It is using proportion, placement, shape, color, and materials.

(a)  

It known as linear progression

(a)  

It is used to organize other forms and spaces.

(a)  

It is well-defined as center point.

(a)  

It is formuladriven compositional structure that could be linear, radial, or bilateral (vertical vs. horizontal).

(a)  

it is counter concept to symmetry

(a)  

it is a design that is sequential.

(a)  

It is a art mixing classification of weights, colors, texture, and objects to generate a sense of stability.

(a)  

Symmetry or asymmetry are often combined with (a)   .

it is a line, shape, or form that anchors all of the forms or elements of a design in one space.

(a)  

It acts as a foundation.

(a)  

It is defined volume between different elements.

(a)  

The manipulation of space can add or subtract from the design to create varying effects for aesthetic or functional purposes.

(a)  

This could include negative space or white space as well.

(a)  

It is how the design leads a viewer’s eyes through the exterior and interior of a building composition, guided by patterns or other design elements.

(a)  

it is a Any element of design can be used to accomplish this, including direction, colors, value, and proportions.

(a)  

It is an intentional variation of design elements that offer the viewer a sense of repeating visuals.

(a)  

This can be expressed through intervals, random, or gradated inflections that may increase or decrease in proportion with each repetition.

(a)  

It is similar to proportion, is the area or everchanging size relationship between design elements in terms of ratios.

(a)  

It is a more complex principle—the harmony created by the rational balance between the built environment and the natural order.

(a)  

This could be anchored by a concept related to functional goals, or visual component for aesthetic purposes.

(a)  

It is when different components of design are treated with varying levels of punctuation, emphasis, or highlight to accent a particular feature.

(a)  

(a)   can provide a deeper level of context to any design for aesthetic or functional purposes.

It includes the components of designs that engage the senses and form emotional responses to the way in which buildings are experienced and valued.

(a)