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TOA P2 - Colors - ALE Reviewer

Total questions: 40

Worksheet time: 20mins

Name
Class
Date
1.

A phenomenon of light and visual perception that may be described in terms of an individual’s perception of hue, saturation, and lightness for objects and brightness for light sources.

a)

Spectrum

b)

Color

c)

Chroma

d)

Hue

2.

The distribution of energy emitted by a radiant source, arranged in order of wavelength, esp. the band of colors produced when sunlight is refracted an dispersed by a prism, comprising red, orange, yellow, green, blue, indigo, and violet.

a)

Color

b)

Chroma

c)

Spectrum

d)

Value

3.

Designating a color having high lightness and low saturation.

a)

Pale

b)

Brilliant

c)

Deep

d)

Dark

4.

Designating a color having high lightness and strong saturation.

a)

Pale

b)

Deep

c)

Dark

d)

Brilliant

5.

Designating a color having low lightness and low saturation.

a)

Dark

b)

Deep

c)

Gray

d)

Chroma

6.

Designating a color having low lightness and strong saturation.

a)

Dark

b)

Deep

c)

Gray

d)

Chroma

7.

A system for specifying colors arranged in three orderly scales of uniform visual steps according to hue, chroma, and value.

a)

Color Wheel

b)

Hex Color Code

c)

Color Triangle

d)

Munsell System

8.

One of the three dimensions of color. The property of light by which the color of an object is classified as being red, yellow, green or blue, or an intermediate between any contiguous pair of these colors.

a)

Chroma

b)

Lightness

c)

Saturation

d)

Hue

9.

One of the three dimensions of color, The purity or vividness of a hue, Also called intensity.

a)

Chroma

b)

Saturation

c)

Brightness

d)

Hue

10.

The degree by which a color differs from a gray of the same lightness or brightness, corresponding to saturation of the perceived color.

a)

Value

b)

Hue

c)

Chroma

d)

Intensity

11.

The dimension of color by which an object appears to reflect more or less of the incident light, varying from black to white for surface colors and from black to colorless for transparent volume colors.

a)

Brightness

b)

Lightness

c)

Value

d)

Brilliant

12.

The degree by which a color appears to reflect more or less of the incident light, corresponding to lightness of the perceived color.

a)

Lightness

b)

Brightness

c)

Pale

d)

Value

13.

The dimension of a color which is correlated with luminance and by which visual stimuli are ordered continuously from very dim to very bright.

a)

Lightness

b)

Brightness

c)

Hue

d)

Saturation

14.

A scale of achromatic colors having several, usually ten, equal gradations ranging from white to black.

a)

Monochromatic

b)

Polychromatic

c)

Grayscale

d)

Sepia

15.

The merging of juxtaposed dots or strokes of pure colors when seem from a distance to produce a hue often more luminous than that available from a premixed pigment.

a)

Reflected Color

b)

Selective Absorption

c)

Subtractive Colors

d)

Optical Mixing

16.

The perceived color of an object, determined by the wavelengths of the light reflected from its surface after selective absorption of other wavelengths of the incident light.

a)

Lightness

b)

Brilliant

c)

Brightness

d)

Reflected Color

17.

The absorption of certain wavelengths of the light incident on a colored surface, the remaining portion being reflected or transmitted.

a)

Optical Mixing

b)

Selective Absorption

c)

Reflected Color

d)

Subtractive Color

18.

A color produced by mixing, cyan, yellow, and magenta pigments, each of which absorbs certain wavelengths. A balanced mixture of these colorant or subtractive primaries theoretically yields black since it absorbs all wavelengths of visible light.

a)

Primary Color

b)

Additive Color

c)

Reflected Color

d)

Subtractive Color

19.

A circular scale of the colors of the spectrum, showing complementary colors opposite each other.

a)

Hex Color Code

b)

Color Triangle

c)

Sphere

d)

Color Wheel

20.

Red, Yellow, and Blue

a)

Primary Color

b)

Secondary Color

c)

Tertiary Color

d)

Reflected Color

21.

A color produced by mixing two primary colors.

Orange, Green, or violet.

a)

Primary Colors

b)

Secondary Colors

c)

Tertiary Colors

d)

Reflected Colors

22.

A color produced by mixing two secondary colors,

or a secondary color with one of its constituent primaries.

a)

Secondary Colors

b)

Primary Colors

c)

Tertiary Colors

d)

Reflected Color

23.

Designating a color inclined toward or dominated by red,

orange or yellow.

a)

Cool

b)

Warm

c)

Advancing Color

d)

Receding Color

24.

Designating a color inclined toward or dominated by green,

blue, or violet.

a)

Cool

b)

Warm

c)

Advancing Color

d)

Receding Color

25.

A warm color that appears to move toward an

observer, giving an illusion of space.

a)

Yellow Color

b)

Advancing Color

c)

Receding Color

d)

Subtractive Color

26.

A cool color that appears to move away from an

observer giving an illusion of space.

a)

Blue Color

b)

Advancing Color

c)

Receding Color

d)

Subtractive Color

27.

An arrangement or pattern of colors conceived of as forming an integrated whole.

a)

Color Triangle

b)

Munsell System

c)

Hex Codes

d)

Color Scheme

28.

One of a pair of opposing colors on a color wheel perceived as completing or enhancing each other.

a)

Split Complimentary

b)

Complimentary

c)

Double Complimentary

d)

Analogous

29.

One of two or three closely related colors on a color wheel.

a)

Split Complementary

b)

Complementary

c)

Double Complementary

d)

Analogous

30.

A combination of one color and the pair of colors adjoining its complementary color on a color wheel.

a)

Split Complementary

b)

Complementary

c)

Double Complementary

d)

Analogous

31.

A combination of two analogous colors and their complementary colors on a color wheel.

a)

Split Complementary

b)

Double Complementary

c)

Triad

d)

Complementary

32.

A combination of three colors forming an equilateral triangle on a color wheel.

a)

Analogous

b)

Triad

c)

Primary Color

d)

Color Triangle

33.

Having only one color or exhibiting varying intensities and values of a single hue.

a)

Monochromatic

b)

Polychromatic

c)

Chroma

d)

Achromatic

34.

Having or exhibiting a variety of colors.

a)

Monochromatic

b)

Polychromatic

c)

Chromatic

d)

Achromatic

35.

A triangular diagram developed to describe the relationship between a pure hue, white, and black, which combine to yield secondary tints, tones, shades and grays.

a)

Color Scheme

b)

Color Wheel

c)

Color Triangle

d)

Munsell System

36.

A relatively light value of a color produced by adding white

to it.

a)

Tone

b)

Hue

c)

Shade

d)

Tint

37.

An intermediate value of a color between a tint and a

shade.

a)

Tone

b)

Shade

c)

Hue

d)

Tint

38.

An achromatic color between white and black.

a)

Deep

b)

Monochromatic

c)

Shade

d)

Gray

39.

Having no saturation and therefore no hue, as

white, black, or gray.

a)

Polychromatic

b)

Achromatic

c)

Monochromatic

d)

Chromatic

40.

A relatively dark value of a color produced by adding

black to it.

a)

Tint

b)

Tone

c)

Shade

d)

Hue