated by a 3-dimensional grid
Centralized
Linear
Radial
Clustered
Grid
This type of relationship relies on the close proximity of the forms or their sharing of a common visual trait, such as shape, colour, or material.
Spatial Tension
Edge-to-Edge Contact
Face-to-Face Contact
Interlocking Volumes
None of the Above
Contact In this type of relationship, the forms share a common edge and can pivot about that edge.
Spatial Tension
Edge-to-Edge Contact
Face-to-Face Contact
Interlocking Volumes
None of the Above
This type of relationship requires that the two forms have corresponding planar surfaces which are parallel to each other.
Spatial Tension
Edge-to-Edge Contact
Face-to-Face Contact
Interlocking Volumes
None of the Above
In this type of relationship, the forms interpenetrate each other’s space. The forms need not share any visual traits.
Spatial Tension
Edge-to-Edge Contact
Face-to-Face Contact
Interlocking Volumes
None of the Above
Identify the type of form in the image
Centralized
Linear
Radial
Clustered
Grid
Identify the type of form in the image
Centralized
Linear
Radial
Clustered
Grid
Identify the type of form in the image
Centralized
Linear
Radial
Clustered
Grid
Identify the type of form in the image
Centralized
Linear
Radial
Clustered
Grid
Identify the type of form in the image
Centralized
Linear
Radial
Clustered
Grid
refers to the manner in which the surfaces of a form come together to define its shape and volume
Edge and Corner Articulation
Surface Articulation
Articulation of Forms
Corner Articulation
None of the Above
Identify the spatial relationship in the image
Space within a space
Interlocking spaces
Adjacent Spaces
Spaces linked by a common space
None of the Above
Identify the spatial relationship in the image
Space within a space
Interlocking spaces
Adjacent Spaces
Spaces linked by a common space
None of the Above
Identify the spatial relationship in the image
Space within a space
Interlocking spaces
Adjacent Spaces
Spaces linked by a common space
None of the Above
Identify the spatial relationship in the image
Space within a space
Interlocking spaces
Adjacent Spaces
Spaces linked by a common space
None of the Above
explained how the brain perceived the types and patterns that were presented to it, or how visual information were treated
Gestalt Psychology
Geralt Psychology
Gervais Psychology
Gentrified Psychology
None of the Above
refers to the relationship with the positive element and the negative space
Figure and Ground
Proximity
Similarity
Closure
None of the Above
objects that are closer together as a group are seen more of a relation, but if they are farther apart they are seen as individual elements.
Figure and Ground
Proximity
Similarity
Closure
None of the Above
using a number of elements that show repeating forms
Figure and Ground
Proximity
Similarity
Closure
None of the Above
refers to how elements are arranged in a way that we try to scan these elements, and find something that is recognizable and allows us to fill in the gaps
Figure and Ground
Proximity
Similarity
Closure
None of the Above
refers to how we spot things that are similar and how well organized they are to make a precise and intricate design
Similarity
Symmetry
Continuity
Closure
None of the Above
refers to where design moves the human eye around the space, and how the same repeating element is continued, where if the design leading the eye to one room to another or to different elements in the design
Similarity
Symmetry
Continuity
Closure
None of the Above
